{"id":406,"date":"2024-12-10T07:19:58","date_gmt":"2024-12-10T12:19:58","guid":{"rendered":"https:\/\/www.bates.edu\/impact21st\/?page_id=406"},"modified":"2025-04-30T12:50:05","modified_gmt":"2025-04-30T16:50:05","slug":"chronicle-of-a-fall-tirtza-even-nadav-assor","status":"publish","type":"page","link":"https:\/\/www.bates.edu\/impact21st\/chronicle-of-a-fall-tirtza-even-nadav-assor\/","title":{"rendered":"&#8216;Chronicle of a Fall&#8217; |  Nadav Assor\u00a0&amp; Tirtza Even"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\"><\/h2>\n\n\n\n<section class=\"wp-block-bates-shortcodes-highlight highlight-box\">\n<p><strong>Last Three Days!<br><\/strong>Now in its final days, <em>Chronicle of a Fall<\/em> is open at the IMStudio in Coram Library 1pm\u20137pm on Wednesday, April 30; Thursday, May 1; and Friday, May 2.<\/p>\n\n\n\n<p><\/p>\n<\/section>\n\n\n\n<h4 class=\"wp-block-heading\">About <em>Chronicle of a Fall<\/em><\/h4>\n\n\n\n<p><em>Chronicle&nbsp;of a&nbsp;Fall<\/em>, a feature-length immersive installation, depicts the fragmented, in-transit, experience of a group of immigrant cultural workers primarily from the Middle East and Global South, scattered around the contemporary US.&nbsp;Paying homage to the classic &#8220;Chronicle&nbsp;of a Summer,&#8221; the project updates the Cinema Verit\u00e9 approach using emerging technologies such as parallel body worn cameras, volumetric capture, and projection mapping. <\/p>\n\n\n\n<p>Visitors to the installation are immersed in a pointillized 3D world created from the interconnected fragments of our participants\u2019 shifting domestic spaces as well as the public environments they navigate. Within these semi-abstract, intertwined, and constantly slipping spaces and soundscapes, the viewers encounter close-up videos of intimate conversations and reflections around the central questions of home and migration, love, loss, and longing.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Tuesday April 01: Artist Talk  <\/h2>\n\n\n\n<h6 class=\"wp-block-heading\">1:00-2:00pm <em>Artist Talk <\/em>in Chase Hall Lounge<\/h6>\n\n\n\n<p>Join artists Nadav Assor and Tirtza Even for a joint artist talk about their respective artist practices and their collaboration on <em>Chronicle of a Fall.<\/em> With students of MUS\/THEA\/AVC310: Immersive Media Installation (open to all)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Thursday April 03: Opening Reception &amp; Discussion <\/h2>\n\n\n\n<h6 class=\"wp-block-heading\">3:00-5:00pm <em>Exhibition Opening<\/em> in Coram Library, IMStudio <\/h6>\n\n\n\n<p>Join us for the opening reception for the exhibition <em>Chronicle of a Fall <\/em>in the IMStudio at Bates.<\/p>\n\n\n\n<h6 class=\"wp-block-heading\">5:00-6:00pm <em>Discussion <\/em>in Chase Hall Lounge<\/h6>\n\n\n\n<p>Following the opening, join the artists Nadav Assor and Tirtza Even for a discussion about the installation and notions of home and im\/migration in the contemporary moment. Pizza will be provided. <\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"675\" data-id=\"408\" src=\"https:\/\/www.bates.edu\/impact21st\/files\/2024\/12\/CoF_currents_web_large-11-900x675.webp\" alt=\"viewers in immersive video installation \" class=\"wp-image-408\" srcset=\"https:\/\/www.bates.edu\/impact21st\/files\/2024\/12\/CoF_currents_web_large-11-900x675.webp 900w, https:\/\/www.bates.edu\/impact21st\/files\/2024\/12\/CoF_currents_web_large-11-400x300.webp 400w, https:\/\/www.bates.edu\/impact21st\/files\/2024\/12\/CoF_currents_web_large-11-768x576.webp 768w, https:\/\/www.bates.edu\/impact21st\/files\/2024\/12\/CoF_currents_web_large-11-837x628.jpg 837w, https:\/\/www.bates.edu\/impact21st\/files\/2024\/12\/CoF_currents_web_large-11.webp 1280w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" data-id=\"409\" src=\"https:\/\/www.bates.edu\/impact21st\/files\/2024\/12\/CoF_currents_web_large-15-900x506.webp\" alt=\"immersive video installation with hanging screen \" class=\"wp-image-409\" srcset=\"https:\/\/www.bates.edu\/impact21st\/files\/2024\/12\/CoF_currents_web_large-15-900x506.webp 900w, https:\/\/www.bates.edu\/impact21st\/files\/2024\/12\/CoF_currents_web_large-15-400x225.webp 400w, https:\/\/www.bates.edu\/impact21st\/files\/2024\/12\/CoF_currents_web_large-15-768x432.webp 768w, https:\/\/www.bates.edu\/impact21st\/files\/2024\/12\/CoF_currents_web_large-15-1116x628.jpg 1116w, https:\/\/www.bates.edu\/impact21st\/files\/2024\/12\/CoF_currents_web_large-15.webp 1280w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" data-id=\"410\" src=\"https:\/\/www.bates.edu\/impact21st\/files\/2024\/12\/CoF_currents_web_large-1-1-900x506.webp\" alt=\"wide view of immersive video installation \" class=\"wp-image-410\" srcset=\"https:\/\/www.bates.edu\/impact21st\/files\/2024\/12\/CoF_currents_web_large-1-1-900x506.webp 900w, https:\/\/www.bates.edu\/impact21st\/files\/2024\/12\/CoF_currents_web_large-1-1-400x225.webp 400w, https:\/\/www.bates.edu\/impact21st\/files\/2024\/12\/CoF_currents_web_large-1-1-768x432.webp 768w, https:\/\/www.bates.edu\/impact21st\/files\/2024\/12\/CoF_currents_web_large-1-1-1116x628.jpg 1116w, https:\/\/www.bates.edu\/impact21st\/files\/2024\/12\/CoF_currents_web_large-1-1.webp 1280w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/figure>\n<\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Links &amp; Press<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/www.chronicleofafall.org\/\" data-type=\"link\" data-id=\"https:\/\/www.chronicleofafall.org\/\"><em>Chronicle of a Fall <\/em>website<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/vimeo.com\/779128733\/6c31ed97df\" data-type=\"link\" data-id=\"https:\/\/vimeo.com\/779128733\/6c31ed97df\">Exhibition Trailer <\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/vimeo.com\/779128886\/2b19cae21b?turnstile=0.RYVm8ai6qtRx7szOIbyM9zCFkA2hyU6d-HaI3CSEMKamRLJemJuu5kOa2keLtLC8Pw8_7G_SVvZJi0IK8RZkV7HHJlHK25R5P2RyLQMBaY9Bx4myr1f-nfjC1ik_bpIyw1iH8lY0HFgy7TQ-SbcLJHWVco0kpF2VaZLP942j9Od_2bTYI9B2BUOJuPqqktJkOOuf0O2uArGlG1kIFJrSIuXhMkIOgDscNogeET1NPMMUlBOWR6NG_lLCOhsRAyKLzVCDpd76apPvf9au8JMFcgsoaKSBlNDRID5bMXNlhxdUraKLpFs3MZgx4zqoTrFbidUOLHacMsnBVuKVo_QYE623Hq4-dJ50yLrvjgqpF8G6cf7fJKy1x9ZJo2Uk_sm4wx4W0mM7DEdvCjN-dcCBKEOpIcqkmJ7IMxPfGFaypoxEpmZ6N0NAErJibRWM-QtK0j2hV5P7zGQzrWVU2Mwm2dxNWBga1caSWx87M2HHirn7ib68UCU1rfePQBYDVtEI1WPy9jGYe5P1K9smSwbmIZb1GnO0nLppK6L2V_5caZdVWrvGYBFYUsle3JZ2cXfOzL3PwfXCHG4mxnmzapJxU8YRuqjspmX9z1_WVs22gUF_k2TuyXDZxD6Jn7vwyhNn33T8tQYE0Z05wU6at4kUosqygTwV1pzbNeZsnnUMsmaPCigvhS1JznKwe6Og4uX1wYVdAFMYQSiG39jQW1unmHfRNeUaxXnNLGSULqX6qoao03mwZn_fenx9ZJir-3wxymCnZ_w-MlpS-ZfBMvLa2huuqD5vwSSpWCKUS53fsKMPNyJzYDRa_Wyv4ZbiNq2klhtEC9KWlD_f6J0NE9u3BwOEE1QUlFBng22srPQOADOBRduQ7QOmDfqtR7BUbBow.ttAVZVy358N_3C_6SVq_7w.eb0f43d550f4efd0a01a2a9cac31f4d3e44da891d8a9a91a99ca1df01e0d1a4d\">Exhibition walk through <\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/gallery400.uic.edu\/exhibition\/chronicle-of-a-fall\/\" target=\"_blank\" rel=\"noreferrer noopener\">Exhibition website<\/a> for Gallery 400, Chicago, May 27 &#8211; August 1 2022<\/li>\n\n\n\n<li>An in-depth review on&nbsp;<a href=\"https:\/\/hyperallergic.com\/739741\/a-film-asks-what-is-home\/\" target=\"_blank\" rel=\"noreferrer noopener\">Hyperallergic<\/a>&nbsp;of the Gallery 400 exhibition, June 2022<\/li>\n\n\n\n<li>Selected for \u201cBest Chicago Art Exhibitions of 2022\u201d by the <a href=\"https:\/\/www.chicagotribune.com\/entertainment\/museums\/ct-ent-best-chicago-art-year-2022-20221208-zkgczewo3fhz3ljeroleprm3ba-story.html\" target=\"_blank\" rel=\"noreferrer noopener\">Chicago Tribune<\/a>, December 2022<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">About the Artists <\/h2>\n\n\n\n<p><strong>Nadav Assor<\/strong>, Co-Producer, Co-Director<\/p>\n\n\n\n<p>Nadav&nbsp;Assor creates layered videos, sound works, installations, and performances engaging real and imagined places through embodied, polyphonic personal narratives, utilizing intimate connections and fragmented perspectives. Assor\u2019s work has appeared internationally at venues including Transmediale Berlin, Oberhausen Film Festival, Fridman Gallery NYC, Gallery 400 Chicago and Arnolfini Gallery Bristol, with reviews in Artforum, Hyperallergic, Haaretz and the Chicago Tribune among others. He is an Associate Professor at Connecticut College, where he directs the Ammerman Center for Arts and Technology, and was an MIT Open Documentary Lab fellow (2019\u20132022). Many of his video works are distributed by Video Data Bank, Chicago.<\/p>\n\n\n\n<p><a href=\"http:\/\/www.nadassor.net\/\" target=\"_blank\" rel=\"noreferrer noopener\">nadassor.net<\/a>&nbsp;|&nbsp;<\/p>\n\n\n\n<p><strong>Tirtza Even<\/strong>, Co-Producer, Co-Director<\/p>\n\n\n\n<p>A documentary maker and video artist, Even&#8217;s video-work has been shown at the Museum of Modern Art (NY), the Whitney Biennial, the Johannesburg Biennial, as well as in many galleries, museums and festivals in the U.S., Canada and Europe, including the Museum of Modern Art\u2019s Doc Fortnight (NY), RIDM Festival (Montreal), and Rotterdam Film Festival. Her work has won numerous grants and awards including Artadia Awards (Chicago), Jerome Foundation&#8217;s Media Arts Award, 3ARTs Visual Arts and Next Level Awards, Efroymson Contemporary Arts Fellowship, Illinois Arts Council Artist Fellowship, and multiple NYSCA and DCASE Individual Artist Grants; and has been acquired for the permanent collection of the Museum of Modern Art (NY), the Jewish Museum (NY) and Harvard University&#8217;s Carpenter Center, among others. A professor at the School of the Art Institute of Chicago\u2019s Film, Video, New Media, and Animation department, Even has been a featured speaker at programs such as MIT Doc Lab, the Whitney Museum Seminar series, SXSW Interactive Conference, the Digital Flaherty Seminar, ACM Multimedia and many more. Even\u2019s work is distributed by Heure Exquise (France), Video Data Bank (U.S.), and Groupe Intervention Video (Canada).<\/p>\n\n\n\n<p><a href=\"http:\/\/www.tirtzaeven.info\/\" target=\"_blank\" rel=\"noreferrer noopener\">tirtzaeven.info<\/a>&nbsp;| <\/p>\n\n\n\n<p><strong>Stefan Oliveira-Pita<\/strong>, Editor<\/p>\n\n\n\n<p>Born 1983. Film Editor, Lecturer. Diploma at Film University Konrad Wolf, Potsdam. Since 2009 Oliveira-Pita has carried out numerous collaborations on international features, documentaries and art installation works. Selections include: Atlas (German Film Award Nominee), Furusato (Golden Dove), Lamento (First Steps Award), Portraits of German Alcoholics (Prix Dialogue Berlinale), Civil Servants (Grimme Award Nominee), Only a Day (German Film Critics Award), Family Business (NRW Film Award). Since 2014 he has been a lecturer at DFFB, Bauhaus Uni Weimar, HS Mainz. Alumni of Berlinale Talents 2016. His work has won the best Editing Award for Lamento at Sehs\u00fcchte 2014. Oliveira-Pita lives and works in Berlin.<\/p>\n\n\n\n<p><a href=\"http:\/\/oliveira-pita.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">oliveira-pita.com<\/a>&nbsp;| <\/p>\n\n\n\n<p><strong>Julian Flavin<\/strong>. Sound Designer<\/p>\n\n\n\n<p>Julian Flavin is an artist and educator who joins L4E as the Associate Director of the Critical Media Lab. His projects spanning documentary filmmaking, installation, music, and writing have been featured at SXSW, Osheaga Music Festival, The Tinguely Museum, The University of Chicago\u2019s Smart Museum of Art, and NYU\u2019s Gallatin Galleries among others. Films and installations featuring his post-production sound work have screened at MoMA, IFFRotterdam, Cinema du R\u00e9el, the Viennale, DOK Leipzig, RIDM, Mostra S\u00e3o Paulo, Gallery 400, Union Docs, Visions du R\u00e9el, and Art of The Real. His most recent feature-film project &#8220;In The Sweet Arms\u201d asks how our relationship to music shapes our politics, our deepest-held aspirations, and our language for understanding our position in the world. He is interested in the role art plays in experiences of mutuality and difference, and in the political interpretation of such experience. He holds an MFA from the School of the Art Institute of Chicago and has taught courses in filmmaking at Northwestern University and the School of the Art Institute of Chicago.&nbsp;<\/p>\n\n\n\n<p><a href=\"https:\/\/www.l4ecozoic.org\/julian-flavin\">https:\/\/www.l4ecozoic.org\/julian-flavin<\/a> |<\/p>\n\n\n\n<p><strong>Institutional support:<\/strong> this project was developed in part through a fellowship with <a href=\"http:\/\/opendoclab.mit.edu\/presents\/nadav-assor\/\">MIT Open Documentary Lab<\/a>, 2019-2021, with additional support from the School of the Art Institute of Chicago, Connecticut College, The Ammerman Center for&nbsp;Arts and Technology, and the City of Chicago.<\/p>\n\n\n\n<p><strong>This exhibition is generously supported by the Bates Learning Associates Program.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>About Chronicle of a Fall Chronicle&nbsp;of a&nbsp;Fall, a feature-length immersive installation, depicts&hellip;<\/p>\n","protected":false},"author":1195,"featured_media":408,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_hide_ai_chatbot":false,"_ai_chatbot_style":"","associated_faculty":[],"_Page_Specific_Css":"","_bates_restrict_mod":false,"_table_of_contents_display":false,"_table_of_contents_location":"","_table_of_contents_disableSticky":false,"_is_featured":false,"footnotes":"","_bates_seo_meta_description":"","_bates_seo_block_robots":false,"_bates_seo_sharing_image_id":0,"_bates_seo_sharing_image_twitter_id":0,"_bates_seo_share_title":"","_bates_seo_canonical_overwrite":"","_bates_seo_twitter_template":""},"class_list":["post-406","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/www.bates.edu\/impact21st\/wp-json\/wp\/v2\/pages\/406","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.bates.edu\/impact21st\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bates.edu\/impact21st\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bates.edu\/impact21st\/wp-json\/wp\/v2\/users\/1195"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bates.edu\/impact21st\/wp-json\/wp\/v2\/comments?post=406"}],"version-history":[{"count":43,"href":"https:\/\/www.bates.edu\/impact21st\/wp-json\/wp\/v2\/pages\/406\/revisions"}],"predecessor-version":[{"id":575,"href":"https:\/\/www.bates.edu\/impact21st\/wp-json\/wp\/v2\/pages\/406\/revisions\/575"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.bates.edu\/impact21st\/wp-json\/wp\/v2\/media\/408"}],"wp:attachment":[{"href":"https:\/\/www.bates.edu\/impact21st\/wp-json\/wp\/v2\/media?parent=406"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}