The curricula in German and Russian explore societies challenged and invigorated by change and stress the importance of attaining fluency not only in the language but also in the nuances of cultural understanding.<\/p>\n\n\n\n
The department offers a German Major, a German Minor<\/a>, and a Russian Minor<\/a>. The department also contributes to the European Studies Major and Minor<\/a>.<\/p>\n\n\n\n Incoming students with previous knowledge of German should complete the German Language Placement Questionnaire<\/a> on the departmental website to determine the appropriate German course to take. Entering students are assigned to the appropriate level in language courses according to relative proficiency based on length of previous study and\/or their performance on the Advanced Placement Test <\/a>of the College Entrance Examination Board taken in high school.<\/p>\n\n\n\n Unlock a world of literature, business, and history by studying Russian. Connect with millions, boost your brainpower, and gain insight into a global superpower. Explore rich culture, navigate diverse career paths, and enjoy a unique linguistic challenge. Discover ten compelling reasons to learn Russian today!<\/p>\n\n\n\n We are delighted to announce that Bates students can now study Russian abroad in Latvia<\/strong>. \u201cLearn Russian in the EU<\/a>\u201d is offered by Daugavpils University, the foremost academic and research institution in Eastern Latvia, located in Daugavpils, Latvia’s second-largest city and the largest Russian-speaking city in the European Union and NATO. \u201cLearn Russian in the EU\u201d provides a broad range of study programs in the Russian language, literature, culture, history, political science, Eastern European studies, and other areas.<\/p>\n\n\n\n Please talk with your Russian professor<\/a> about your study abroad options.<\/p>\n<\/section>\n\n\n\n FALL SEMESTER ’26:<\/strong> SHORT TERM ’26:<\/strong><\/strong> FALL SEMESTER ’26:<\/strong><\/strong> EUS\/RUSS 313 Hard and Soft Socialism: Literatures, Films, and Cultures of the USSR and Socialist Yugoslavia<\/strong><\/strong> GER 262. The Split Screen: Reconstructing National Identities in West and East German Cinema<\/strong> GER 341. Landscapes and Cityscapes in German Media<\/strong> <\/p>\n","protected":false},"excerpt":{"rendered":" Contemporary central and eastern Europe consists of heterogeneous societies with contested cultural…<\/p>\n","protected":false},"author":331,"featured_media":2412,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_hide_ai_chatbot":false,"_ai_chatbot_style":"","associated_faculty":[],"_Page_Specific_Css":"","_bates_restrict_mod":false,"_batesModPostContentOverride_prepend":false,"_batesModPostContentOverride_append":false,"_batesModPostContentOverride_append_before_footer":false,"_table_of_contents_display":false,"_table_of_contents_location":"","_table_of_contents_disableSticky":false,"_is_featured":false,"footnotes":"","_bates_seo_meta_description":"","_bates_seo_block_robots":false,"_bates_seo_sharing_image_id":0,"_bates_seo_sharing_image_twitter_id":0,"_bates_seo_share_title":"","_bates_seo_canonical_overwrite":"https:\/\/www.bates.edu\/academics\/majors-and-minors\/german-and-russian-studies\/","_bates_seo_twitter_template":""},"class_list":["post-1563","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/www.bates.edu\/german-russian-studies\/wp-json\/wp\/v2\/pages\/1563","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.bates.edu\/german-russian-studies\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bates.edu\/german-russian-studies\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bates.edu\/german-russian-studies\/wp-json\/wp\/v2\/users\/331"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bates.edu\/german-russian-studies\/wp-json\/wp\/v2\/comments?post=1563"}],"version-history":[{"count":65,"href":"https:\/\/www.bates.edu\/german-russian-studies\/wp-json\/wp\/v2\/pages\/1563\/revisions"}],"predecessor-version":[{"id":2513,"href":"https:\/\/www.bates.edu\/german-russian-studies\/wp-json\/wp\/v2\/pages\/1563\/revisions\/2513"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.bates.edu\/german-russian-studies\/wp-json\/wp\/v2\/media\/2412"}],"wp:attachment":[{"href":"https:\/\/www.bates.edu\/german-russian-studies\/wp-json\/wp\/v2\/media?parent=1563"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Incoming students with previous knowledge of Russian should complete the Russian Language Placement Questionnaire<\/a> on the departmental website to determine the appropriate Russian course to take.<\/p>\n\n\n\n![\"A](\"https:\/\/www.bates.edu\/german-russian-studies\/files\/2025\/03\/Why-Study-Russian-675x900.webp\")
<\/a><\/figure>Why Study Russian?<\/strong><\/h2>\n\n\n\n
![\"Learn](\"https:\/\/www.bates.edu\/german-russian-studies\/files\/2023\/06\/6131e736b647ab9060967669_lrineu-logo.svg\"){kind=logo}
<\/figure>\n<\/div>\n\n\nSpotlight on Our Courses:<\/h3>\n\n\n\n
![\"Contemporary](\"https:\/\/www.bates.edu\/german-russian-studies\/files\/2026\/03\/Nochnoi-dozor-screen-grab-900x573.webp\")
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EUS 247 \/ RUSS 247
Contemporary Russia on Film<\/strong>
The course engages students with contemporary Russia through cinema and discusses a European culture that is, at the same time, non-Western in its political make-up. Topics discussed include the colonial center and its contemporary political and cultural ambitions, imperial periphery and Russia\u2019s \u201cquiet others,\u201d the Russian Idea in New Auteurism, Putin\u2019s blockbusters, Russia\u2019s alterities (minorities, sexualities, taboo Russia), and Global Russia (the United States, Europe, Russia, and Ukraine).
Instructor: Marina Filipovic<\/a><\/strong>
Language: English<\/strong><\/p>\n<\/div>\n\n\n\n![\"RUSS](\"https:\/\/www.bates.edu\/german-russian-studies\/files\/2026\/03\/PuppetsSTImage.webp\")
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S21 Puppets: Theory, Practice, and Play<\/strong>
Puppets? Puppets! This class introduces students to the huge variety of practices, ideas, traditions, and innovations surrounding puppets and puppetry, asking how and why puppets have been a nearly universal element of human culture for millennia. Students explore puppets and puppetry through hands-on work, discussions, community engagement, and research into global puppetry practices. Through all of these approaches, we think through big questions about ways puppetry engages ideas about the body and identity, about puppets as a tool for expression and protest, and about the relationship between creating and performing.
Instructor: Cheryl Stephenson<\/a><\/strong>
Language: English<\/strong><\/p>\n<\/div>\n\n\n\n![\"German](\"https:\/\/www.bates.edu\/german-russian-studies\/files\/2026\/03\/drcol_1906_doa_minr30.webp\")
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GER 319 Imperial Imaginary: German Colonialism Revisited<\/strong>
This course examines the complex history of German colonialism, focusing dually on overseas holdings (Africa, Pacific Islands, Qingdao) and the colonization of East-Central and Eastern Europe. Students explore how these distinct expansions operated through interconnected mechanisms and analyze how national identity, science, and culture justified colonial conquest. By engaging with literary works, historical documents, and film, the course investigates how colonial fantasies persist today and how artists and scholars engage in decolonial advocacy and contemporary debates on restitution.
Instructor: Jakub Kazecki<\/a><\/strong>
Language: German<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n![\"Hard](\"https:\/\/www.bates.edu\/german-russian-studies\/files\/2025\/11\/Hard-Soft-Soc.jpg-900x695.webp\")
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This course spans the literatures, films, and cultures of the Soviet Union and Socialist Yugoslavia (from 1934 to the early 1990s). It focuses on the development of socialist cultures that, following the Tito-Stalin split in 1948, pursued divergent paths in the interpretation of socialist art and proposed their true versions of Marxism.\u00a0Yugoslavia constructed its image as an unorthodox communist country that eradicated ideological and aesthetic impurities of Stalinism and introduced a more democratic, West-friendly socialism.\u00a0The course also examines the inception of dissident cultures, internal and external exile, and late communist texts and films produced on the eve of\u00a0socialism\u2019s collapse in the early 1990s.
Instructor: Marina Filipovic<\/a><\/strong><\/strong>
Language: English<\/strong><\/strong><\/p>\n<\/div>\n\n\n\n![\"course](\"https:\/\/www.bates.edu\/german-russian-studies\/files\/2019\/01\/wall-1856960_1920-900x602.jpg\")
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The course will introduce you to the turbulent history of Germany and its people in the 20th and 21st centuries through the medium of film. The selection of films focuses on the Nazi past and the consequences of the lost war, stories of divided Germany created on both sides of the border, and productions that portray the reunification of Germany in the 1990s and the processes of European integration in the 2000s.
Instructor: Jakub Kazecki<\/a> Language: English<\/strong><\/p>\n<\/div>\n\n\n\n![\"course](\"https:\/\/www.bates.edu\/german-russian-studies\/files\/2021\/08\/luis-diego-hernandez-zD_MlPGAWUQ-unsplash-900x600.jpg\")
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This course examines the construction of space in a variety of historical and contemporary German media, answering questions such as: What landscapes and cityscapes contribute to German identity and how? How do geographical location, cultural particularity, and historical context contribute to (sometimes contested) discourses on these spaces? And how have German speakers conceptualized and colonized \u201cother\u201d spaces in Europe, Asia, Africa, and the Americas?
Instructor: Jakub Kazecki<\/a><\/strong>
Language: German<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n