{"id":18666,"date":"2023-05-19T16:18:51","date_gmt":"2023-05-19T20:18:51","guid":{"rendered":"https:\/\/www.bates.edu\/museum\/?page_id=18666"},"modified":"2023-06-08T09:10:09","modified_gmt":"2023-06-08T13:10:09","slug":"hollis-sigler-biography","status":"publish","type":"page","link":"https:\/\/www.bates.edu\/museum\/exhibitions\/hollis-sigler-biography\/","title":{"rendered":"Hollis Sigler Biography"},"content":{"rendered":"\n<h2 class=\"wp-block-heading has-black-color has-text-color\">Hollis Sigler (American, 1948-2001)<\/h2>\n\n\n\n<p>Sigler was formally trained at Moore College of Art in Philadelphia and School of the Art Institute of Chicago. Yet, she purposefully separated herself from male-dominated movements of the time in favor of a faux-na\u00efve style suggesting the work of a self-taught artist. Afterwards, her subjects focused on a woman&#8217;s world-view, autobiographical content, and doll-house type interiors as stand-ins for interior female portraits. First focused on her identity as a lesbian woman, after Sigler was first diagnosed with breast cancer in 1985, her subject matter started reflecting what was happening with her health. In these works, brightly colored illustrations seem to be pleasant, given the artist\u2019s folk-art style, but houses are ablaze, mirrors broken, angels ascend to heaven, and unpeopled scenes with clothing, furniture, and antique sculptures become surrogates for the artist and her struggle.<\/p>\n\n\n\n<p>Public collections of Sigler\u2019s include the American Academy of Arts and Letters, New York; the Art Institute of Chicago; the Baltimore Museum of Art; the High Museum of Art, Atlanta; the Honolulu Museum of Art; the National Museum of Women in the Arts, Washington, DC; and the Seattle Art Museum.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.bates.edu\/museum\/files\/2023\/06\/2023.3.1-frame.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"755\" data-id=\"19501\" src=\"https:\/\/www.bates.edu\/museum\/files\/2023\/06\/2023.3.1-frame-900x755.webp\" alt=\"\" class=\"wp-image-19501\" srcset=\"https:\/\/www.bates.edu\/museum\/files\/2023\/06\/2023.3.1-frame-900x755.webp 900w, https:\/\/www.bates.edu\/museum\/files\/2023\/06\/2023.3.1-frame-358x300.webp 358w, https:\/\/www.bates.edu\/museum\/files\/2023\/06\/2023.3.1-frame-768x644.webp 768w, https:\/\/www.bates.edu\/museum\/files\/2023\/06\/2023.3.1-frame-1536x1288.webp 1536w, https:\/\/www.bates.edu\/museum\/files\/2023\/06\/2023.3.1-frame-749x628.jpg 749w, https:\/\/www.bates.edu\/museum\/files\/2023\/06\/2023.3.1-frame.webp 1600w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/a><figcaption class=\"wp-element-caption\">Hollis Sigler, <em>Keeping My Energy Moving Forward<\/em>, 1998, mixed media on paper in artist made frame, Bates College Museum of Art purchase with the Museum purchase with the Synergy Fund Diversify the Collections Program, 2023.3.1<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"10\" height=\"10\" data-id=\"14895\" src=\"https:\/\/www.bates.edu\/museum\/files\/2021\/01\/blank-image-2.png\" alt=\"\" class=\"wp-image-14895\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"10\" height=\"10\" data-id=\"14895\" src=\"https:\/\/www.bates.edu\/museum\/files\/2021\/01\/blank-image-2.png\" alt=\"\" class=\"wp-image-14895\"\/><\/figure>\n<\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Hollis Sigler (American, 1948-2001) Sigler was formally trained at Moore College of&hellip;<\/p>\n","protected":false},"author":1626,"featured_media":0,"parent":1152,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_hide_ai_chatbot":false,"_ai_chatbot_style":"","associated_faculty":[],"_Page_Specific_Css":"","_bates_restrict_mod":false,"_dimp_site_id":"","_dimp_override_contact":false,"_table_of_contents_display":false,"_table_of_contents_location":"","_table_of_contents_disableSticky":false,"_is_featured":false,"footnotes":"","_bates_seo_meta_description":"","_bates_seo_block_robots":false,"_bates_seo_sharing_image_id":0,"_bates_seo_sharing_image_twitter_id":0,"_bates_seo_share_title":"","_bates_seo_canonical_overwrite":"","_bates_seo_twitter_template":"","_links_to":"","_links_to_target":""},"class_list":["post-18666","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/pages\/18666","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/users\/1626"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/comments?post=18666"}],"version-history":[{"count":3,"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/pages\/18666\/revisions"}],"predecessor-version":[{"id":19503,"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/pages\/18666\/revisions\/19503"}],"up":[{"embeddable":true,"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/pages\/1152"}],"wp:attachment":[{"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/media?parent=18666"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}