The recipient this spring of a John Simon Guggenheim Memorial Foundation fellowship, Pope.L is known for his provocative explorations of culture and consumerism. The Black Factory is his most participatory, community-oriented project yet, aiming to re-energize discussions about race in America by inviting people to share objects that represent “blackness” to them.

During the past year at locations including Bates, where he has been a lecturer in the Department of Theater and Rhetoric for 12 years, Pope.L held events to collect such items from the public. These objects are incorporated into the Black Factory installation, a truck equipped to manipulate and present the objects in various ways.

Starting May 31, the Black Factory will appear at the Massachusetts Museum of Contemporary Art, in North Adams, in a group exhibition titled The Interventionists: Art in the Social Sphere. For more information about the exhibit, visit the MassMoCA home page: http://www.massmoca.org/index.html

Working in sculpture, performance and installations, Pope.L has consistently challenged his audiences to confront and re-examine American notions about race, class, pop culture and consumerism. His work has been recognized by a host of awards and major profiles in The Boston Globe, The Washington Post and The New York Times, among other publications.

In Maine, Pope.L may be best-known for “eRacism,” a retrospective exhibition at the Maine College of Art that later toured to Texas, Oregon and New York.