{"id":2461,"date":"2025-08-25T11:13:30","date_gmt":"2025-08-25T15:13:30","guid":{"rendered":"https:\/\/www.bates.edu\/english\/?page_id=2461"},"modified":"2026-01-23T09:54:13","modified_gmt":"2026-01-23T14:54:13","slug":"lal-2025-26","status":"publish","type":"page","link":"https:\/\/www.bates.edu\/english\/lal-2025-26\/","title":{"rendered":"LAL 2025-2026"},"content":{"rendered":"\n<p><em><a href=\"https:\/\/www.bates.edu\/english\/academics\/literary-arts-live\/\" data-type=\"page\" data-id=\"162\">For more information on Literary Arts Live, click here.<\/a><\/em><\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><a href=\"https:\/\/www.bates.edu\/english\/files\/2025\/08\/unnamed-2.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"608\" src=\"https:\/\/www.bates.edu\/english\/files\/2025\/08\/unnamed-2-900x608.webp\" alt=\"Nina McLaughlin photo\" class=\"wp-image-2457\" style=\"width:451px;height:auto\" srcset=\"https:\/\/www.bates.edu\/english\/files\/2025\/08\/unnamed-2-900x608.webp 900w, https:\/\/www.bates.edu\/english\/files\/2025\/08\/unnamed-2-400x270.webp 400w, https:\/\/www.bates.edu\/english\/files\/2025\/08\/unnamed-2-768x519.webp 768w, https:\/\/www.bates.edu\/english\/files\/2025\/08\/unnamed-2-930x628.jpg 930w, https:\/\/www.bates.edu\/english\/files\/2025\/08\/unnamed-2-200x135.webp 200w, https:\/\/www.bates.edu\/english\/files\/2025\/08\/unnamed-2.webp 1042w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/a><\/figure>\n\n\n\n<p><br><strong>Nina MacLaughlin<br>Tuesday 09\/30 @7PM<\/strong><br><strong>Muskie Archvies 201<\/strong><\/p>\n\n\n\n<p>Nina MacLaughlin&nbsp;is the author of&nbsp;<em>Wake, Siren: Ovid Resung&nbsp;<\/em>(FSG\/FSG Originals), a finalist for the Lambda Literary Award and the Massachusetts Book Award, as well as&nbsp;<em>Summer Solstice&nbsp;<\/em>and&nbsp;<em>Winter Solstice&nbsp;<\/em>(Black Sparrow), winner of the Massachusetts Book Award. Her first book was the acclaimed memoir&nbsp;<em>Hammer Head: The Making of a Carpenter&nbsp;<\/em>(W.W. Norton), a finalist for the New England Book Award. Formerly an editor at the&nbsp;<em>Boston Phoenix<\/em>, she worked for nine years as a carpenter, and is now a books columnist for the&nbsp;<em>Boston Globe.<\/em>&nbsp;Her work has appeared on or in&nbsp;<em>The Paris Review Daily<\/em>,&nbsp;<em>The Virginia Quarterly Review,<\/em>&nbsp;<em>n+1<\/em>,&nbsp;<em>The Believer<\/em>,&nbsp;<em>The<\/em>&nbsp;<em>New York Times Book Review<\/em>,&nbsp;<em>Agni<\/em>,&nbsp;<em>American Short Fiction<\/em>, the&nbsp;<em>Los Angeles Review of Books<\/em>,&nbsp;<em>Meatpaper<\/em>, and elsewhere. She lives in Cambridge, Massachusetts.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><a href=\"https:\/\/www.bates.edu\/english\/files\/2025\/08\/image-1.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"732\" height=\"900\" src=\"https:\/\/www.bates.edu\/english\/files\/2025\/08\/image-1-732x900.webp\" alt=\"ain Haley Pollock\" class=\"wp-image-2463\" style=\"width:340px;height:auto\" srcset=\"https:\/\/www.bates.edu\/english\/files\/2025\/08\/image-1-732x900.webp 732w, https:\/\/www.bates.edu\/english\/files\/2025\/08\/image-1-244x300.webp 244w, https:\/\/www.bates.edu\/english\/files\/2025\/08\/image-1-768x945.webp 768w, https:\/\/www.bates.edu\/english\/files\/2025\/08\/image-1-511x628.jpg 511w, https:\/\/www.bates.edu\/english\/files\/2025\/08\/image-1-1249x1536.webp 1249w, https:\/\/www.bates.edu\/english\/files\/2025\/08\/image-1-163x200.webp 163w, https:\/\/www.bates.edu\/english\/files\/2025\/08\/image-1.webp 1560w\" sizes=\"(max-width: 732px) 100vw, 732px\" \/><\/a><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Iain Haley Pollock<br>Thursday 10\/09 @4:15pm<br>Muskie Archives 201<\/strong><\/p>\n\n\n\n<p>Iain Haley Pollock is the author of three poetry collections,&nbsp;<em>Spit Back a Boy<\/em>&nbsp;(2011),&nbsp;<em>Ghost, Like a Place<\/em>&nbsp;(2018), and&nbsp;<em>All the Possible Bodies<\/em>&nbsp;(Fall 2025).&nbsp; His poems have appeared in<em>&nbsp;American Poetry Review<\/em>,&nbsp;<em>The Kenyon Review,<\/em>&nbsp;T<em>he New York Times Magazine&nbsp;<\/em>and elsewhere.&nbsp; He has received the Cave Canem Poetry Prize, the Alice Fay di Castagnola Award from the Poetry Society of America, a 2023 New York State Council on the Arts Artist Fellowship in Poetry, the Bim Ramke Prize for Poetry from&nbsp;<em>Denver Quarterly<\/em>, and a nomination for an NAACP Image Award.&nbsp; He serves as Director of the MFA Program in Creative Writing at Manhattanville University where he also edits the literary journal&nbsp;<em>Inkwell<\/em>.&nbsp;<\/p>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><a href=\"https:\/\/www.bates.edu\/english\/files\/2025\/11\/Header-SF-Kevin-Moffett-Book-Contrib-1.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"600\" src=\"https:\/\/www.bates.edu\/english\/files\/2025\/11\/Header-SF-Kevin-Moffett-Book-Contrib-1-900x600.webp\" alt=\"\" class=\"wp-image-2539\" style=\"width:517px;height:auto\" srcset=\"https:\/\/www.bates.edu\/english\/files\/2025\/11\/Header-SF-Kevin-Moffett-Book-Contrib-1-900x600.webp 900w, https:\/\/www.bates.edu\/english\/files\/2025\/11\/Header-SF-Kevin-Moffett-Book-Contrib-1-400x267.webp 400w, https:\/\/www.bates.edu\/english\/files\/2025\/11\/Header-SF-Kevin-Moffett-Book-Contrib-1-768x512.webp 768w, https:\/\/www.bates.edu\/english\/files\/2025\/11\/Header-SF-Kevin-Moffett-Book-Contrib-1-942x628.jpg 942w, https:\/\/www.bates.edu\/english\/files\/2025\/11\/Header-SF-Kevin-Moffett-Book-Contrib-1-1536x1025.webp 1536w, https:\/\/www.bates.edu\/english\/files\/2025\/11\/Header-SF-Kevin-Moffett-Book-Contrib-1.webp 1919w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/a><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Kevin Moffett<br>Thursday 11\/13 @7pm<br>Muskie Archives 201<\/strong><\/p>\n\n\n\n<p>Kevin Moffett is an American fiction writer and novelist, born and raised in&nbsp;Daytona Beach, Florida. His debut novel,&nbsp;<em>Only Son<\/em>&nbsp;(McSweeney\u2019s) was longlisted for the 2025 National Book Award in Fiction.&nbsp;<\/p>\n\n\n\n<p>Moffett is&nbsp;the author of two short story collections:&nbsp;<em>Permanent Visitors&nbsp;<\/em>(University of Iowa Press),&nbsp;which won the John Simmons Short Fiction Award, and&nbsp;<em>Further Interpretations of Real-Life Events: Stories&nbsp;<\/em>(Harper\/Perennial). With Matthew Derby and Eli Horowitz, he also wrote the digital novel&nbsp;<em>A Silent History&nbsp;<\/em>(Farrar, Straus &amp; Giroux), which won the Digital America Prize for Storytelling. Moffett\u2019s fiction has been awarded the National Magazine Award, the Nelson Algren Award, and a Literature Fellowship from the National Endowment for the Arts. His&nbsp;stories&nbsp;have been anthologized four times in&nbsp;The Best American Short Stories<em>,&nbsp;<\/em>and<em>&nbsp;<\/em>have appeared in McSweeney\u2019s, Tin House, American Short Fiction, A Public Space, and elsewhere. He teaches in the MFA program at the University of Virginia, and lives in Charlottesville.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><a href=\"https:\/\/www.bates.edu\/english\/files\/2026\/01\/Virginia-Konchan-author-photo-BW.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"675\" height=\"900\" src=\"https:\/\/www.bates.edu\/english\/files\/2026\/01\/Virginia-Konchan-author-photo-BW-675x900.webp\" alt=\"\" class=\"wp-image-2555\" style=\"width:270px;height:auto\" srcset=\"https:\/\/www.bates.edu\/english\/files\/2026\/01\/Virginia-Konchan-author-photo-BW-675x900.webp 675w, https:\/\/www.bates.edu\/english\/files\/2026\/01\/Virginia-Konchan-author-photo-BW-225x300.webp 225w, https:\/\/www.bates.edu\/english\/files\/2026\/01\/Virginia-Konchan-author-photo-BW-768x1024.webp 768w, https:\/\/www.bates.edu\/english\/files\/2026\/01\/Virginia-Konchan-author-photo-BW-471x628.jpg 471w, https:\/\/www.bates.edu\/english\/files\/2026\/01\/Virginia-Konchan-author-photo-BW.webp 828w\" sizes=\"(max-width: 675px) 100vw, 675px\" \/><\/a><\/figure>\n\n\n\n<p><strong>Virginia Konchan<br>Thursday 03\/12 @7pm<br>Muskie Archives 201<\/strong><\/p>\n\n\n\n<p>Virginia Konchan is the author of five books of poetry, <em>Requiem <\/em>(Carnegie Mellon<br>University Press, 2025); <em>Bel Canto<\/em> (Carnegie Mellon, 2022); <em>Hallelujah Time <\/em>(V\u00e9hicule<br>Press, 2021); <em>Any God Will Do<\/em> (Carnegie Mellon, 2020); and <em>The End of Spectacle<\/em><br>(Carnegie Mellon, 2018). She has received fellowships from the Amy Clampitt Poet<br>Residency Program and the National Endowment for the Humanities. Her poems have<br>appeared in The New Yorker, The New Republic, The Atlantic, among other journals.<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>For more information on Literary Arts Live, click here. Nina MacLaughlinTuesday 09\/30&hellip;<\/p>\n","protected":false},"author":1048,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_hide_ai_chatbot":false,"_ai_chatbot_style":"","associated_faculty":[],"_Page_Specific_Css":"","_bates_restrict_mod":false,"_batesModPostContentOverride_prepend":false,"_batesModPostContentOverride_append":false,"_batesModPostContentOverride_append_before_footer":false,"_table_of_contents_display":false,"_table_of_contents_location":"","_table_of_contents_disableSticky":false,"_is_featured":false,"footnotes":"","_bates_seo_meta_description":"","_bates_seo_block_robots":false,"_bates_seo_sharing_image_id":0,"_bates_seo_sharing_image_twitter_id":0,"_bates_seo_share_title":"","_bates_seo_canonical_overwrite":"","_bates_seo_twitter_template":""},"class_list":["post-2461","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.bates.edu\/english\/wp-json\/wp\/v2\/pages\/2461","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.bates.edu\/english\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bates.edu\/english\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bates.edu\/english\/wp-json\/wp\/v2\/users\/1048"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bates.edu\/english\/wp-json\/wp\/v2\/comments?post=2461"}],"version-history":[{"count":7,"href":"https:\/\/www.bates.edu\/english\/wp-json\/wp\/v2\/pages\/2461\/revisions"}],"predecessor-version":[{"id":2556,"href":"https:\/\/www.bates.edu\/english\/wp-json\/wp\/v2\/pages\/2461\/revisions\/2556"}],"wp:attachment":[{"href":"https:\/\/www.bates.edu\/english\/wp-json\/wp\/v2\/media?parent=2461"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}