{"id":20483,"date":"2024-02-06T14:49:12","date_gmt":"2024-02-06T19:49:12","guid":{"rendered":"https:\/\/www.bates.edu\/museum\/?p=20483"},"modified":"2024-03-12T16:26:23","modified_gmt":"2024-03-12T20:26:23","slug":"crop-and-click-episode-5-the-deception-of-modern-architecture","status":"publish","type":"post","link":"https:\/\/www.bates.edu\/museum\/2024\/02\/06\/crop-and-click-episode-5-the-deception-of-modern-architecture\/","title":{"rendered":"Crop and Click Episode 5 &#8211; The Deception of Modern Architecture"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"alignleft size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"293\" height=\"300\" src=\"https:\/\/www.bates.edu\/museum\/files\/2024\/03\/2008.15.1.webp\" alt=\"\" class=\"wp-image-20495\" style=\"width:301px;height:auto\"\/><figcaption class=\"wp-element-caption\">Luo Yongjin,<em> Government 04, Shanghai<\/em>, 2006, epson ink-jet print, 19 3\/4 x 19 3\/4 inches, Bates College Museum of ArtMuseum Purchase with support from the Robert and Minna Johnshon Art Acquisition Fund,  2008.15.1<\/figcaption><\/figure>\n<\/div>\n\n\n<p>As individuals living in a technologically advanced society, we have access to images on a daily basis and are trained to believe everything before our eyes. Rarely do we stop and question the intentionality behind an image or its neutrality, making us easy subjects for manipulation.<\/p>\n\n\n\n<p> This podcast examines the ever-changing role of the camera in China from the start of the Mao Zedong era (1949 &#8211; 1976) to the present. While this history is not linear, it is clear the camera has been used as a tool for political messaging. Our chosen photograph and the focus of this episode Government 04, Shanghai taken by Luo Yongjin in 2006 materializes this notion through its portrayal of a Chinese government building. At first glance, the structure looks remarkably similar to the U.S. Capitol, embodying the growth of China\u2019s influence on the international level. Ultimately serving as commentary for the Chinese government\u2019s illegitimate spending methods on Westernizing spaces rather than improving the lives of everyday citizens. How and why you might ask? Well, tune in as we examine just how powerful the documentary photograph really is.<\/p>\n\n\n\n<p>Click <a href=\"https:\/\/acrobat.adobe.com\/link\/track?uri=urn%3Aaaid%3Ascds%3AUS%3A094f1f6d-f4cb-3e50-8bde-5afdc6bc73d8\">here<\/a> for a transcription and bibliography as well as images of the work&#8217;s discussed in today&#8217;s episode.<\/p>\n\n\n\n<p>This podcast is part of the Crop and Click series featuring student research on documentary photography from our collection. \u2060Click <a href=\"https:\/\/museum.bates.edu\/objects-1\/portfolio?query=Portfolios%3D%22-115%22&amp;records=25&amp;portfolioName=AVC+276+-+True+or+False%3A+Documentary+Photography\">here<\/a> for a portfolio of all the works discussed in the series.<\/p>\n\n\n\n<p>Hosted and produced by Madeline Cournoyer and Noor Hoban. Cover art by Lucy Sherman &#8217;23. <\/p>\n\n\n<div class=\"wp-block-embed is-type-video wp-embed-aspect-16-9\">\n\t\t\t<div class=\"wp-block-embed__wrapper\">\n\t\t\t\t<lite-youtube videoid=\"N0q4lbTDpBs\" params=\"modestbranding=1&#038;rel=0\" playlabel=\"The Deception of Modern Architecture\" title=\"The Deception of Modern Architecture\" >\n\t\t\t<\/lite-youtube>\n\t\t\t<\/div>\n\t\t\t\n\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>As individuals living in a technologically advanced society, we have access to&hellip;<\/p>\n","protected":false},"author":1626,"featured_media":20495,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_hide_ai_chatbot":false,"_ai_chatbot_style":"","associated_faculty":[],"_Page_Specific_Css":"","_bates_restrict_mod":false,"_table_of_contents_display":false,"_table_of_contents_location":"","_table_of_contents_disableSticky":false,"_is_featured":false,"footnotes":"","_bates_seo_meta_description":"","_bates_seo_block_robots":false,"_bates_seo_sharing_image_id":0,"_bates_seo_sharing_image_twitter_id":0,"_bates_seo_share_title":"","_bates_seo_canonical_overwrite":"","_bates_seo_twitter_template":"","_links_to":"","_links_to_target":""},"categories":[75],"tags":[68],"class_list":["post-20483","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-podcast","tag-museum"],"_links":{"self":[{"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/posts\/20483","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/users\/1626"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/comments?post=20483"}],"version-history":[{"count":1,"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/posts\/20483\/revisions"}],"predecessor-version":[{"id":20496,"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/posts\/20483\/revisions\/20496"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/media\/20495"}],"wp:attachment":[{"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/media?parent=20483"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/categories?post=20483"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bates.edu\/museum\/wp-json\/wp\/v2\/tags?post=20483"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}