{"id":17497,"date":"2023-03-17T10:19:15","date_gmt":"2023-03-17T14:19:15","guid":{"rendered":"https:\/\/www.bates.edu\/museum\/?page_id=17497"},"modified":"2025-09-02T10:54:34","modified_gmt":"2025-09-02T14:54:34","slug":"who-are-they-who-am-i-portraits-of-artists-and-artist-self-portraits-from-the-permanent-collection","status":"publish","type":"page","link":"https:\/\/www.bates.edu\/museum\/who-are-they-who-am-i-portraits-of-artists-and-artist-self-portraits-from-the-permanent-collection\/","title":{"rendered":"Who Are They? Who Am I? Portraits of Artists and Artist Self-Portraits from the Permanent Collection"},"content":{"rendered":"\n<div class=\"wp-block-cover is-light\"><img loading=\"lazy\" decoding=\"async\" width=\"1919\" height=\"1285\" class=\"wp-block-cover__image-background wp-image-17499\" alt=\"\" src=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2018.17.8.webp\" style=\"object-position:52% 64%\" data-object-fit=\"cover\" data-object-position=\"52% 64%\" srcset=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2018.17.8.webp 1919w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2018.17.8-400x268.webp 400w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2018.17.8-900x603.webp 900w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2018.17.8-768x514.webp 768w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2018.17.8-1536x1029.webp 1536w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2018.17.8-938x628.jpg 938w\" sizes=\"(max-width: 1919px) 100vw, 1919px\" \/><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-40 has-background-dim\"><\/span><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<h2 class=\"wp-block-heading has-text-align-center has-white-color has-text-color\" style=\"font-style:italic;font-weight:100\">Who Are They? Who Am I? <\/h2>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center has-white-color has-text-color\">Portraits of Artists and Artist Self-Portraits <\/h2>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center has-white-color has-text-color\" style=\"font-style:italic;font-weight:100\">from the Permanent Collection<\/h2>\n<\/div><\/div>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading has-text-align-center\">June 9 &#8211; October 7, 2023<\/h3>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><em>Who Are They? Who Am I?<\/em> is an expansive exhibition drawn from the museum\u2019s collection of portraits and self-portraits of and by a wide range of artists. These include stage and screen actors, authors, composers, dancers, fashion designers, filmmakers, musicians, and visual artists from the seventeenth to twenty-first centuries depicted in a variety of media including paintings, drawings, photographs, sculptures, and prints. Artworks vary from highly resolved formal sittings, to informal and intimate sketches, to conceptual portraits. They are insightful, revealing information about the artists\u2019 choices of a variety of visual approaches to capture the subjects\u2019 appearance, mood, and character. They also contain elements indicative of their time and environment, and sometimes even tell stories.<\/p>\n\n\n\n<p><em>Who Are They?<\/em><br>Often artists depict other artists, revealing their relationships to one another and hinting at larger aspects of artists\u2019 connections, communities, and influences. Some works in this category listed by artist\/subject include:<\/p>\n\n\n\n<p class=\"has-text-align-center\">Richard Avedon\/Herman Wouk | Peggy Bacon\/Marsden Hartley | Leonard Baskin\/Odilon Redon Brassa\u00ef\/Henri Matisse | Robert Capa\/Pablo Picasso and Fran\u00e7oise Gilot | William Claxton\/Chet Baker and Liliane Rov\u00e8re | Thomas Cornell\/Michelangelo | Eileen Darby\/Lee J. Cobb | Walker Evans\/James Agee | Ralph Bartlett Goddard\/Charles Dickens | Philippe Halsman\/Marilyn Monroe Yousuf Karsh\/Georgia O\u2019Keeffe | James Lechay\/Beauford Delaney | Jacques Lubin\/Jacques Callot George Platt Lynes\/Marsden Hartley | Linda McCartney\/Bob Dylan | John Minihan\/Samuel Beckett | Barbara Pollack\/William Pope.L | Man Ray\/Marsden Hartley | Eli Reed\/Goldie Hawn Arthur Rothstein\/John Marin | David Seltzer\/Jack Kerouac | Rena Small\/Jean-Michel Basquiat Steven Speliotis\/John Cage | Joyce Tenneson\/Dame Judi Dench | Weegee\/Eddie Cantor Marguerite Zorach\/Harry Hathaway&nbsp;<\/p>\n\n\n\n<p><em>Who Am I?<\/em><br>In self-portraits, artists are often drawing out autobiographical or psychological aspects of themselves others might not depict. Artists this category include:<\/p>\n\n\n\n<p class=\"has-text-align-center\">Sigmund Abeles | Jack Beal | Joseph Beuys | Ashley Bryan | Eug\u00e8ne Dev\u00e9ria | Fritz Eichenberg<br>Robert Farber | Robert Feintuch | Donna Ferrato | Samuel Fosso | Jay Gould | Lily Harmon<br>Frances Hodsdon | Brad Kahlhamer | Susan Moldenhauer | John O\u2019Reilly | Rona Pondick<br>Claire Seidl | Hollis Sigler | Kiki Smith | Joyce Treiman | Claire Van Vliet | Jacques Villon | Xu Bing&nbsp;<\/p>\n\n\n\n<p>The majority of works in Who Are They? Who Am I? are in the collection because of the<br>generosity of our donors\u2013either as direct gifts or as acquisitions made with endowment funds.<br>The Museum of Art is deeply grateful to the many donors who recognize the value of the<br>museum and its collection.<\/p>\n\n\n\n<p>To read the biography of each artist and subject in the show, click <a rel=\"noreferrer noopener\" href=\"https:\/\/www.bates.edu\/museum\/exhibitions\/alphabetical-list-of-artists-and-subjects-portrait-show\/\" target=\"_blank\">here<\/a>.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-4 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/Samuel-Beckett-by-John-Minihan.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"702\" height=\"900\" data-id=\"17643\" src=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/Samuel-Beckett-by-John-Minihan-702x900.webp\" alt=\"\" class=\"wp-image-17643\" srcset=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/Samuel-Beckett-by-John-Minihan-702x900.webp 702w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/Samuel-Beckett-by-John-Minihan-234x300.webp 234w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/Samuel-Beckett-by-John-Minihan-768x984.webp 768w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/Samuel-Beckett-by-John-Minihan-1198x1536.webp 1198w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/Samuel-Beckett-by-John-Minihan-490x628.jpg 490w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/Samuel-Beckett-by-John-Minihan.webp 1497w\" sizes=\"(max-width: 702px) 100vw, 702px\" \/><\/a><figcaption class=\"wp-element-caption\">John Minihan, <em>Samuel Beckett, London<\/em>, 1980, gelatin silver print, 10 x 9 in., Gift of Robert Flynn Johnson in memory of Dr. Robert Andrew Johnson, class of &#8217;36, 2019.6.9<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/Chet-Baker-and-Lilliane-1.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"712\" height=\"900\" data-id=\"17512\" src=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/Chet-Baker-and-Lilliane-1-712x900.webp\" alt=\"\" class=\"wp-image-17512\" srcset=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/Chet-Baker-and-Lilliane-1-712x900.webp 712w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/Chet-Baker-and-Lilliane-1-237x300.webp 237w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/Chet-Baker-and-Lilliane-1-768x970.webp 768w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/Chet-Baker-and-Lilliane-1-1216x1536.webp 1216w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/Chet-Baker-and-Lilliane-1-497x628.jpg 497w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/Chet-Baker-and-Lilliane-1.webp 1519w\" sizes=\"(max-width: 712px) 100vw, 712px\" \/><\/a><figcaption class=\"wp-element-caption\">William Claxton,<em> Chet Baker and Lillian Rov\u00e8re<\/em>, ca. 1955 (printed 1987), gelatin silver print, 10 1\/8 x 8 1\/8 in., Gift of Robert Flynn Johnson in memory of Dr. Robert Andrew Johnson, class of &#8217;36, 2019.6.12<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/Image085.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"735\" height=\"900\" data-id=\"17644\" src=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/Image085-735x900.webp\" alt=\"\" class=\"wp-image-17644\" srcset=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/Image085-735x900.webp 735w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/Image085-245x300.webp 245w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/Image085-768x941.webp 768w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/Image085-1254x1536.webp 1254w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/Image085-513x628.jpg 513w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/Image085.webp 1567w\" sizes=\"(max-width: 735px) 100vw, 735px\" \/><\/a><figcaption class=\"wp-element-caption\">Rona Pondick, from the series The Metamorphosis of an Object, 2009, archival pigment print, 15 3\/4 x 13 in., Bates College Museum of Art purchase with the Elizabeth A. Gregory MD \u201938 Fund, and the Jean LeMire Payne \u201953 Museum Fund, 2017.12.1.a<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2018.1.8.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"861\" height=\"900\" data-id=\"17646\" src=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2018.1.8-861x900.webp\" alt=\"\" class=\"wp-image-17646\" srcset=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2018.1.8-861x900.webp 861w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2018.1.8-287x300.webp 287w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2018.1.8-768x803.webp 768w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2018.1.8-1470x1536.webp 1470w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2018.1.8-601x628.jpg 601w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2018.1.8.webp 1836w\" sizes=\"(max-width: 861px) 100vw, 861px\" \/><\/a><figcaption class=\"wp-element-caption\">Claire Van Vliet, <em>Self Portrait in a Mirror<\/em>, 1960, woodcut, 15 x 14 in., Gift of the Artist, 2018.1.8<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2021.7.1.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"1033\" height=\"1376\" data-id=\"17682\" src=\"https:\/\/www.bates.edu\/museum\/files\/2023\/04\/2021.7.1-edited.webp\" alt=\"\" class=\"wp-image-17682\" srcset=\"https:\/\/www.bates.edu\/museum\/files\/2023\/04\/2021.7.1-edited.webp 1033w, https:\/\/www.bates.edu\/museum\/files\/2023\/04\/2021.7.1-edited-225x300.webp 225w, https:\/\/www.bates.edu\/museum\/files\/2023\/04\/2021.7.1-edited-676x900.webp 676w, https:\/\/www.bates.edu\/museum\/files\/2023\/04\/2021.7.1-edited-768x1023.webp 768w, https:\/\/www.bates.edu\/museum\/files\/2023\/04\/2021.7.1-edited-471x628.jpg 471w\" sizes=\"(max-width: 1033px) 100vw, 1033px\" \/><\/a><figcaption class=\"wp-element-caption\">James Lechay, <em>Beauford Delaney<\/em>, 1941, oil on canvas, 30 x 16 in., Bates College Museum of Art purchase with the Synergy Fund Diversify the Collections Program, 2021.7.1<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/Image086-copy.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"707\" height=\"900\" data-id=\"17649\" src=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/Image086-copy-707x900.webp\" alt=\"\" class=\"wp-image-17649\" srcset=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/Image086-copy-707x900.webp 707w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/Image086-copy-236x300.webp 236w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/Image086-copy-768x978.webp 768w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/Image086-copy-1206x1536.webp 1206w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/Image086-copy-493x628.jpg 493w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/Image086-copy.webp 1507w\" sizes=\"(max-width: 707px) 100vw, 707px\" \/><\/a><figcaption class=\"wp-element-caption\">Eileen Darby, <em>Lee J. Cobb in the play \u201cDeath of a Salesman\u201d<\/em>, 1948, silver gelatin print, 14 x 11 in., Gift of Robert Flynn Johnson, 2021.11.9<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.bates.edu\/museum\/files\/2023\/04\/John-Cage-by-Steven-Speliotis-e1679059012326-edited.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"1487\" height=\"1486\" data-id=\"17684\" src=\"https:\/\/www.bates.edu\/museum\/files\/2023\/04\/John-Cage-by-Steven-Speliotis-e1679059012326-edited.webp\" alt=\"\" class=\"wp-image-17684\" srcset=\"https:\/\/www.bates.edu\/museum\/files\/2023\/04\/John-Cage-by-Steven-Speliotis-e1679059012326-edited.webp 1487w, https:\/\/www.bates.edu\/museum\/files\/2023\/04\/John-Cage-by-Steven-Speliotis-e1679059012326-edited-300x300.webp 300w, https:\/\/www.bates.edu\/museum\/files\/2023\/04\/John-Cage-by-Steven-Speliotis-e1679059012326-edited-900x900.webp 900w, https:\/\/www.bates.edu\/museum\/files\/2023\/04\/John-Cage-by-Steven-Speliotis-e1679059012326-edited-150x150.webp 150w, https:\/\/www.bates.edu\/museum\/files\/2023\/04\/John-Cage-by-Steven-Speliotis-e1679059012326-edited-768x767.webp 768w, https:\/\/www.bates.edu\/museum\/files\/2023\/04\/John-Cage-by-Steven-Speliotis-e1679059012326-edited-628x628.jpg 628w\" sizes=\"(max-width: 1487px) 100vw, 1487px\" \/><\/a><figcaption class=\"wp-element-caption\">Steven Speliotis, <em>John Cage at 80<\/em>, 1992, silver gelatin print, 14 in., Bates College Museum of Art, Gift of Robert Flynn Johnson, 2021.11.11<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2018.17.8.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"603\" data-id=\"17499\" src=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2018.17.8-900x603.webp\" alt=\"\" class=\"wp-image-17499\" srcset=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2018.17.8-900x603.webp 900w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2018.17.8-400x268.webp 400w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2018.17.8-768x514.webp 768w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2018.17.8-1536x1029.webp 1536w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2018.17.8-938x628.jpg 938w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2018.17.8.webp 1919w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/a><figcaption class=\"wp-element-caption\">Donna Ferrato, <em>Enlightened, Lorain, OH<\/em>, 1976, photograph,  25 x 30 in., Gift of Karan and Elizabeth Jain, 2018.17.8<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2009.2.1-e1679061663711.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"713\" height=\"900\" data-id=\"17515\" src=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2009.2.1-e1679061663711-713x900.webp\" alt=\"\" class=\"wp-image-17515\" srcset=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2009.2.1-e1679061663711-713x900.webp 713w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2009.2.1-e1679061663711-238x300.webp 238w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2009.2.1-e1679061663711-768x969.webp 768w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2009.2.1-e1679061663711-1217x1536.webp 1217w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2009.2.1-e1679061663711-159x200.webp 159w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2009.2.1-e1679061663711-498x628.jpg 498w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2009.2.1-e1679061663711.webp 1521w\" sizes=\"(max-width: 713px) 100vw, 713px\" \/><\/a><figcaption class=\"wp-element-caption\">Yousuf Karsh, <em>Georgia O\u2019Keefe<\/em>, 1956, silver gelatin print, 9 1\/2 x 7 1\/2 in., Gift of Robert Flynn Johnson in Memory of Robert Andrew Johnson, 2009.2.1<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.bates.edu\/museum\/files\/2023\/04\/Treiman-Joker-and-Me.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"612\" height=\"614\" data-id=\"17680\" src=\"https:\/\/www.bates.edu\/museum\/files\/2023\/04\/Treiman-Joker-and-Me.webp\" alt=\"\" class=\"wp-image-17680\" srcset=\"https:\/\/www.bates.edu\/museum\/files\/2023\/04\/Treiman-Joker-and-Me.webp 612w, https:\/\/www.bates.edu\/museum\/files\/2023\/04\/Treiman-Joker-and-Me-299x300.webp 299w, https:\/\/www.bates.edu\/museum\/files\/2023\/04\/Treiman-Joker-and-Me-150x150.webp 150w\" sizes=\"(max-width: 612px) 100vw, 612px\" \/><\/a><figcaption class=\"wp-element-caption\">Joyce Wahl Treiman, <em>The Joker and Me<\/em>, 1985, oil on canvas, 43 3\/4 x 43 3\/4 in., Bates College Museum of Art Purchase with the Dorothy Stiles Blanfort &#8217;31 Fund, 2019.3.1<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2007.2.1-e1679059027309.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"719\" height=\"900\" data-id=\"17506\" src=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2007.2.1-e1679059027309-719x900.webp\" alt=\"\" class=\"wp-image-17506\" srcset=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2007.2.1-e1679059027309-719x900.webp 719w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2007.2.1-e1679059027309-240x300.webp 240w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2007.2.1-e1679059027309-768x961.webp 768w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2007.2.1-e1679059027309-1227x1536.webp 1227w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2007.2.1-e1679059027309-160x200.webp 160w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2007.2.1-e1679059027309-502x628.jpg 502w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2007.2.1-e1679059027309.webp 1533w\" sizes=\"(max-width: 719px) 100vw, 719px\" \/><\/a><figcaption class=\"wp-element-caption\">Philippe Halsman, <em>Marilyn Monroe<\/em>, 1962, silver gelatin print, 10 x 8 in., Gift of Robert Flynn Johnson in memory of Minna Flynn Johnson, 2007.2.1<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2014.1.1.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"717\" height=\"900\" data-id=\"17640\" src=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2014.1.1-717x900.webp\" alt=\"\" class=\"wp-image-17640\" srcset=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2014.1.1-717x900.webp 717w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2014.1.1-239x300.webp 239w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2014.1.1-768x964.webp 768w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2014.1.1-1224x1536.webp 1224w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2014.1.1-500x628.jpg 500w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2014.1.1.webp 1529w\" sizes=\"(max-width: 717px) 100vw, 717px\" \/><\/a><figcaption class=\"wp-element-caption\">Robert Feintuch,<em> Feet Up<\/em>, 2013, polymer emulsion on honeycomb panel, 23 3\/4 x 19 in., Bates College Museum of Art purchase with gift from Leander W. Smith, 2014.1.1<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/1986.12.27.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"712\" data-id=\"17645\" src=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/1986.12.27-900x712.webp\" alt=\"\" class=\"wp-image-17645\" srcset=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/1986.12.27-900x712.webp 900w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/1986.12.27-379x300.webp 379w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/1986.12.27-768x608.webp 768w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/1986.12.27-1536x1216.webp 1536w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/1986.12.27-793x628.jpg 793w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/1986.12.27.webp 1919w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/a><figcaption class=\"wp-element-caption\">Arthur Rothstein, <em>John Marin in his Studio, Hoboken, New Jersey<\/em>, 1949, photograph, 10 3\/4 x 13 3\/4 in., Gift of Frederick M. Myers \u201886, 1986.12.27<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2004.16.2_small.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"893\" data-id=\"17514\" src=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2004.16.2_small-900x893.webp\" alt=\"\" class=\"wp-image-17514\" srcset=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2004.16.2_small-900x893.webp 900w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2004.16.2_small-302x300.webp 302w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2004.16.2_small-150x150.webp 150w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2004.16.2_small-768x762.webp 768w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2004.16.2_small-1536x1525.webp 1536w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2004.16.2_small-633x628.jpg 633w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2004.16.2_small.webp 1919w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/a><figcaption class=\"wp-element-caption\">Samuel Fosso,<em> Self Portrait<\/em>, 1977, silver gelatin print, 24 x 20 in., Bates College Museum of Art purchase in part with funds from the Jean LeMire Payne &#8217;53 Fund, 2004.16.2<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/Image088.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"669\" height=\"900\" data-id=\"17648\" src=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/Image088-669x900.webp\" alt=\"\" class=\"wp-image-17648\" srcset=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/Image088-669x900.webp 669w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/Image088-223x300.webp 223w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/Image088-768x1033.webp 768w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/Image088-1142x1536.webp 1142w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/Image088-467x628.jpg 467w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/Image088.webp 1427w\" sizes=\"(max-width: 669px) 100vw, 669px\" \/><\/a><figcaption class=\"wp-element-caption\">Edward Steichen,<em> Jack Nicholson as the Joker<\/em>, ca. 1989, Agfa-chrome resin coated print, 10 x 8 in., Gift of Robert Flynn Johnson in memory of Dr. Robert Andrew Johnson, 2018.4.10<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2015.8.6.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"681\" height=\"900\" data-id=\"17513\" src=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2015.8.6-681x900.webp\" alt=\"\" class=\"wp-image-17513\" srcset=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2015.8.6-681x900.webp 681w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2015.8.6-227x300.webp 227w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2015.8.6-768x1016.webp 768w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2015.8.6-1161x1536.webp 1161w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2015.8.6-475x628.jpg 475w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2015.8.6.webp 1451w\" sizes=\"(max-width: 681px) 100vw, 681px\" \/><\/a><figcaption class=\"wp-element-caption\">Fritz Eichenberg, <em>The Dream of Reason<\/em>, n.d., wood engraving, 9 x 7 in., Bates College Museum of Art purchase with the Dr. Robert A. and Minna F. Johnson \u201936 Art Acquisition Fund, 2015.8.6<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2021.10.1.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"679\" height=\"900\" data-id=\"17647\" src=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2021.10.1-679x900.webp\" alt=\"Jacques Villon, Self Portrait, n.d., ink on paper, 10 7\/8 x 8 1\/4 in., Bates College Museum of Art purchase, 2021.10.1\" class=\"wp-image-17647\" srcset=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2021.10.1-679x900.webp 679w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2021.10.1-226x300.webp 226w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2021.10.1-768x1018.webp 768w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2021.10.1-474x628.jpg 474w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2021.10.1.webp 812w\" sizes=\"(max-width: 679px) 100vw, 679px\" \/><\/a><figcaption class=\"wp-element-caption\">Jacques Villon,<em> Self Portrait<\/em>, n.d., ink on paper, 10 7\/8 x 8 1\/4 in., Bates College Museum of Art purchase, 2021.10.1<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2022.5.1-e1679059787387.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"637\" height=\"900\" data-id=\"17511\" src=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2022.5.1-e1679059787387-637x900.webp\" alt=\"\" class=\"wp-image-17511\" srcset=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2022.5.1-e1679059787387-637x900.webp 637w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2022.5.1-e1679059787387-212x300.webp 212w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2022.5.1-e1679059787387-768x1085.webp 768w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2022.5.1-e1679059787387-1087x1536.webp 1087w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2022.5.1-e1679059787387-444x628.jpg 444w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2022.5.1-e1679059787387-142x200.webp 142w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2022.5.1-e1679059787387.webp 1222w\" sizes=\"(max-width: 637px) 100vw, 637px\" \/><\/a><figcaption class=\"wp-element-caption\">Joseph Beuys,<em> Joseph Beuys, fur Tobias Bach<\/em>, 1972, postcard with red ink, 5 3\/4 x 4 in., Bates College Museum of Art Purchase, 2022.5.1<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/1995.5.24.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"1919\" data-id=\"17685\" src=\"https:\/\/www.bates.edu\/museum\/files\/2023\/04\/1995.5.24-edited.webp\" alt=\"\" class=\"wp-image-17685\" srcset=\"https:\/\/www.bates.edu\/museum\/files\/2023\/04\/1995.5.24-edited.webp 1280w, https:\/\/www.bates.edu\/museum\/files\/2023\/04\/1995.5.24-edited-200x300.webp 200w, https:\/\/www.bates.edu\/museum\/files\/2023\/04\/1995.5.24-edited-600x900.webp 600w, https:\/\/www.bates.edu\/museum\/files\/2023\/04\/1995.5.24-edited-768x1151.webp 768w, https:\/\/www.bates.edu\/museum\/files\/2023\/04\/1995.5.24-edited-1025x1536.webp 1025w, https:\/\/www.bates.edu\/museum\/files\/2023\/04\/1995.5.24-edited-419x628.jpg 419w\" sizes=\"(max-width: 1280px) 100vw, 1280px\" \/><\/a><figcaption class=\"wp-element-caption\">Sigmund Abeles, <em>Self-Identification<\/em>, 1964, etching and soft ground, 8 x 6 in., Gift of the Artist, 1995.5.24<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2007.2.4.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"722\" height=\"900\" data-id=\"17655\" src=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2007.2.4-722x900.webp\" alt=\"\" class=\"wp-image-17655\" srcset=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2007.2.4-722x900.webp 722w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2007.2.4-241x300.webp 241w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2007.2.4-768x957.webp 768w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2007.2.4-1233x1536.webp 1233w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2007.2.4-161x200.webp 161w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2007.2.4-504x628.jpg 504w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2007.2.4.webp 1540w\" sizes=\"(max-width: 722px) 100vw, 722px\" \/><\/a><figcaption class=\"wp-element-caption\">Arthur (Usher) Fellig \u201cWeegee\u201d, <em>Edie Cantor (Distortion)<\/em>, ca. 1955-60, vintage gelatin silver print, 10 x 8 in., Gift of Robert Flynn Johnson in memory of Minna Flynn Johnson, 2007.2.4<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/seidl_porch_dinner.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"891\" height=\"900\" data-id=\"17516\" src=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/seidl_porch_dinner-891x900.webp\" alt=\"\" class=\"wp-image-17516\" srcset=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/seidl_porch_dinner-891x900.webp 891w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/seidl_porch_dinner-297x300.webp 297w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/seidl_porch_dinner-768x776.webp 768w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/seidl_porch_dinner-622x628.jpg 622w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/seidl_porch_dinner.webp 960w\" sizes=\"(max-width: 891px) 100vw, 891px\" \/><\/a><figcaption class=\"wp-element-caption\">Claire Seidl, <em>Porch Dinner<\/em>, gelatin silver print, 19 7\/8 x 16 in., Bates College Museum of Art purchase with the Abraham and Bella Margolis Fund, and the Dorothy Stiles Blankfort &#8217;31 Fund, 2014.10.1<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2019.4.32.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"739\" data-id=\"17642\" src=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2019.4.32-900x739.webp\" alt=\"\" class=\"wp-image-17642\" srcset=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2019.4.32-900x739.webp 900w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2019.4.32-365x300.webp 365w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2019.4.32-768x631.webp 768w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2019.4.32-1536x1261.webp 1536w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2019.4.32-765x628.jpg 765w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2019.4.32.webp 1919w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/a><figcaption class=\"wp-element-caption\">Sam McMillan \u201cThe Dot Man\u201d, World Peace and Harmony, n.d., oil on wood, 18 x 22 in., Bates College Museum of Art, Gift of Jane Costello Wellehan, 2019.4.32<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/1989.8.1.b.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"1919\" data-id=\"17687\" src=\"https:\/\/www.bates.edu\/museum\/files\/2023\/04\/1989.8.1.b-edited.webp\" alt=\"\" class=\"wp-image-17687\" srcset=\"https:\/\/www.bates.edu\/museum\/files\/2023\/04\/1989.8.1.b-edited.webp 1280w, https:\/\/www.bates.edu\/museum\/files\/2023\/04\/1989.8.1.b-edited-200x300.webp 200w, https:\/\/www.bates.edu\/museum\/files\/2023\/04\/1989.8.1.b-edited-600x900.webp 600w, https:\/\/www.bates.edu\/museum\/files\/2023\/04\/1989.8.1.b-edited-768x1151.webp 768w, https:\/\/www.bates.edu\/museum\/files\/2023\/04\/1989.8.1.b-edited-1025x1536.webp 1025w, https:\/\/www.bates.edu\/museum\/files\/2023\/04\/1989.8.1.b-edited-419x628.jpg 419w\" sizes=\"(max-width: 1280px) 100vw, 1280px\" \/><\/a><figcaption class=\"wp-element-caption\">Leonard Baskin, <em>Camille Corot<\/em>, n.d., wood engraving, 7 1\/4 x 4 5\/8 in., Gift of John and Janet Marquess, 1989.8.1.b<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2012.8.4.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"689\" data-id=\"17517\" src=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2012.8.4-900x689.webp\" alt=\"\" class=\"wp-image-17517\" srcset=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2012.8.4-900x689.webp 900w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2012.8.4-392x300.webp 392w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2012.8.4-768x588.webp 768w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2012.8.4-1536x1177.webp 1536w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2012.8.4-200x153.webp 200w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2012.8.4-820x628.jpg 820w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2012.8.4.webp 1919w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/a><figcaption class=\"wp-element-caption\">David Seltzer,<em> Untitled (Kerouac)<\/em>, 2011, print, 13 1\/4 x 18 7\/8 in., Gift of Burt Sheaffer, 2012.8.4<\/figcaption><\/figure>\n<\/figure>\n","protected":false},"excerpt":{"rendered":"<p>June 9 &#8211; October 7, 2023 Who Are They? Who Am I?&hellip;<\/p>\n","protected":false},"author":1626,"featured_media":17499,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_hide_ai_chatbot":false,"_ai_chatbot_style":"","associated_faculty":[],"_Page_Specific_Css":"","_bates_restrict_mod":false,"_dimp_site_id":"","_dimp_override_contact":false,"_table_of_contents_display":false,"_table_of_contents_location":"","_table_of_contents_disableSticky":false,"_is_featured":false,"footnotes":"","_bates_seo_meta_description":"","_bates_seo_block_robots":false,"_bates_seo_sharing_image_id":0,"_bates_seo_sharing_image_twitter_id":0,"_bates_seo_share_title":"","_bates_seo_canonical_overwrite":"","_bates_seo_twitter_template":"","_links_to":"","_links_to_target":""},"class_list":["post-17497","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/pages\/17497","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/users\/1626"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/comments?post=17497"}],"version-history":[{"count":37,"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/pages\/17497\/revisions"}],"predecessor-version":[{"id":21589,"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/pages\/17497\/revisions\/21589"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/media\/17499"}],"wp:attachment":[{"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/media?parent=17497"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}