Some, like the Tasmanian tiger, are considered extinct, yet sightings are still reported. Some, like the giant squid, existed only as rumors until hard evidence finally appeared. And roaming a shadowy habitat between myth, hucksterism and science are still others — for example, Bigfoot and the Loch Ness Monster.

Such creatures are the subjects of cryptozoology, the study of unknown, rumored or hidden animals. This summer, in the major exhibition Cryptozoology: Out of Time Place Scale, the Bates College Museum of Art presents 16 artists in a wide-ranging examination of a field enjoying an increasingly high profile in pop culture.

The exhibition opens June 23 and runs through Oct. 8 at the Bates museum, 75 Russell St. The museum is open from 10 a.m. until 5 p.m. Tuesday through Saturday, and is closed Mondays and major holidays. Admission is free. For more information, please visit the museum’s Web site or contact the museum at 207-786-6158 or this museum@bates.edu.

The exhibition is curated by Bates museum director Mark H.C. Bessire and Raechell Smith, director of the H&R Block Artspace at the Kansas City Art Institute, where it opens in late October.

“It really has been an artist-driven project,” says Bessire, as the curators became aware of the number of well-known artists making work that crossed the borders between environmental science, pop culture and cryptozoology itself.

“Then, underneath those big ideas were ideas that, I think, are very interesting in terms of contemporary life — myth, spectacle, fraud,” Bessire says. “Those three topics also turn up within the guise of cryptozoology. Those are fruitful areas for artists, and the work in this show opens up a conversation for all of these topics.”

Artworks in the exhibition run a gamut of gamuts in terms of media, themes and perspectives. They include dioramas, taxidermy and performative photo series, along with more conventional media. The 16 artists include Mark Dion, whose “hallway” installation, Bessire writes, evokes “the timeless institutional feel of a government agency, a historical college (like Bates College) or a museum”; Rachel Berwick, who made three-dimensional models of a Tasmanian tiger, or thylacine, derived from film taken in the 1920s of the last known living specimen; and Jamie Wyeth, who shows images of a beast designed for the Stephen King television series Kingdom Hospital.

The exhibition is presented in conjunction with a film series (schedule to be determined) and a major publication that includes essays by exhibiting artists, Bates anthropologist Loring Danforth and Maine’s own Loren Coleman, who is considered the leading American cryptozoologist.

After Bates, Cryptozoology: Out of Time Place Scale travels to the Block Artspace, where it will be shown from Oct. 27 until Dec. 20.

A symposium at the Bates College Museum of Art this weekend relates the visual arts to cryptozoology, the study of unknown, rumored or hidden animals.

Treating issues of cryptozoology, science and art, the symposium Out of Time Place Scale takes place at the museum Friday and Saturday, Oct. 28-29. Friday’s keynote speaker is cryptozoologist Loren Coleman, an authority in the field and the founder of the Cryptozoology Museum in Portland, where he lives. An exhibition relating to cryptozoology opens at the museum in June 2006.

The event begins at 6:30 p.m. Friday and will include artist presentations, panel discussions and films. For a complete symposium schedule, click here. Admission to the museum and its special events is free. For more information, call 207-786-6158 or visit the museum on the Web.

Cryptozoology, the study of animals that roam the unmapped regions between reality and legend, has given us the quests for the Loch Ness Monster, Bigfoot and the Abominable Snowman. But it has also revealed animals that are now part of the classified natural world.

Cryptozoologists are often maligned as crackpots or publicity hounds — until a “real” discovery is made and previously skeptical scientific authorities shamelessly celebrate the “find,” as in the cases of the giant panda, the komodo dragon and the coelacanth. Then cryptozoologists go on to the next search and the cycle begins again. This consensus subjectivity offered in the guise of objectivity is the linchpin linking the practices of cryptozoology to those practices of contemporary art.

It’s a pursuit, says museum director Mark Bessire, “where the disciplines of science and art share a mutual focal point: a desperately desired visual encounter.”

Coleman’s books include Tom Slick: True Life Encounters in Cryptozoology (Linden Publishing, 2002); Bigfoot! The True Story of Apes in America (Paraview Pocket Books, 2003); and The Field Guide to Lake Monsters, Sea Serpents, and Other Mystery Denizens of the Deep (Jeremy P. Tarcher, 2003), of which he is a co-author.

Artists attending the symposium include Rachel Berwick, Ellen Lesperance, Mark Dion, Sean Foley, Alexis Rockman and Jeffrey Valance. A publication and film series will be produced in conjunction with the 2006 cryptozoology exhibition. The exhibition is curated by Bessire and Raechell Smith, director of the H&R Block Artspace at the Kansas City Art Institute, and is organized by the Bates museum and the Block Artspace.

Coming to the Bates College Museum of Art in October are an exhibition of prints by Robert Indiana and a symposium relating the visual arts to cryptozoology, the study of unknown, rumored or hidden animals.

To mark the opening of his exhibition Robert Indiana: The Hartley Elegies, renowned Vinalhaven artist Robert Indiana offers a lecture at 4 p.m. Saturday, Oct. 1, at the college’s Olin Arts Center, 75 Russell St. The exhibition consists of 10 prints made in homage to Marsden Hartley, a pioneering American modernist with whom Indiana finds artistic and personal kinship. The exhibition runs through Dec. 17.

A reception follows. Admission to the museum and its special events is free. For more information, call 207-786-6158 or visit the museum on the Web.

The Indiana event is part of a rich schedule for Parents and Family Weekend 2005 at Bates. Also on tap for the weekend are the annual Cultural Extravaganza produced by Amandla!, a student organization exploring issues of African and African American culture; a talk by political humorist Al Franken and a student art sale to benefit the Katrina Relief Initiative at Bates.

Treating issues of cryptozoology, science and art, the symposium Out of Time Place Scale takes place at the museum Friday and Saturday, Oct. 28-29. Friday’s keynote speaker is cryptozoologist Loren Coleman, an authority in the field and the founder of the Cryptozoology Museum in Portland, where he lives. An exhibition relating to cryptozoology opens at the museum in June 2006.

Dedicating much of his art to the visual power of words and numbers, Robert Indiana may be best-known for his image of the word “LOVE” set in two lines with a tilting “O.” Originally created in 1964 for a Museum of Modern Art Christmas card, the image became a symbol of the 1960s counterculture. It appeared on a U.S. postage stamp in 1973 and has been adapted for a variety of media, including sculpture.

A resident of the Maine island of Vinalhaven, Indiana published The Hartley Elegies in the early 1990s. The imagery comes from Hartley’s 1914-15 “German Officer” paintings, created after the death of the soldier Karl von Freyburg, an event that devastated Hartley. In his distinctive hard-edged style, Indiana unites military symbols and geometric forms with references to Maine, America, war and history to create a series of symbolic portraits.

“With the largest holding of Hartley materials in the state, the Bates Museum of Art is pleased to present the ‘Elegies’ in recognition of Indiana’s and Hartley’s ties to Maine and their stature as American artists,” said museum director Mark Bessire.

To commemorate the college’s 150th anniversary and the museum’s 50th, the museum is introducing the Collection Project, a series of books and exhibitions looking critically at the museum’s art collection. The Hartley Elegies begins the project with the exhibition and a hardcover book with an essay by art scholar Susan Ryan.

Cryptozoology, the study of animals that roam the unmapped regions between reality and legend, has given us the quests for the Loch Ness Monster, Bigfoot and the Abominable Snowman. But it has also revealed animals that are now part of the classified natural world.

Cryptozoologists are often maligned as crackpots or publicity hounds — until a “real” discovery is made and previously skeptical scientific authorities shamelessly celebrate the “find,” as in the cases of the giant panda, the komodo dragon and the coelacanth. Then cryptozoologists go on to the next search and the cycle begins again. This consensus subjectivity offered in the guise of objectivity is the linchpin linking the practices of cryptozoology to those practices of contemporary art.

It’s a pursuit, says Bessire, “where the disciplines of science and art share a mutual focal point: a desperately desired visual encounter.”

Coleman’s books include Tom Slick: True Life Encounters in Cryptozoology (Linden Publishing, 2002); Bigfoot! The True Story of Apes in America (Paraview Pocket Books, 2003); and The Field Guide to Lake Monsters, Sea Serpents, and Other Mystery Denizens of the Deep (Jeremy P. Tarcher, 2003), of which he is a co-author.

Artists attending the symposium include Rachel Berwick, Ellen Lesperance, Mark Dion, Sean Foley, Alexis Rockman and Jeffrey Valance. A publication and film series will be produced in conjunction with the 2006 cryptozoology exhibition. The exhibition is curated by Bessire and Raechell Smith, director of the H&R Block Artspace at the Kansas City Art Institute, and is organized by the Bates museum and the Block Artspace.

The third annual Cultural Extravaganza takes place at 7:30 p.m. Saturday, Oct. 1, in the Olin Arts Center Concert Hall. The show celebrates the African cultural heritage through dance, drumming, spoken word and fashion. This year’s show features performances by students as well as guest artists Prophecy Dance Works of New York City. Appropriate for all ages, the event is free and open to the public. For more information please contact Melisa March at this mmarch@bates.edu.

The art sale benefiting the Katrina Relief Initiative takes place from 10 a.m. to 4 p.m. Saturday in Perry Atrium, Pettengill Hall. Refreshments are available. A $20 donation buys a piece of art or refreshments served by the Ronj, with proceeds going to the KRI fund.

The weekend also includes a series of sporting events pitting Bates against Tufts, including Saturday’s 1 p.m. football game on Garcelon Field.