{"id":7233,"date":"1997-06-21T16:42:21","date_gmt":"1997-06-21T20:42:21","guid":{"rendered":"http:\/\/hub-dev.bates.edu\/magazine\/?page_id=7233"},"modified":"2017-09-06T13:43:31","modified_gmt":"2017-09-06T17:43:31","slug":"heat-wave-in-concord","status":"publish","type":"page","link":"https:\/\/www.bates.edu\/magazine\/back-issues\/y1997\/summer97\/features\/heat-wave-in-concord\/","title":{"rendered":"Heat Wave in Concord"},"content":{"rendered":"<p>By Robert Chute<\/p>\n<p>&#8220;Dancing and laughing along the beach came the twenty-ninth bather&#8230;&#8221;<\/p>\n<p>N.B.: Thoreau records his &#8220;fluvial walks&#8221; in the Journal for 1852. He read Whitman&#8217;s\u00a0Leaves of Grass, including, we assume, the song of the &#8220;29th bather&#8221; in 1856. His comment: &#8220;As for the sensuality in Whitman&#8217;s `Leaves of Grass,&#8217; I do not so much wish it was not written, as that men and women were so pure that they could read it without harm.&#8221;<\/p>\n<table>\n<tbody>\n<tr>\n<td><strong>I<\/strong><strong> <\/strong>Farmers working the fields quit early,<br \/>\nas much for ox or horse as for men &#8211;<br \/>\none old man had already died; exhausted<br \/>\nby heat, wrung out, wrinkled<br \/>\nlike dried fruit.<br \/>\nTheir women, buttoned, laced, strapped<br \/>\nunder petticoats, skirts, sleeves,<br \/>\nsit and work, work and sit<br \/>\nin the dim, dead heat<br \/>\nof parlor, kitchen, and shed.<\/p>\n<p>But one, an exceptional one, in<br \/>\na windowless storage room, stands,<br \/>\nnaked and white in a wash tub&#8217;s cold ring.<br \/>\nHer cast off clothes spilled<br \/>\nlike dried discarded flowers.<\/p>\n<p>The tinned dipper lifts water, still cool<br \/>\nfrom the well, again and again. The water<br \/>\npassing over her body like<br \/>\nunseen fingers and back<br \/>\nto the tub again.<\/p>\n<p><span>Perhaps one of them also dreams of the river,<br \/>\nof young men who float there,<br \/>\npale bellies tempting the sun. <\/span><\/td>\n<td><span><strong>II<\/strong><\/span><strong> <\/strong>From houses on opposite sides<br \/>\nof the elm-roofed main street Henry<br \/>\nand Ellery, leaving dishes and scraps<br \/>\nof cold dinner behind,<br \/>\nmeet, retreat to the river.<br \/>\nA man stands in a barn door, his shirt<br \/>\nstained with sweat, hat hanging slack<br \/>\nin his hand. A woman in the shed&#8217;s<br \/>\ndark cave churns the morning&#8217;s milk<br \/>\nthe heat would soon sour.<\/p>\n<p><span>They shake their heads. What beside envy<br \/>\ndo they feel as these renegades slip away?<br \/>\nDo they imagine how it feels to peel<br \/>\nclose, sweaty clothes away,<br \/>\nlet the waters have their play?<\/span><\/p>\n<p>At the river Henry explains that banks have<br \/>\na gender, this one, for example, being<br \/>\nconvex, alluvial, gradual, and<br \/>\nfeminine; the opposite, concave,<br \/>\nundercut, and masculine.<\/p>\n<p><span>Ellery makes some comments that<br \/>\nHenry&#8217;s Journal will never repeat.<br \/>\nThey strip and wade in. <\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>III<\/strong><strong> <\/strong>Soon, by the opposite, masculine, shore, up<br \/>\nto their chins, they face the current.<br \/>\nThe heat of the day is carried<br \/>\ndown, away. They wade upstream,<br \/>\nwearing their hats against the sun.<br \/>\nThey hold their bundled clothing high.<br \/>\nFrom deep holes to shallows<br \/>\nthe water falls, rises again.<br \/>\nChest, ankle, knee, belly,<br \/>\nchest, and down again.<\/p>\n<p>Rounding a bend they see the plank bridge.<br \/>\nBoys, their work done, race and strip<br \/>\nand plunge. Boys breaching<br \/>\nand splashing; marble boys riding<br \/>\nimaginary dolphins.<\/p>\n<p>On the bank one boy sits, lifting a foot<br \/>\nto examine some bruise, fixed<br \/>\nin an instant as an engraving in<br \/>\nan antiquities book; but subtly<br \/>\ncolored, sunburned, bare.<\/p>\n<p><span>The two men put on shirts now, feeling the sting<br \/>\nof the sun. Bridge rails bleed pitch,<br \/>\nthe planks shrink.<br \/>\n<\/span><\/td>\n<td><span><strong>IV<\/strong><\/span><strong> <\/strong>The drying tails of their shirts stick<br \/>\nto their buttocks and thighs. Perhaps<br \/>\nbecause of the shirts they feel undressed,<br \/>\nretreat to the water. The water, like<br \/>\nunseen fingers, passes over them.<br \/>\nThey wade on into a shaded, shallower reach<br \/>\nof late afternoon, hear the clang<br \/>\nof a distant bell. Some farmer&#8217;s wife<br \/>\nsignaling an early supper. They climb out<br \/>\non the feminine side.<\/p>\n<p><span>They wait for the air to dry them. How long<br \/>\nthis single mile of fluvial walk<br \/>\nhas seemed, passing from present<br \/>\nto pastoral to classical,<br \/>\nback to the present again.<\/span><\/p>\n<p><span>They dress, turn toward the world of women<br \/>\nwhere mother, sister, or wife waits. The day<br \/>\nslides toward evening and the moon.<br \/>\n<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>By Robert Chute &#8220;Dancing and laughing along the beach came the twenty-ninth&hellip;<\/p>\n","protected":false},"author":221,"featured_media":0,"parent":7230,"menu_order":3,"comment_status":"closed","ping_status":"open","template":"","meta":{"_hide_ai_chatbot":false,"_ai_chatbot_style":"","associated_faculty":[],"_Page_Specific_Css":"","_bates_restrict_mod":false,"_dimp_site_id":"","_dimp_override_contact":false,"_table_of_contents_display":false,"_table_of_contents_location":"","_table_of_contents_disableSticky":false,"_is_featured":false,"footnotes":"","_bates_seo_meta_description":"","_bates_seo_block_robots":false,"_bates_seo_sharing_image_id":0,"_bates_seo_sharing_image_twitter_id":0,"_bates_seo_share_title":"","_bates_seo_canonical_overwrite":"","_bates_seo_twitter_template":""},"class_list":["post-7233","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.bates.edu\/magazine\/wp-json\/wp\/v2\/pages\/7233","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.bates.edu\/magazine\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bates.edu\/magazine\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bates.edu\/magazine\/wp-json\/wp\/v2\/users\/221"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bates.edu\/magazine\/wp-json\/wp\/v2\/comments?post=7233"}],"version-history":[{"count":4,"href":"https:\/\/www.bates.edu\/magazine\/wp-json\/wp\/v2\/pages\/7233\/revisions"}],"predecessor-version":[{"id":13806,"href":"https:\/\/www.bates.edu\/magazine\/wp-json\/wp\/v2\/pages\/7233\/revisions\/13806"}],"up":[{"embeddable":true,"href":"https:\/\/www.bates.edu\/magazine\/wp-json\/wp\/v2\/pages\/7230"}],"wp:attachment":[{"href":"https:\/\/www.bates.edu\/magazine\/wp-json\/wp\/v2\/media?parent=7233"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}