John Corrie conducts the Bates College Choir.

Conducted by Lecturer in Music John Corrie, the Bates College Choir performs the second and third sections of Handel’s beloved oratorio Messiah at 8 p.m. Friday and Saturday, March 16-17, in the Olin Arts Center Concert Hall, 75 Russell St.

The concerts are open to the public at no cost, but because of limited seating, tickets are required. For tickets and more information, please contact 207-786-6135 or olinarts@bates.edu.

Written in just 24 days in 1741 and considered Georg Friedrich Handel’s masterpiece, Messiah draws from the Old and New Testaments to lay out the Christ story and its significance to humankind.

The oratorio’s debut, in Dublin in April 1742, “seems to have been one of those rare times in history when a transcendently great work is immediately perceived at its full value,” writes music historian Jan Swafford.

“There are so many breathtaking moments for both the vocal soloists and the chorus,” says choir director Corrie, a Lewiston resident who is also artistic director of the Maine Music Society. “So many familiar melodies and joyous sounds.”

While the piece is commonly associated with Christmas, its themes pertain to both Christmas and Easter. Because the entire work lasts about three hours, the choir performed the first part of the oratorio last December.

“Messiah is one of those milestones that every choral singer should know,” Corrie says. It’s important for singers to learn the entire piece, so by dividing it between two programs he enables them “to learn all of it, but spread out the effort over two semesters of work.”

John Corrie directs the Bates College Choir.

The Bates College Choir, directed by John Corrie, presents Part One of Handel’s popular oratorio Messiah in performances at 8 p.m. Friday and Saturday, Dec. 2-3, in Olin Arts Center Concert Hall, 75 Russell St.

Concert admission is free, but tickets are required. For more information contact 207-786-6135 or this olinarts@bates.edu.

Written in just 24 days in 1741 and considered Georg Frideric Handel’s masterpiece, Messiah draws from the Old and New Testaments to lay out the Christ story and its significance to humankind. The oratorio’s debut, in Dublin in April 1742, “seems to have been one of those rare times in history when a transcendently great work is immediately perceived at its full value,” writes music historian Jan Swafford.

“There are so many breathtaking moments for both the vocal soloists and the chorus,” choir director Corrie said in 2007. “So many familiar melodies and joyous sounds.”

While the piece is commonly associated with Christmas, its themes pertain to both Christmas and Easter. Because the entire work lasts about three hours, the choir will perform the second and third of its three parts next spring.

“Messiah is one of those milestones that every choral singer should know,” Corrie said. It’s important for singers to learn the entire piece, so by dividing it between two programs he enables them “to learn all of it, but spread out the effort over two semesters of work.”

Described by a Village Voice reviewer as “one of those special singers whose technique and blooming sound always serve sense and emotion,” world-renowned soprano Lisa Saffer sings at Bates College at 7:30 p.m. Friday, May 8, in the Olin Arts Center Concert Hall, 75 Russell St.

Joining Saffer is pianist Anastasia Antonacos, an award-winning musician with a worldwide following. Admission is $10 for the general public and $4 for students and seniors. For tickets, visit www.batestickets.com. For more information, please contact 207-786-6135 or olinarts@bates.edu.

Saffer’s supreme musicality, stellar dramatic instincts and solid vocal technique have put her on opera stages around the world for roles as diverse as Berg’s Lulu and Handel’s Cleopatra. A Maine resident, she has sung with nearly every leading American orchestra and appeared throughout Europe. She received the Royal Philharmonic Society Award and was nominated for an Olivier Award, London’s equivalent of the Tony.

A member of the applied music faculty at Bates, Antonacos has performed around the world as a solo recitalist and chamber musician. She won first place at the International Young Artist Music Competition in Bulgaria, and holds prizes from the Capdepera International Piano Competition in Mallorca and the Indianapolis Matinee Musicale Competition.

Saffer first gained prominence for her performances of baroque opera. Soon she began appearing in a landmark series of Handel recordings on Harmonia Mundi USA. Saffer is now much in demand for Handel roles at venues including Santa Fe Opera, Glimmerglass, New York City Opera, the International Handel Festival in Göttingen, Germany, and Barcelona’s Gran Teatro del Liceu.

She is also sought after as a Mozart interpreter, acclaimed for her performances as Despina in “Così fan tutte” and Susanna in “Le Nozze di Figaro.”

Saffer is also widely recognized as an interpreter of modern and contemporary scores and is identified with the works of Oliver Knussen, several of which she has recorded for DGG. Her English National Opera performance as Lulu in Alban Berg’s opera of that name was nominated for a Laurence Olivier Award for outstanding achievement in opera in London, and honored with the Royal Philharmonic Society Award for best vocal performance.

Among other contemporary operas, Saffer is known particularly for her interpretation of the character Marie in Zimmermann’s “Die Soldaten,” which she has performed at ENO, Opera Bastille and New York City Opera.

Saffer’s many recordings appear on Harmonia Mundi USA, Virgin Classics, New World Records, DGG, Chandos and Telarc.

A native of Ann Arbor, she now lives in Portland. She is a voracious reader who also enjoys hiking, yoga and cooking.

Antonacos has played in the Netherlands, Greece, Russia, France and Belgium, as well as various places in the U.S., including New York and Washington, D.C., where she also testified for funding for the National Endowment for the Arts. She has made solo appearances with the Portland Symphony Orchestra and the Bangor Symphony Orchestra.

Antonacos has collaborated with members of the Vermeer, Cassatt and DaPonte string quartets, and with renowned pianists Leonard Hokanson and Edmund Battersby. She has been a chamber music coach at Bay Chamber Concerts’ Next Generation program for many years, and regularly serves as a master class teacher and adjudicator.

She is a founding member of the Bayside Trio and Harlequine, and teaches at the University of Southern Maine as well as Bates.

At 7:30 p.m. Wednesday, March 4, 94-year-old pianist Frank Glazer reprises the program that he played in his Carnegie Hall debut, 60 years ago to the day. The concert takes place at Bates College in the Olin Arts Center Concert Hall, 75 Russell St.

It is open to the public at no cost, but tickets are required. For more information, please contact 207-786-6135 or olinarts@bates.edu.

An artist in residence at Bates since 1980, Glazer is a musician of international renown, still vital and active after decades of touring, composing, recording and teaching. The program that he revisits on March 4 spans four centuries, from the seldom-heard Chaconne in G major by 18th-century composer George Frideric Handel to a set of variations by Glazer’s near-contemporary Aaron Copland.

• Hear music by, and an interview with, Frank Glazer

Glazer, of Topsham, has enjoyed a career distinguished by numerous recordings, a television program in the 1950s and countless solo recitals and performances with orchestras and chamber ensembles, including the New England Piano Quartette, of which he was a founder.

He taught at the Eastman School of Music for 15 years before coming to Maine in 1980. With his wife, the late Ruth Glazer, he founded the long-running Saco River Festival in Cornish.

The 76-voice Bates College Choir, accompanied by a 21-piece orchestra and directed by John Corrie, presents the second and third parts of Handel’s popular oratorio “Messiah” in performances at 8 p.m. Friday, March 28, and Sunday, March 30, in Olin Arts Center Concert Hall, 75 Russell St.

Concert admission is free, but tickets are required. For more information contact 207-786-6135 or this email.

Written in just 24 days in 1741 and considered Georg Friedrich Handel’s masterpiece, “Messiah” draws from the Old and New Testaments to lay out the Christ story and its significance to humankind.

The oratorio’s debut, in Dublin in April 1742, “seems to have been one of those rare times in history when a transcendently great work is immediately perceived at its full value,” writes music historian Jan Swafford.

“There are so many breathtaking moments for both the vocal soloists and the chorus,” says choir director Corrie, a Lewiston resident who is also artistic director of the Maine Music Society. “So many familiar melodies and joyous sounds.”

While the piece is commonly associated with Christmas, its themes pertain to both Christmas and Easter. Because the entire work lasts about three hours, the choir performed the first part of the oratorio last December.

” ‘Messiah’ is one of those milestones that every choral singer should know,” Corrie says. It’s important for singers to learn the entire piece, so by dividing it between two programs he enables them “to learn all of it, but spread out the effort over two semesters of work.”

Eleven student soloists are featured in the performances. The instrumentalists will be drawn from the Bates College Orchestra and the ranks of professional Maine musicians.

“We will be performing Handel’s orchestration,” Corrie notes. “Which means strings, oboes, bassoons, trumpets and timpani, plus organ and harpsichord.” While Mozart and others later expanded the orchestral setting, he says, “I think it is more important historically for the students to hear what Handel had in mind.”

In order to accompany the vocal soloists and in keeping with the practice of Handel’s time, Corrie will conduct the ensemble from the harpsichord.

The vocal soloists are: seniors Maura Beatty of Watertown, Mass.; Dana Burgard of Kinnelon, N.J.; Alexandra Conroy of Windham; Marshall Karpel of Northampton, Mass.; Martynas Laurita of Camden; Joshua Olsen of Berkeley, Calif.; and Lucia Piacenza of Watertown, Conn.; juniors David Russell Richie of Wyomissing, Pa., and Tierney Tobin of Weybridge, U.K.; and sophomores Tom Chapman of Gales Ferry, Conn., and Erica Rogoff of Carlisle, Mass.

Directed by John Corrie, the choir numbers 71 students and will be accompanied by an orchestra using Handel’s own orchestration for a full complement of strings, two oboes, two trumpets and timpani. “Several other composers have orchestrated Messiah, including Mozart,” explains Corrie, adding winds and other instruments. But, the choir director says, “it is our intention to perform it the way Handel envisioned it.”

Although most casual listeners associate Messiah with Christmas, its second and third parts are appropriate to this season, Corrie explains. “Part II is a selection of Biblical texts leading up to the Crucifixion, and Part III deals with texts of the Resurrection.”

The choir performed the first section, dealing with the Nativity, last December. “My decision to perform the work at separate concert dates is entirely determined by its size,” Corrie says. “It would be far too exhausting to sing all of it at one concert. This particular work, I think, is significant and requires a thorough study, rather than just doing a performance of selections of the work.”

The concert is free and open to the public. For more information about the performance, please call 207-786-6135.