{"id":18726,"date":"2023-05-22T09:54:00","date_gmt":"2023-05-22T13:54:00","guid":{"rendered":"https:\/\/www.bates.edu\/museum\/?page_id=18726"},"modified":"2023-06-06T13:19:12","modified_gmt":"2023-06-06T17:19:12","slug":"philippe-halsman-biography","status":"publish","type":"page","link":"https:\/\/www.bates.edu\/museum\/exhibitions\/philippe-halsman-biography\/","title":{"rendered":"Philippe Halsman Biography"},"content":{"rendered":"\n<h2 class=\"wp-block-heading has-black-color has-text-color\">Philippe Halsman (Latvian, 1906-1979)<\/h2>\n\n\n\n<p>As a photographer of celebrities, Halsman captured some of the best-known artists, actors, scientists, and writers of all time. He arrived to the US in 1940 and found success by propelling actors and actresses to fame with his unique backdrops and props. A photoshoot with aspiring model Connie Ford challenged Halsman to create the perfect \u201cAmerican Profile,\u201d in which he directed Ford to pose laying down on an American flag he constructed out of paper. Possibly his most recognized period was his involvement with the Spanish Surrealist Salvador Dal\u00ed, where he captured Dali\u2019s ideas of the absurd by snapping with the artist in midair and highlighting his over-the-top mustache. Throughout his career, he worked on 101 <em>LIFE Magazine<\/em> covers.<\/p>\n\n\n\n<p>Halsman was born in Riga, Latvia and opened a portrait studio in Montparnasse, Paris in 1934. His photographs appeared in his first major exhibit at the Galerie de la Pl\u00e9iade, Paris and, shortly after, at the Mus\u00e9e des Arts D\u00e9coratifs in 1936. His work has been exhibited extensively and included in permanent collections like the Museum of Modern Art and the Metropolitan Museum of Art, New York; Library of Congress, Washington DC; and J. Paul Getty Museum, Los Angeles.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"719\" height=\"900\" data-id=\"17506\" src=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2007.2.1-e1679059027309-719x900.webp\" alt=\"\" class=\"wp-image-17506\" srcset=\"https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2007.2.1-e1679059027309-719x900.webp 719w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2007.2.1-e1679059027309-240x300.webp 240w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2007.2.1-e1679059027309-768x961.webp 768w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2007.2.1-e1679059027309-1227x1536.webp 1227w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2007.2.1-e1679059027309-160x200.webp 160w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2007.2.1-e1679059027309-502x628.jpg 502w, https:\/\/www.bates.edu\/museum\/files\/2023\/03\/2007.2.1-e1679059027309.webp 1533w\" sizes=\"(max-width: 719px) 100vw, 719px\" \/><figcaption class=\"wp-element-caption\">Philippe Halsman, <em>Marilyn Monroe<\/em>, 1962, silver gelatin print, 10 x 8 in., Gift of Robert Flynn Johnson in memory of Minna Flynn Johnson, 2007.2.1<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"10\" height=\"10\" data-id=\"14895\" src=\"https:\/\/www.bates.edu\/museum\/files\/2021\/01\/blank-image-2.png\" alt=\"\" class=\"wp-image-14895\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"10\" height=\"10\" data-id=\"14895\" src=\"https:\/\/www.bates.edu\/museum\/files\/2021\/01\/blank-image-2.png\" alt=\"\" class=\"wp-image-14895\"\/><\/figure>\n<\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Philippe Halsman (Latvian, 1906-1979) As a photographer of celebrities, Halsman captured some&hellip;<\/p>\n","protected":false},"author":1626,"featured_media":0,"parent":1152,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_hide_ai_chatbot":false,"_ai_chatbot_style":"","associated_faculty":[],"_Page_Specific_Css":"","_bates_restrict_mod":false,"_dimp_site_id":"","_dimp_override_contact":false,"_table_of_contents_display":false,"_table_of_contents_location":"","_table_of_contents_disableSticky":false,"_is_featured":false,"footnotes":"","_bates_seo_meta_description":"","_bates_seo_block_robots":false,"_bates_seo_sharing_image_id":0,"_bates_seo_sharing_image_twitter_id":0,"_bates_seo_share_title":"","_bates_seo_canonical_overwrite":"","_bates_seo_twitter_template":"","_links_to":"","_links_to_target":""},"class_list":["post-18726","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/pages\/18726","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/users\/1626"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/comments?post=18726"}],"version-history":[{"count":3,"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/pages\/18726\/revisions"}],"predecessor-version":[{"id":19237,"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/pages\/18726\/revisions\/19237"}],"up":[{"embeddable":true,"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/pages\/1152"}],"wp:attachment":[{"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/media?parent=18726"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}