Search for "art and visual culture of the 18th and 19th centuries"

Edward S. Harwood

Associate Professor of Art and Visual Culture

18th century English landscape gardens, 18th century European intellectual history, art and visual culture of the 18th and 19th centuries, history of gardens and landscape architecture, history of gardens and landscape architecture, romantic landscape painting

Trian Nguyen

Associate Professor of Art and Visual Culture

Asian art history, Daoist ceremonial paintings, East Asian ceramic, Thich Quang Duc’s self-immolation and his impact, Vietnamese Buddhist sculpture

Pamela Johnson

Associate Professor of Art and Visual Culture

art, art and popular culture, art history, drawing, modern and contemporary art, painting, printmaking, studio art, visual art

Carolina González Valencia

Assistant Professor of Art and Visual Culture

Dolores O'Higgins

Euterpe B. Dukakis Professor of Classical and Medieval Studies

18th century Irish history, classical reception, Greek literature, Greek religion, Greek religion, Homer, women in classical antiquity

Erica Rand

Professor of Art and Visual Culture and Gender and Sexuality Studies

anti-racism, culture- and theory-making in unexalted contexts, feminist/queer/trans sports and movement studies, pleasures, politics and practices of teaching, queer and trans migration studies, resources, sexualities, trans and queer studies, visual and popular culture studies, writing

Elizabeth J. Woodward

Visiting Assistant Professor of Art and Visual Culture

art history, courtly art, medieval manuscripts, medieval studies, Old French literature, reception studies

Elke Morris

Senior Lecturer in Art and Visual Culture

contemporary landscape photography, German photography, historic and contemporary photography studies, new topographics (1970s and1980s), photographic image-making

Michael B. Roman

Lecturer in Art and Visual Culture and Mellon Postdoctoral Fellow

Susan A. Dewsnap

Lecturer in Art and Visual Culture

color theory, creation of ceramic art works with drawn and painted surfaces for exhibition, exhibition planning and negotiation, glaze chemistry testing and development, high and low fire technology using gas and electric kilns, ornamentation and pattern, studio practice, utilitarian ceramics, wheel throwing and hand building technologies
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