{"id":20471,"date":"2024-01-16T13:37:55","date_gmt":"2024-01-16T18:37:55","guid":{"rendered":"https:\/\/www.bates.edu\/museum\/?p=20471"},"modified":"2024-03-12T16:31:52","modified_gmt":"2024-03-12T20:31:52","slug":"crop-and-click-episode-2-a-photographic-voice-on-maine-lobstering","status":"publish","type":"post","link":"https:\/\/www.bates.edu\/museum\/2024\/01\/16\/crop-and-click-episode-2-a-photographic-voice-on-maine-lobstering\/","title":{"rendered":"Crop and Click Episode 2 &#8211; A Photographic Voice on Maine Lobstering"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"alignleft size-medium is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"312\" height=\"300\" src=\"https:\/\/www.bates.edu\/museum\/files\/2024\/03\/2005.7.1-312x300.webp\" alt=\"\" class=\"wp-image-20487\" style=\"width:301px;height:auto\" srcset=\"https:\/\/www.bates.edu\/museum\/files\/2024\/03\/2005.7.1-312x300.webp 312w, https:\/\/www.bates.edu\/museum\/files\/2024\/03\/2005.7.1-900x867.webp 900w, https:\/\/www.bates.edu\/museum\/files\/2024\/03\/2005.7.1-768x740.webp 768w, https:\/\/www.bates.edu\/museum\/files\/2024\/03\/2005.7.1-652x628.jpg 652w, https:\/\/www.bates.edu\/museum\/files\/2024\/03\/2005.7.1-1536x1479.webp 1536w, https:\/\/www.bates.edu\/museum\/files\/2024\/03\/2005.7.1-200x193.webp 200w, https:\/\/www.bates.edu\/museum\/files\/2024\/03\/2005.7.1.webp 1919w\" sizes=\"(max-width: 312px) 100vw, 312px\" \/><figcaption class=\"wp-element-caption\">Berenice Abbott, <em>Lobster Car<\/em>, 1965, gelatin silver print, 7 3\/8 x 7 1\/2 inch, Bates Museum of Art purchase 2005.7.1<\/figcaption><\/figure>\n<\/div>\n\n\n<p>In this episode, Samantha Quatrano and Meara McVearry examine Berenice Abbott\u2019s 1965 photograph, Lobster Car. They explore the historical and generational struggles within the Maine lobstering industry and as Mainers, Samantha and Meara bring an inside perspective to the conversation. Through this documentary photograph, they contemplate the contrast of rural and urban life captured across Abbot\u2019s career and discuss the techniques Abbott employs and how her role and artistic intention impact the image. Abbott\u2019s interest in realism allowed her to use photography as a tangible timestamp to document social and historical events and their impacts. Analyzing the Lobster Car photograph, they question what narrative Abbott is trying to convey.<\/p>\n\n\n\n<p>Click <a href=\"https:\/\/acrobat.adobe.com\/link\/track?uri=urn%3Aaaid%3Ascds%3AUS%3A26073efb-73d6-33ae-8e59-bacd2b9678dc\">here<\/a> for a transcription and bibliography as well as images of the work&#8217;s discussed in today&#8217;s episode.<\/p>\n\n\n\n<p>This podcast is part of the Crop and Click series featuring student research on documentary photography from our collection. \u2060Click <a href=\"https:\/\/museum.bates.edu\/objects-1\/portfolio?query=Portfolios%3D%22-115%22&amp;records=25&amp;portfolioName=AVC+276+-+True+or+False%3A+Documentary+Photography\">here<\/a> for a portfolio of all the works discussed in the series.<\/p>\n\n\n\n<p>Hosted and produced by Samantha Quatrano and Meara McVearry. Cover art by Lucy Sherman &#8217;23. Music &#8220;Surface Tension 3&#8221; by Podington Bear provided to YouTube by Redeye Worldwide Music.<\/p>\n\n\n<div class=\"wp-block-embed is-type-video wp-embed-aspect-16-9\">\n\t\t\t<div class=\"wp-block-embed__wrapper\">\n\t\t\t\t<lite-youtube videoid=\"4w0UUdJzrqU\" params=\"modestbranding=1&#038;rel=0\" playlabel=\"A Photographic Voice on Maine Lobstering\" title=\"A Photographic Voice on Maine Lobstering\" >\n\t\t\t<\/lite-youtube>\n\t\t\t<\/div>\n\t\t\t\n\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>In this episode, Samantha Quatrano and Meara McVearry examine Berenice Abbott\u2019s 1965&hellip;<\/p>\n","protected":false},"author":1626,"featured_media":20487,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_hide_ai_chatbot":false,"_ai_chatbot_style":"","associated_faculty":[],"_Page_Specific_Css":"","_bates_restrict_mod":false,"_table_of_contents_display":false,"_table_of_contents_location":"","_table_of_contents_disableSticky":false,"_is_featured":false,"footnotes":"","_bates_seo_meta_description":"","_bates_seo_block_robots":false,"_bates_seo_sharing_image_id":0,"_bates_seo_sharing_image_twitter_id":0,"_bates_seo_share_title":"","_bates_seo_canonical_overwrite":"","_bates_seo_twitter_template":"","_links_to":"","_links_to_target":""},"categories":[75],"tags":[68],"class_list":["post-20471","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-podcast","tag-museum"],"_links":{"self":[{"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/posts\/20471","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/users\/1626"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/comments?post=20471"}],"version-history":[{"count":4,"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/posts\/20471\/revisions"}],"predecessor-version":[{"id":20518,"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/posts\/20471\/revisions\/20518"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/media\/20487"}],"wp:attachment":[{"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/media?parent=20471"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/categories?post=20471"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/tags?post=20471"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}