{"id":2797,"date":"2010-04-21T17:50:32","date_gmt":"2010-04-21T17:50:32","guid":{"rendered":"http:\/\/hub-dev.bates.edu\/magazine\/?page_id=2797"},"modified":"2017-09-06T11:41:11","modified_gmt":"2017-09-06T15:41:11","slug":"fill-in-the-black","status":"publish","type":"page","link":"https:\/\/www.bates.edu\/magazine\/back-issues\/y2004\/winter04\/quad-angles\/fill-in-the-black\/","title":{"rendered":"Fill in the Black"},"content":{"rendered":"<p><strong>Campus goes to work in Pope.L&#8217;s &#8216;Factory&#8217;<\/strong><\/p>\n<p>Edited by H. Jay Burns and Doug Hubley<\/p>\n<div>Nov. 13 fell two weeks after Halloween and two before Thanksgiving, but a holiday atmosphere prevailed nevertheless in the Chase Hall lobby.<\/div>\n<p>The question was, which holiday? The festive d\u00e9cor included black balloons, bowls of candy, glowing sparkly electric lips and an electric globe. In the corner stood a camera on a tripod and a table under bright lights. A TV played some sort of commercial. A banner on the wall read &#8220;The Black Factory.&#8221;<\/p>\n<p>People drifted through. Julie Hammond &#8217;03, running the event, explained the deal: Today was a &#8220;Check Day&#8221; for the latest project by William Pope.L, someone familiar on campus as a member of the theater and rhetoric faculty, and on the international art scene as a purveyor of provocative social commentary.<\/p>\n<p>The project was the Black Factory, where a re-energized discussion about race is engineered from objects representing &#8220;blackness&#8221; to their owners.<\/p>\n<p>On Check Day, said Hammond, people were invited to bring in those objects, comment on them and have them photographed<\/p>\n<div style=\"width: 205px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" style=\"margin-left: 0px;margin-right: 0px;border: 0px initial initial\" src=\"https:\/\/www.bates.edu\/Images\/Bates_Magazine\/winter04\/black.jpg\" border=\"0\" alt=\"\" hspace=\"0\" width=\"195\" height=\"129\" \/><p class=\"wp-caption-text\">Julie Hammond &#039;03 prepares to photograph a quilt for the Black Factory<\/p><\/div>\n<p>for an archive. The factory itself, a step van converted into a processing center, library, and gift shop, premieres in April at the Massachusetts Museum of Contemporary Art, in North Adams. (The term &#8221; P &lt; arrives.?) check the when culture working-class in celebration of day ?the and someone with checking both to refers explained, Pope.L Day,? Check&gt;<\/p>\n<p>Three previous Check Days had drawn some 70 participants in total. On Nov. 13 these earlier contributions buried a table in the Ladd Library: a kinte cloth, &#8220;Sambo&#8221;-brand licorice from Iceland, mayonnaise, some records, lots of books from <em>Hip Hop Divas<\/em> to <em>Mein Kampf.<\/em><\/p>\n<p>At this latest Check Day, 17 people would contribute 25 objects. Graham Veysey &#8217;04, of Shaker Heights, Ohio, brought a 1970s children&#8217;s book teaching appreciation of the spectrum of African American skin colors; and a picture of himself and Bill Cosby taken during a chance encounter in Washington, D.C.<\/p>\n<p>When Veysey first heard about the project, &#8220;there was some suspicion,&#8221; he allowed. He wondered which of his possessions might be grist for the Factory, and how they might be used. And then he realized that it&#8217;s exactly such an examination that the Black Factory is designed to produce.<\/p>\n<p>&#8220;That&#8217;s the beauty of it,&#8221; Veysey said.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Campus goes to work in Pope.L&#8217;s &#8216;Factory&#8217; Edited by H. Jay Burns&hellip;<\/p>\n","protected":false},"author":221,"featured_media":0,"parent":2789,"menu_order":7,"comment_status":"closed","ping_status":"open","template":"","meta":{"_hide_ai_chatbot":false,"_ai_chatbot_style":"","associated_faculty":[],"_Page_Specific_Css":"","_bates_restrict_mod":false,"_dimp_site_id":"","_dimp_override_contact":false,"_table_of_contents_display":false,"_table_of_contents_location":"","_table_of_contents_disableSticky":false,"_is_featured":false,"footnotes":"","_bates_seo_meta_description":"","_bates_seo_block_robots":false,"_bates_seo_sharing_image_id":0,"_bates_seo_sharing_image_twitter_id":0,"_bates_seo_share_title":"","_bates_seo_canonical_overwrite":"","_bates_seo_twitter_template":""},"class_list":["post-2797","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.bates.edu\/magazine\/wp-json\/wp\/v2\/pages\/2797","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.bates.edu\/magazine\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bates.edu\/magazine\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bates.edu\/magazine\/wp-json\/wp\/v2\/users\/221"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bates.edu\/magazine\/wp-json\/wp\/v2\/comments?post=2797"}],"version-history":[{"count":1,"href":"https:\/\/www.bates.edu\/magazine\/wp-json\/wp\/v2\/pages\/2797\/revisions"}],"predecessor-version":[{"id":11494,"href":"https:\/\/www.bates.edu\/magazine\/wp-json\/wp\/v2\/pages\/2797\/revisions\/11494"}],"up":[{"embeddable":true,"href":"https:\/\/www.bates.edu\/magazine\/wp-json\/wp\/v2\/pages\/2789"}],"wp:attachment":[{"href":"https:\/\/www.bates.edu\/magazine\/wp-json\/wp\/v2\/media?parent=2797"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}