{"id":18606,"date":"2023-05-19T15:26:13","date_gmt":"2023-05-19T19:26:13","guid":{"rendered":"https:\/\/www.bates.edu\/museum\/?page_id=18606"},"modified":"2023-06-07T16:22:24","modified_gmt":"2023-06-07T20:22:24","slug":"alice-neel-biography","status":"publish","type":"page","link":"https:\/\/www.bates.edu\/museum\/exhibitions\/alice-neel-biography\/","title":{"rendered":"Alice Neel Biography"},"content":{"rendered":"\n<h2 class=\"wp-block-heading has-black-color has-text-color\">Alice Neel (American, 1900-1984)&nbsp;<\/h2>\n\n\n\n<p>Neel perfected capturing endearing portraits of her subjects, which she often painted on commission. She also worked for the Works Progress Administration and became involved in the Communist Party. Artists, intellectuals, and political leaders would become the subjects of her paintings, as well as her neighbors in Spanish Harlem, many of whom were women and children. She showcased her distaste with the Western style of art which depicted women as passive, ageless subjects of the male gaze through her use of rich lines, asymmetrical angles, and deep shadows.<\/p>\n\n\n\n<p>Neel was born in Pennsylvania and graduated from Moor College of Art and Design in 1925. Her work began to be widely shown in the 1960s, and her first major exhibit debuted at her alma mater in 1971. In 1974, she exhibited at the Whitney Museum of American Art in New York, followed by the Georgia Museum of Art the next year. Neel is now collected at the Art Institute of Chicago; Hirshhorn Museum and Sculpture Garden, Washington, DC; The Metropolitan Museum of Art, New York; Moderna Museet, Stockholm; The Museum of Contemporary Art, Los Angeles; Museum of Fine Arts, Houston; and Tate, London. In 1976, Neel received the International Women\u2019s Year Award and, in 1979, the National Women\u2019s Caucus Art Award.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"664\" height=\"900\" data-id=\"18607\" src=\"https:\/\/www.bates.edu\/museum\/files\/2023\/05\/2002.10.2-664x900.webp\" alt=\"Alice Neel, Peter Homitzsky, 1980, lithograph on paper, 30 3\/8 x 20 1\/8 in., Bates College Museum of Art, gift of the Dorothy Stiles Blankfort Endowment, 2002.10.2\" class=\"wp-image-18607\" srcset=\"https:\/\/www.bates.edu\/museum\/files\/2023\/05\/2002.10.2-664x900.webp 664w, https:\/\/www.bates.edu\/museum\/files\/2023\/05\/2002.10.2-221x300.webp 221w, https:\/\/www.bates.edu\/museum\/files\/2023\/05\/2002.10.2-768x1041.webp 768w, https:\/\/www.bates.edu\/museum\/files\/2023\/05\/2002.10.2-1133x1536.webp 1133w, https:\/\/www.bates.edu\/museum\/files\/2023\/05\/2002.10.2-463x628.jpg 463w, https:\/\/www.bates.edu\/museum\/files\/2023\/05\/2002.10.2.webp 1270w\" sizes=\"(max-width: 664px) 100vw, 664px\" \/><figcaption class=\"wp-element-caption\">Alice Neel, <em>Peter Homitzsky<\/em>, 1980, lithograph on paper, 30 3\/8 x 20 1\/8 in., Bates College Museum of Art, gift of the Dorothy Stiles Blankfort Endowment, 2002.10.2<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"10\" height=\"10\" data-id=\"14895\" src=\"https:\/\/www.bates.edu\/museum\/files\/2021\/01\/blank-image-2.png\" alt=\"\" class=\"wp-image-14895\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"10\" height=\"10\" data-id=\"14895\" src=\"https:\/\/www.bates.edu\/museum\/files\/2021\/01\/blank-image-2.png\" alt=\"\" class=\"wp-image-14895\"\/><\/figure>\n<\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Alice Neel (American, 1900-1984)&nbsp; Neel perfected capturing endearing portraits of her subjects,&hellip;<\/p>\n","protected":false},"author":1626,"featured_media":0,"parent":1152,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_hide_ai_chatbot":false,"_ai_chatbot_style":"","associated_faculty":[],"_Page_Specific_Css":"","_bates_restrict_mod":false,"_dimp_site_id":"","_dimp_override_contact":false,"_table_of_contents_display":false,"_table_of_contents_location":"","_table_of_contents_disableSticky":false,"_is_featured":false,"footnotes":"","_bates_seo_meta_description":"","_bates_seo_block_robots":false,"_bates_seo_sharing_image_id":0,"_bates_seo_sharing_image_twitter_id":0,"_bates_seo_share_title":"","_bates_seo_canonical_overwrite":"","_bates_seo_twitter_template":"","_links_to":"","_links_to_target":""},"class_list":["post-18606","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/pages\/18606","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/users\/1626"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/comments?post=18606"}],"version-history":[{"count":4,"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/pages\/18606\/revisions"}],"predecessor-version":[{"id":19487,"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/pages\/18606\/revisions\/19487"}],"up":[{"embeddable":true,"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/pages\/1152"}],"wp:attachment":[{"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/media?parent=18606"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}