{"id":19,"date":"2010-03-07T20:21:05","date_gmt":"2010-03-07T20:21:05","guid":{"rendered":"http:\/\/bateswebstage1.wordpress.com\/?page_id=19"},"modified":"2026-02-03T11:49:47","modified_gmt":"2026-02-03T16:49:47","slug":"publications","status":"publish","type":"page","link":"https:\/\/www.bates.edu\/museum\/publications\/","title":{"rendered":"Publications"},"content":{"rendered":"\n

The museum supports many of its exhibitions with scholarly\ncatalogues, books, posters, and exhibition guides. Exhibitions are ephemeral. Publications\nsupport and expand knowledge about art, artists, and exhibitions, and can meaningful\nresources for years after an exhibition closes. <\/p>\n\n\n\n

How do I purchase a publication?<\/strong><\/p>\n\n\n\n

Many exhibition publications are still available. To learn more about the catalogue and exhibition, and to order online, click on the cover below. A select number of editions are also available to purchase in the museum.<\/p>\n\n\n\n

<\/p>\n\n\n\n

\n
\"Ralph<\/a>
Ralph Steadman: And Another Thing<\/figcaption><\/figure>\n\n\n\n
\"Across<\/a>
from an unmarked point in the horizon<\/figcaption><\/figure>\n\n\n\n
\"Exploding<\/a>
Exploding Native Inevitable<\/figcaption><\/figure>\n\n\n\n
\"Lesley<\/a>
Lesley Dill: Wilderness Light Sizzles Around Me<\/figcaption><\/figure>\n\n\n\n
\"An<\/a>
An Adventurous Spirit: The Jane Costello Wellehan Collection<\/figcaption><\/figure>\n\n\n\n
\"Marsden<\/a>
Marsden Hartley Figural Note Cards<\/figcaption><\/figure>\n\n\n\n
\"Marsden<\/a>
Marsden Hartley Landscape Note Cards<\/figcaption><\/figure>\n\n\n\n
\"Marsden<\/a>
Marsden Hartley: Adventurer in the Arts<\/figcaption><\/figure>\n\n\n\n
\"Vanessa<\/a>
Vanessa German: Miracles and Glory Abound<\/figcaption><\/figure>\n\n\n\n
\"Vanessa<\/a>
Vanessa German: Miracles and Glory Abound Poster<\/figcaption><\/figure>\n\n\n\n
\"Ralph<\/a>
Ralph Eugene Meatyard: Stages for Being<\/figcaption><\/figure>\n\n\n\n
\"DeWitt<\/a>
DeWitt Hardy: Master of Watercolor<\/figcaption><\/figure>\n\n\n\n
\"Anthropocenic:<\/a>
Anthropocenic: Art About the Natural World in the Human Era Exhibition Gallery Guide<\/figcaption><\/figure>\n\n\n\n
\"Anthropocenic:<\/a>
Anthropocenic: Art About the Natural World in the Human Era Poster<\/figcaption><\/figure>\n\n\n\n
\"Dahlov<\/a>
Dahlov Ipcar: Blue Moons & Menageries Poster<\/figcaption><\/figure>\n\n\n\n
\"Dahlov<\/a>
Dahlov Ipcar: Blue Moons & Menageries<\/figcaption><\/figure>\n\n\n\n
\"Heads<\/a>
Heads Hands Feet Sleeping Holding Dreaming Dying<\/figcaption><\/figure>\n\n\n\n
\"Kate<\/a>
Kate Gilmore: In Your Way<\/figcaption><\/figure>\n\n\n\n
\"Phantom<\/a>
Phantom Punch: Contemporary Art from Saudi Arabia<\/figcaption><\/figure>\n\n\n\n
\"The<\/a>
The Hope of Art – Robert Indiana A-Z<\/figcaption><\/figure>\n\n\n\n
\"Robert<\/a>
Robert Indiana: Like a Rolling Stone Poster<\/figcaption><\/figure>\n\n\n\n
\"Jay<\/a>
Jay Bolotin: The Book of Only Enoch<\/figcaption><\/figure>\n\n\n\n
\"Jeffery<\/a>
Jeffery Becton: The Farthest House<\/figcaption><\/figure>\n\n\n\n
\"Maine<\/a>
Maine Photography: A History 1840-2015<\/figcaption><\/figure>\n\n\n\n
\"Points<\/a>
Points of View<\/figcaption><\/figure>\n\n\n\n
\"Back<\/a>
Back and Forth: The Collaborative Works of Dawn Clements and Marc Leuthold<\/figcaption><\/figure>\n\n\n\n
\"How<\/a>
How to Make the Universe Right: The Art of the Shaman in Vietnam and Southern China<\/figcaption><\/figure>\n\n\n\n
\"How<\/a>
How to Make the Universe Right Brochure<\/figcaption><\/figure>\n\n\n\n
\"Robert<\/a>
Robert S. Neuman’s Ship to Paradise<\/figcaption><\/figure>\n\n\n\n
\"Fransje<\/a>
Fransje Killaars: Color at the Center<\/figcaption><\/figure>\n\n\n\n
\"Starstruck:<\/a>
Starstruck: The Fine Art of Astrophotography<\/figcaption><\/figure>\n\n\n\n
\"Xiaoze<\/a>
Xiaoze Xie: Amplifed Moments (1993-2008)<\/figcaption><\/figure>\n\n\n\n
\"Tale<\/a>
Tale Spinning<\/figcaption><\/figure>\n\n\n\n
\"Emerging<\/a>
Emerging Dis\/Order<\/figcaption><\/figure>\n\n\n\n
\"Andrew<\/a>
Andrew and Jamie Wyeth: Selections from the Collection of Victoria Browning Wyeth<\/figcaption><\/figure>\n\n\n\n
\"Selections<\/a>
Selections from the Ogunquit Museum of American Art<\/figcaption><\/figure>\n\n\n\n
\"Bound<\/a>
Bound to Art<\/figcaption><\/figure>\n\n\n\n
\"Lalla<\/a>
Lalla Essaydi: Les Femmes Du Moroc<\/figcaption><\/figure>\n\n\n\n
\"Joseph<\/a>
Joseph Nicoletti: A Retrospective<\/figcaption><\/figure>\n\n\n\n
\"The<\/a>
The Somali Diaspora: A Journey Away<\/figcaption><\/figure>\n\n\n\n
\"Stairway<\/a>
Stairway to Heaven: From Chinese Streets to Monuments and Skyscrapers<\/figcaption><\/figure>\n\n\n\n
\"Folk<\/a>
Folk Art in Maine<\/figcaption><\/figure>\n\n\n\n
\"Green<\/a>
Green Horizons Box<\/figcaption><\/figure>\n\n\n\n
\"Green<\/a>
Green Horizons Catalog and DVD<\/figcaption><\/figure>\n\n\n\n
\"The<\/a>
The Graphic Work of Charlie Hewitt<\/figcaption><\/figure>\n\n\n\n
\"The<\/a>
The Imprint of Place: Maine Printmaking<\/figcaption><\/figure>\n\n\n\n
\"Activator\"<\/a>
Activator<\/figcaption><\/figure>\n\n\n\n
\"Cryptozoology:<\/a>
Cryptozoology: Out of Time Place Scale<\/figcaption><\/figure>\n\n\n\n
\"Robert<\/a>
Robert Indiana: The Hartley Elegies<\/figcaption><\/figure>\n\n\n\n
\"Wenda<\/a>
Wenda Gu Art from Middle Kingdom to Biological Millenium<\/figcaption><\/figure>\n\n\n\n
\"Bates<\/a>
Bates College Faculty Exhibit<\/figcaption><\/figure>\n\n\n\n
\"Documenting<\/a>
Documenting China: Contemporary Photography and Social Change<\/figcaption><\/figure>\n\n\n\n
\"From<\/a>
From Byzantium to Russia: Popular Icons for Personal Devotion<\/figcaption><\/figure>\n\n\n\n
\"William<\/a>
William Manning: Works on Paper 1961-2002<\/figcaption><\/figure>\n\n\n\n
\"Intimate<\/a>
Intimate Wilderness: Maine Landscapes by Joel Babb<\/figcaption><\/figure>\n\n\n\n
\"Carl<\/a>
Carl Sprinchorn: King of the Woods<\/figcaption><\/figure>\n\n\n\n
\"Pamela<\/a>
Pamela Johnson<\/figcaption><\/figure>\n\n\n\n
\"Hyman<\/a>
Hyman Bloom’s The Lubec Woods<\/figcaption><\/figure>\n\n\n\n
\"Manuel<\/a>
Manuel Lopez Olivia: Cuba and the Theatre of Desire<\/figcaption><\/figure>\n\n\n\n
\"Monhegan<\/a>
Monhegan The Abstracted Island: The collection of John M. Day<\/figcaption><\/figure>\n\n\n\n
\"Andrew<\/a>
Andrew Wyeth: Her Room<\/figcaption><\/figure>\n\n\n\n
\"SOLD<\/a>
SOLD OUT Sigmund Abeles: The Artist and His Prints 1954-1999<\/figcaption><\/figure>\n\n\n\n
\"In<\/a>
In Black and White: Landscape Prints by Claire Van Vliet<\/figcaption><\/figure>\n\n\n\n
\"Carried<\/a>
Carried Away: The Joy of Collecting Art in Maine<\/figcaption><\/figure>\n\n\n\n
\"Five<\/a>
Five Decades in Print by Ed Colker<\/figcaption><\/figure>\n\n\n\n
\"Stephen<\/a>
Stephen Pace – Maine and Reminiscences<\/figcaption><\/figure>\n\n\n\n
\"Eight<\/a>
Eight Poems and One Essay<\/figcaption><\/figure>\n\n\n\n
\"Ninety-Nine<\/a>
Ninety-Nine Drawings<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

The museum supports many of its exhibitions with scholarly catalogues, books, posters,…<\/p>\n","protected":false},"author":934,"featured_media":0,"parent":0,"menu_order":52,"comment_status":"closed","ping_status":"open","template":"","meta":{"_hide_ai_chatbot":false,"_ai_chatbot_style":"","associated_faculty":[],"_Page_Specific_Css":"","_bates_restrict_mod":false,"_dimp_site_id":"","_dimp_override_contact":false,"_table_of_contents_display":false,"_table_of_contents_location":"","_table_of_contents_disableSticky":false,"_is_featured":false,"footnotes":"","_bates_seo_meta_description":"","_bates_seo_block_robots":false,"_bates_seo_sharing_image_id":0,"_bates_seo_sharing_image_twitter_id":0,"_bates_seo_share_title":"","_bates_seo_canonical_overwrite":"","_bates_seo_twitter_template":"","_links_to":"","_links_to_target":""},"class_list":["post-19","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/pages\/19","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/users\/934"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/comments?post=19"}],"version-history":[{"count":71,"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/pages\/19\/revisions"}],"predecessor-version":[{"id":21801,"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/pages\/19\/revisions\/21801"}],"wp:attachment":[{"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/media?parent=19"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}