Aimée Bessire

Ph.D. and M.A., History of Art and Architecture, Harvard University; M.A., Ancient Near Eastern and 20th Century Art, New York University Institute of Fine Arts.

Aimée Bessire teaches courses on African art and culture, the African Diaspora, American culture, cultural and critical theory, popular culture, and the history of photography. Her publications include “Sukuma Figures, Boundaries and the Arousal of Spectacle,” (African Arts, Spring 2005); “Critical Voices in Contemporary African Art,” in The Future of Africa (New York Society for International Affairs); “See: She,” Pamela Johnson, Exhibition Catalog (Bates College Art Museum); “Iké Udé’s Beyond Decorum: The Poetics and Politics of Fasionable Selves,” in The Photography of Iké Udé, (MIT Press). She received a Getty Fellowship to support her research and work on Sukuma culture in Tanzania. Currently, Aimée is working with Sukuma healer practitioners conducting research on objects containing empowering substances and their contextualized practices. Inspired by her long-term association with the village of Ntulya in Tanzania, she founded the non-profit “African Schoolhouse,” dedicated to building sustainable school communities for children in Africa without educational opportunities. Africa Schoolhouse completed the Nyulya Primary School for 600 children in 2010 and in 2011 opened a medical clinic in rural Tanzania.