{"id":46,"date":"2010-07-09T19:20:27","date_gmt":"2010-07-09T19:20:27","guid":{"rendered":"http:\/\/hub-dev.bates.edu\/english\/?page_id=46"},"modified":"2022-08-10T14:03:55","modified_gmt":"2022-08-10T18:03:55","slug":"publications","status":"publish","type":"page","link":"https:\/\/www.bates.edu\/english\/faculty\/publications\/","title":{"rendered":"Publications"},"content":{"rendered":"<p><span style=\"font-family: Courier; font-size: small;\"><span style=\"text-decoration: underline;\"><br \/>\n<\/span><\/span><\/p>\n<p>BOOKS:<\/p>\n<p><span style=\"text-decoration: underline;\">The Other Dickens: A Life of Catherine Hogarth<\/span>. Ithaca, N.Y.: Cornell University Press, 2011.<\/p>\n<p><span style=\"text-decoration: underline;\">Unequal Partners: Charles Dickens, Wilkie Collins, and Victorian Authorship<\/span>.\u00a0 Ithaca, N.Y.: Cornell University Press, 2002.<\/p>\n<p><span style=\"text-decoration: underline;\">Wilkie Collins<\/span>.\u00a0 New York: Twayne, 1997.<\/p>\n<p>&nbsp;<\/p>\n<p>COLLECTIONS AND EDITIONS:<\/p>\n<p><span style=\"text-decoration: underline;\">Dickens and Gender<\/span>.\u00a0 <span style=\"text-decoration: underline;\">Library of Essays on Charles Dickens<\/span>.\u00a0Ed. Catherine Waters.\u00a0 Aldershot: Ashgate (under contract)<\/p>\n<p>Felicia Skene, <span style=\"text-decoration: underline;\">Hidden Depths<\/span>.\u00a0 1866.\u00a0 Vol. 4 of <span style=\"text-decoration: underline;\">Varieties of Women\u2019s Sensation Fiction, 1855-1880<\/span>.\u00a0 Andrew Maunder, General Editor.\u00a0 London: Pickering and Chatto, 2004.<\/p>\n<p>&nbsp;<\/p>\n<p>ARTICLES:<\/p>\n<p>\u201c\u2019The Omission of His Only Sister\u2019s Name\u2019: Letitia Austin and the Legacies of Charles Dickens,\u201d <span style=\"text-decoration: underline;\">Dickens Quarterly<\/span> (forthcoming).<\/p>\n<p>\u201cScience and Sensation,\u201d <span style=\"text-decoration: underline;\">Cambridge Companion to Sensation Fiction<\/span>, ed. Andrew Mangham.\u00a0 Cambridge: Cambridge University Press, 2012 (forthcoming).<\/p>\n<p>\u201cThe Empire and Sensation,\u201d <span style=\"text-decoration: underline;\">A Companion to Sensation Fiction<\/span>, ed. Pamela Gilbert.\u00a0 Oxford: Blackwell, 2011, pp. 442-54.<\/p>\n<p>\u201cCatherine Dickens in Italy: Marriage, Mesmerism and Madame\u00a0 de la Rue,\u201d <span style=\"text-decoration: underline;\">The Victorians and Italy: Literature, Travel, Politics and Art<\/span>, ed. Alessandro Vescovi, Luisa Villa, and Paul Vita (Monza, Italy: Polimetrica, 2009), pp. 237-46.<\/p>\n<p>\u201cCollins and Empire,\u201d <span style=\"text-decoration: underline;\">The Cambridge Companion to Wilkie \u00a0\u00a0 \u00a0Collins<\/span>, ed. Jenny Bourne Taylor.\u00a0 Cambridge: Cambridge University Press, 2006, pp. 139-52.<\/p>\n<p>\u201cCatherine Dickens and Her Colonial Sons,\u201d <span style=\"text-decoration: underline;\">Dickens Studies Annual<\/span>, 37 (2006): 81-93.<\/p>\n<p>\u201c\u2018The Threshold of an Open Window\u2019: Transparency, Opacity and Social Boundaries in <span style=\"text-decoration: underline;\">Aurora Floyd<\/span>,\u201d <span style=\"text-decoration: underline;\">Victorian Sensations: Essays on a Scandalous<\/span> <span style=\"text-decoration: underline;\">Genre<\/span>, ed. Kimberly Harrison and Richard Fantina.\u00a0 Columbus: Ohio State University Press, 2006, pp. 188-99.<\/p>\n<p>Forward to Susan M. Rossi-Wilcox, <span style=\"text-decoration: underline;\">Dinner for Dickens: The Culinary History of Mrs. Charles Dickens\u2019s Menu Books<\/span>.\u00a0 Totnes, England: Prospect Books, 2005, pp. 9-10.<\/p>\n<p>\u201cBulwer Lytton and Imperial Gothic: Defending the Empire in <span style=\"text-decoration: underline;\">The Coming Race<\/span>,\u201d <span style=\"text-decoration: underline;\">The Subverting Vision of Bulwer Lytton: Bicentenary Reflections<\/span>, ed. Allan Conrad Christensen.\u00a0 Cranbury, NJ: Associated University Presses, 2004, pp. 212-21.<\/p>\n<p>\u201c\u2018Blue Like Me\u2019: Wilkie Collins, <span style=\"text-decoration: underline;\">Poor Miss Finch<\/span>, and the Construction of Racial Identity,\u201d <span style=\"text-decoration: underline;\">Reality\u2019s Dark Light: The Sensational Wilkie Collins<\/span>, ed. Maria K. Bachman and Don Richard Cox.\u00a0 Knoxville: University of Tenn. Press, 2003, pp. 266-82.<\/p>\n<p>\u201cConstructing Catherine Dickens,\u201d <span style=\"text-decoration: underline;\">Hiroshima Studies in English Language and Literature<\/span> 47 (2002): 1-19.<\/p>\n<p>\u201cThe Other Dickens and America: Catherine in 1842,\u201d <span style=\"text-decoration: underline;\">Dickens Quarterly<\/span> 19:3 (September 2002): 141-50.<\/p>\n<p>\u201cThe Widowhood of Catherine Dickens,\u201d <span style=\"text-decoration: underline;\">Dickens Studies Annual<\/span> 32 (2002): 277-98.<\/p>\n<p>Afterward to <span style=\"text-decoration: underline;\">The Moonstone<\/span>, by Wilkie Collins.\u00a0 New York: Signet Classics, 2002, pp. 483-93.<\/p>\n<p>\u201cVictorian Detective Fiction,\u201d <span style=\"text-decoration: underline;\">A Companion to the Victorian Novel<\/span>, ed. William Baker and Kenneth Womack.\u00a0 Westport: Greenwood, 2001, pp. 177-87.<\/p>\n<p>\u201cDickens and \u2018Gold Rush Fever\u2019: Colonial Contagion in <span style=\"text-decoration: underline;\">Household Words<\/span>,\u201d <span style=\"text-decoration: underline;\">Charles Dickens: Child and Empire<\/span>, ed. Wendy Jacobson.\u00a0 London: Palgrave, 2000, pp. 67-77.<\/p>\n<p>\u201cRebellious Sepoys and Bigamous Wives: The Indian Mutiny and Marriage Law Reform in <span style=\"text-decoration: underline;\">Lady Audley&#8217;s Secret<\/span>,\u201d <span style=\"text-decoration: underline;\">Beyond Sensation: Mary Elizabeth Braddon in Context<\/span>, ed. Marlene Tromp, Pamela K. Gilbert, and Aeron Haynie.\u00a0 Albany: State University of New York Press, 2000, pp. 31-42.<\/p>\n<p>\u201cWilkie Collins Studies: 1983-1999,\u201d <span style=\"text-decoration: underline;\">Dickens Studies Annual<\/span> 28 (1999): 257-328.<\/p>\n<p>\u201cVirgin Territory and the Iron Virgin: Engendering the Empire in Bram Stoker\u2019s \u2018The Squaw,\u2019\u201d <span style=\"text-decoration: underline;\">Maternal Instincts: Motherhood and Sexuality in Britain, 1875-1925<\/span>, ed. Claudia Nelson and Ann Sumner Holmes. \u00a0London: Macmillan, 1997, pp. 75-97.<\/p>\n<p>\u201cSailing Ships and Steamers, Angels and Whores: History and Gender in Conrad\u2019s Maritime Fiction,\u201d <span style=\"text-decoration: underline;\">Beyond Iron Men and Wooden Women: Gender and Atlantic Seafaring, 1700-1900<\/span>, ed. Margaret S. Creighton and Lisa Norling.\u00a0 Baltimore: Johns Hopkins University Press, 1996, pp. 189-203.<\/p>\n<p>\u201cAgents of Empire in <span style=\"text-decoration: underline;\">The Woman in White<\/span>,\u201d <span style=\"text-decoration: underline;\">Victorian Newsletter<\/span> 83 (Spring 1993): 1-7.<\/p>\n<p>\u201c<span style=\"text-decoration: underline;\">Almayer\u2019s Folly<\/span> (Conrad),\u201d <span style=\"text-decoration: underline;\">The 1890s: An Encyclopedia of British Literature, Art, and Culture<\/span>, ed. G. A. Cevasco.\u00a0 New York: Garland, 1993.<\/p>\n<p>\u201cRobinson Crusoe and Friday in Victorian Britain: \u2018Discipline,\u2019 \u2018Dialogue,\u2019 and Collins\u2019s Critique of Imperialism in <span style=\"text-decoration: underline;\">The Moonstone<\/span>,\u201d <span style=\"text-decoration: underline;\">Dickens Studies Annual<\/span> 21 (1992): 213-31.<\/p>\n<p>\u201cClass Consciousness and the Indian Mutiny in Dickens\u2019s \u2018The Perils of Certain English Prisoners,\u2019\u201d <span style=\"text-decoration: underline;\">Studies in English Literature<\/span> 32:4 (Autumn 1992): 689-705.<\/p>\n<p>\u201cThe Cannibal, the Nurse and the Cook in Dickens\u2019s <span style=\"text-decoration: underline;\">The Frozen Deep<\/span>,\u201d <span style=\"text-decoration: underline;\">Victorian Literature and Culture<\/span> 19 (1991): 1-24.<\/p>\n<p>&nbsp;<\/p>\n<p>REVIEWS:<\/p>\n<p>Review of Catherine Waters, <span style=\"text-decoration: underline;\">Commodity Culture in Dickens\u2019s Household Words: The Social Life of Goods<\/span>, <span style=\"text-decoration: underline;\">Dickens Quarterly<\/span> 27:3 (September 2010), pp. 229-32.<\/p>\n<p>Review of James F. Kilroy, <span style=\"text-decoration: underline;\">The Nineteenth Century: Family Ideology and Narrative Form<\/span> and Natalie Schroeder and Ronald A. Schroeder, <span style=\"text-decoration: underline;\">From Sensation to Society: Representations of Marriage in the Fiction of Mary Elizabeth Braddon, 1862-1866<\/span>, <span style=\"text-decoration: underline;\">Victorian Studies<\/span> 50:4 (Summer 2008): 713-15.<\/p>\n<p>Review of Grace Moore, <span style=\"text-decoration: underline;\">Dickens and Empire: Discourses of Class, Race and Colonialism in the Works of Charles Dickens<\/span>, <span style=\"text-decoration: underline;\">Victorian Studies<\/span> 48:2 (Winter 2006): 331-33.<\/p>\n<p>Review of William Baker, Andrew Gasson, Graham Law, and Paul Lewis, eds., <span style=\"text-decoration: underline;\">The Public Face of Wilkie Collins: The Collected Letters<\/span>, <span style=\"text-decoration: underline;\">Wilkie Collins Society Journal<\/span> 8 (2005): 58-62.<\/p>\n<p>Review of Barbara Onslow, <span style=\"text-decoration: underline;\">Women of the Press in Nineteenth-Century Britain<\/span>, <span style=\"text-decoration: underline;\">Victorian Periodicals Review<\/span> 36:1 (Spring 2003): 86-87.<\/p>\n<p>Review of Daniel Panger, <span style=\"text-decoration: underline;\">Hard Times: The Lost Diary of Mrs. Charles Dickens<\/span>, <span style=\"text-decoration: underline;\">Dickensian<\/span> 97 (Summer 2001): 164-65.<\/p>\n<p>Review of William Baker and William M. Clarke, eds., <span style=\"text-decoration: underline;\">The Letters of Wilkie Collins<\/span> and Andrew Gasson, <span style=\"text-decoration: underline;\">Wilkie Collins: An Illustrated Guide<\/span>, <span style=\"text-decoration: underline;\">Victorian Periodicals Review<\/span> 34:2 (Summer 2001): 199-203.<\/p>\n<p>Review of Michael Slater, ed., <span style=\"text-decoration: underline;\">\u201cGone Astray\u201d and Other Papers from Household Words, 1851-59<\/span>, Dent Uniform Edition of Dickens\u2019 Journalism, Vol. 3, <span style=\"text-decoration: underline;\">Victorian Periodicals Review<\/span> 32:4 (Winter 1999): 364-66.<\/p>\n<p>Review of Deirdre David, <span style=\"text-decoration: underline;\">Rule Britannia: Women, Empire, and Victorian Writing<\/span>, <span style=\"text-decoration: underline;\">Modern Philology<\/span> 97:1 (August 1999): 141-45.<\/p>\n<p>Review of Michael Slater, ed., <span style=\"text-decoration: underline;\">\u201cThe Amusements of the People\u201d and Other Papers: Reports, Essays and Reviews, 1834-1851<\/span>, Dent Uniform Edition of Dickens\u2019 Journalism, Vol. 2, <span style=\"text-decoration: underline;\">Victorian Periodicals Review<\/span> 30:3 (Fall 1997): 292-94.<\/p>\n<p>Review of Peter Thoms, <span style=\"text-decoration: underline;\">The Windings of the Labyrinth: Quest and Structure in the Major Novels of Wilkie Collins<\/span>, <span style=\"text-decoration: underline;\">Studies in the Novel<\/span> 26 (Fall 1994): 314-16.<\/p>\n<p>\u201cTo Murder or to Mediate: Women and Patriarchy in Nineteenth-Century Fiction,\u201d <span style=\"text-decoration: underline;\">Review<\/span> 15 (1993): 309-30 (review of Virginia B. Morris, <span style=\"text-decoration: underline;\">Double Jeopardy: Women Who Kill in Victorian Fiction<\/span>, and Paula Marantz Cohen, <span style=\"text-decoration: underline;\">The Daughter&#8217;s Dilemma: Family Process and the Nineteenth-Century Domestic Novel<\/span>).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>BOOKS: The Other Dickens: A Life of Catherine Hogarth. Ithaca, N.Y.: Cornell&hellip;<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":12,"menu_order":1,"comment_status":"closed","ping_status":"open","template":"","meta":{"_hide_ai_chatbot":false,"_ai_chatbot_style":"","associated_faculty":[],"_Page_Specific_Css":"","_bates_restrict_mod":false,"_batesModPostContentOverride_prepend":false,"_batesModPostContentOverride_append":false,"_batesModPostContentOverride_append_before_footer":false,"_table_of_contents_display":false,"_table_of_contents_location":"","_table_of_contents_disableSticky":false,"_is_featured":false,"footnotes":"","_bates_seo_meta_description":"","_bates_seo_block_robots":false,"_bates_seo_sharing_image_id":0,"_bates_seo_sharing_image_twitter_id":0,"_bates_seo_share_title":"","_bates_seo_canonical_overwrite":"","_bates_seo_twitter_template":""},"class_list":["post-46","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.bates.edu\/english\/wp-json\/wp\/v2\/pages\/46","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.bates.edu\/english\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bates.edu\/english\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bates.edu\/english\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bates.edu\/english\/wp-json\/wp\/v2\/comments?post=46"}],"version-history":[{"count":4,"href":"https:\/\/www.bates.edu\/english\/wp-json\/wp\/v2\/pages\/46\/revisions"}],"predecessor-version":[{"id":1092,"href":"https:\/\/www.bates.edu\/english\/wp-json\/wp\/v2\/pages\/46\/revisions\/1092"}],"up":[{"embeddable":true,"href":"https:\/\/www.bates.edu\/english\/wp-json\/wp\/v2\/pages\/12"}],"wp:attachment":[{"href":"https:\/\/www.bates.edu\/english\/wp-json\/wp\/v2\/media?parent=46"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}