Posts by Doug Hubley
The Bates theater department production of Molière’s 1672 satire The Learned Ladies…
Hiroya Miura, conductor of the Bates College Orchestra and a native of…
The renovation of Hedge and Roger Williams halls boasts a long list of environmentally sustainable measures. Discarded wood, for example, was chipped by the ton and burned as biomass fuel (with any nails left in the wood being picked up by magnets so the metal could be reused). But not all the old wood went up in smoke. Some will come back to Hedge and the Bill in the coming weeks.
The Bates College Gamelan Orchestra, a student ensemble that plays music of…
The Bates College Gamelan Orchestra, a student ensemble that plays music of Indonesia, and special guest artists perform Lou Harrison’s remarkable Double Concerto for Violin, Cello and Javanese Gamelan at 8 p.m. Saturday, March 12, in the Olin Arts Center Concert Hall, 75 Russell St. Titled Cross-Currents in Bronze, the orchestra’s program of contemporary music for the gamelan also features performances by Balinese dancer Shoko Yamamuro and a world premiere of music by composer Peter Steele.
The Learned Ladies, says director Martin Andrucki, is “a wonderful Molière play. It’s got all the Molière hallmarks — the wit, the elegance, both broad and refined humor.”
Known for its galvanizing, polarizing effect on audiences, Oleanna depicts the struggle between a college professor and a student who accuses him of sexual harassment and thereby spoils his chances for tenure.
March is a month for theater classics at Bates College. Elizabeth Castellano, a Bates junior from New Suffolk, N.Y., directs the college’s production of David Mamet’s Oleanna, a highly charged story of sexual politics in the halls of academe. Meanwhile, the theater department honors French culture and marks the 50th anniversary of its mainstage venue, Schaeffer Theatre, with a production of Molière’s 1672 satire The Learned Ladies.
Happy spring from Bates! Here’s a preview of public events at the college in March 2011. Except as noted, these events are open to the public at no charge.
Captivated by the details of steel, drywall and bricks, as we often are, it’s easy to lose sight of the fact that the renovation of Hedge and Roger Williams halls is not actually the most important activity involving these buildings. What really matters, of course, is what people do in a building during those long intervals between construction projects.