The classification for sound recordings in the George and Helen Ladd
\nLibrary at Bates College, devised by Joseph Derbyshire, College Librarian
\nEmeritus. COM precedes call numbers for compact discs; CAS precedes call numbers for cassettes. For all call numbers, use date of the recording as the last element of the classification number.<\/p>\n
When cataloging in RDA, follow the RDA rules for description and access points.\u00a0 Once cataloging is complete, formulate what would have been the main entry under AACR2 and classify using the AACR2 heading.<\/p>\n
<\/a><\/p>\n General<\/strong><\/p>\n English literature<\/strong><\/p>\n American literature<\/strong><\/p>\n Other literatures of English<\/strong> (Australian, Black African, Canadian, etc.)<\/p>\n German literature<\/strong><\/p>\n Other Germanic literatures<\/strong> (Danish, Dutch, Swedish, etc.)<\/p>\n French literature<\/strong><\/p>\n Other literatures of French<\/strong> (Black African, Canadian, etc.)<\/p>\n Spanish literature<\/strong><\/p>\n Other literatures in Spanish<\/strong> (i.e. Spanish American, etc.)<\/p>\n Portuguese literature<\/strong><\/p>\n Other literatures of Portuguese<\/strong> (i.e. Brazilian, etc.)<\/p>\n Italian literature<\/strong><\/p>\n Latin literature<\/strong><\/p>\n Other Romance literatures<\/strong><\/p>\n Greek literature<\/strong><\/p>\n Russian literature<\/strong><\/p>\n Other Slavic literatures<\/strong> (Bulgarian, Szech, Polish, Ukrainian, etc.)<\/p>\n Literatures of other languages<\/strong><\/p>\n For literary recordings: Z1 \u00a0 Critical works about<\/strong><\/p>\n Example:<\/p>\n XL For collections: .A2 \u00a0 Critical works about<\/strong><\/p>\n Example:<\/p>\n XL Other spoken recordings<\/strong><\/p>\n Religious texts: Biblical recordings<\/strong><\/p>\n For lectures about subjects, see XP’s General<\/strong><\/p>\n 50 \u00a0 Collections, anthologies, etc. of general music By main entry, A-Z .If main entry is title, use three-number cutter. If main entry is author, use additional cutter for title.<\/p>\n Classical music<\/strong><\/p>\n 100 \u00a0 Collections, anthologies, etc. of classical music (several periods) By main entry, A-Z<\/p>\n 115 \u00a0 Early and Medieval music through the 15th century 116 \u00a0 Music of the 16th and 17th centuries 117 \u00a0 Music of the 18th century 118 \u00a0 Music of the 19th century 119 \u00a0 Music of the early 20th century (composers flourishing before 1950) 120 \u00a0 Music of the late 20th century (composers flourishing after 1950) 121 \u00a0 Music of the 21st century <\/a><\/p>\n Table I: Arrangement of titles following notation for composer’s name <\/strong>(Use uniform title)<\/p>\n A1 \u00a0 Collected works (i.e., Works)<\/p>\n A16 \u00a0 Selections (i.e., Selections) Generic titles of musical forms. Under each: Complete symphonies \u00a0 S9 For individual works with generic titles, an opus number or other distinctive numbering system should be applied to make each title distinct.<\/p>\n Brahms, Johannes, 1833-1897. Symphonies, no.4, op.98, E minor<\/p>\n XM Notation for works with distinct titles should be fit into the scheme for works with generic titles.<\/p>\n Mozart, Wolfgang Amadeus, 1756-1791. Concertos, violin, orchestra, K.219, A major Mozart, Wolfgang Amadeus, 1756-1791. Cosi fan tutte<\/p>\n XM <\/a><\/p>\n Table II: Generic titles of musical and literary forms<\/strong><\/p>\n <\/a><\/p>\n Table III: Creating the cutter.<\/strong> (LC Subject Cataloging Manual: Shelflisting, Oct. 1994, G60, p.14)<\/p>\nXL\u00a0Literary recordings<\/h3>\n
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\nClass number
\nAuthor number
\nZ1
\nDate<\/p>\n
\nClass number
\n.A2
\nMain entry
\nDate<\/p>\n\n
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\n<\/a><\/p>\n XM \u00a0 Musical recordings<\/strong><\/h3>\n
\n.A1 Collections, anthologies, etc. of early and Medieval music (includes Medieval in title) By main entry, A-Z
\n.A2-Z \u00a0 By composer By uniform title of recording, A-Z<\/p>\n
\n.A1 \u00a0 Collections, anthologies, etc. of 16th and\/or 17th century music (includes Renaissance in title) By main entry, A-Z
\n.A2-Z \u00a0 By composer By uniform title of recording, A-Z<\/p>\n
\n.A1 Collections, anthologies, etc. of 18th century music (includes Baroque in title) By main entry, A-Z
\n.A2-Z \u00a0 By composer By uniform title of recording, A-Z<\/p>\n
\n.A1 Collections, anthologies, etc. of 19th century music By main entry, A-Z
\n.A2-Z \u00a0 By composer By uniform title of recording, A-Z<\/p>\n
\n.A1 \u00a0 Collections, anthologies, etc. of early 20th century music By main entry, A-Z
\nNote: Include here collections of 20th century music whether of the early or late period.
\n.A2-Z \u00a0 By composer By uniform title of recording, A-Z<\/p>\n
\n.A2-Z \u00a0 By composer By uniform title of recording, A-Z<\/p>\n
\n.A1 Collections, anthologies, etc. of 21st century music By main entry, A-Z
\n.A2-Z \u00a0 By composer By uniform title of recording, A-Z<\/p>\n
\n(0) \u00a0 Complete works in any one musical form
\n(1) \u00a0 Selected works in any one musical form
\n(2) \u00a0 Individual works in any one musical form<\/p>\n
\nSelected symphonies \u00a0 S91
\nIndividual symphonies \u00a0 S92<\/p>\n
\n118
\n.B7
\nS92
\nop.98
\n1984<\/p>\n
\nXM
\n117
\n.M7
\nC62
\nK.219<\/p>\n
\n117
\n.M7
\nC67<\/p>\n\n