{"id":4855,"date":"2022-12-02T10:59:31","date_gmt":"2022-12-02T15:59:31","guid":{"rendered":"https:\/\/www.bates.edu\/music\/?p=4855"},"modified":"2022-12-04T13:34:16","modified_gmt":"2022-12-04T18:34:16","slug":"bedlam-and-eunoia-2","status":"publish","type":"post","link":"https:\/\/www.bates.edu\/music\/2022\/12\/02\/bedlam-and-eunoia-2\/","title":{"rendered":"Bedlam and Eunoia"},"content":{"rendered":"\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Bedlam and Eunoia.mov\" src=\"https:\/\/player.vimeo.com\/video\/777371179?dnt=1&amp;app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><br>Bedlam &amp; Eunoia: Genre-bending jazz mixed with world music, odd meters, classical, and film score influence. Ranging from the tender to the fervorous; intimate, emotional music. <\/p>\n\n\n\n<p>Formed in April 2017, the group draws on Michael Beling\u2019s unique compositional style, jazz training, and ability to play pedal bass and piano simultaneously, paired with Eric LaPerna\u2019s extensive knowledge of Middle Eastern percussion, and Barry Saunder\u2019s serious jazz and classical experience on clarinet and saxophone. The musicians demonstrate a highly symbiotic and sensitive rapport, and their history and ease of playing together is readily apparent. <\/p>\n\n\n\n<p>Bedlam \/\u02c8bedl\u0259m\/ <\/p>\n\n\n\n<p>noun <\/p>\n\n\n\n<p>1. a place, scene, or state of uproar and confusion <\/p>\n\n\n\n<p>2. an asylum for the mentally ill <\/p>\n\n\n\n<p>Eunoia \/ju\u02d0\u02c8n\u0254\u026a.\u0259\/ <\/p>\n\n\n\n<p>noun (From the Ancient Greek: \u03b5\u1f54\u03bd\u03bf\u03b9\u1fb0, lit. &#8216;well mind; beautiful thinking&#8217;) <\/p>\n\n\n\n<p>1. (rhetoric) Goodwill towards an audience, either perceived or real <\/p>\n\n\n\n<p>2. (medicine, psychology) A state of normal adult mental health. <\/p>\n\n\n\n<p>Michael Beling- piano, bass pedals, composer <\/p>\n\n\n\n<p>Barry Saunders- clarinet, saxophone <\/p>\n\n\n\n<p>Eric LaPerna- hand percussion<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link\">Link to Bedlam and Eunoia&#8217;s Bandcamp Page<\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Bedlam &amp; Eunoia: Genre-bending jazz mixed with world music, odd meters, classical,&hellip;<\/p>\n","protected":false},"author":1430,"featured_media":4799,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_hide_ai_chatbot":false,"_ai_chatbot_style":"","associated_faculty":[],"_Page_Specific_Css":"","_bates_restrict_mod":false,"_batesModPostContentOverride_prepend":false,"_batesModPostContentOverride_append":false,"_batesModPostContentOverride_append_before_footer":false,"_table_of_contents_display":false,"_table_of_contents_location":"","_table_of_contents_disableSticky":false,"_is_featured":false,"footnotes":"","_bates_seo_meta_description":"","_bates_seo_block_robots":false,"_bates_seo_sharing_image_id":0,"_bates_seo_sharing_image_twitter_id":0,"_bates_seo_share_title":"","_bates_seo_canonical_overwrite":"","_bates_seo_twitter_template":""},"categories":[5,1],"tags":[],"class_list":["post-4855","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-live","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/www.bates.edu\/music\/wp-json\/wp\/v2\/posts\/4855","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.bates.edu\/music\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.bates.edu\/music\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.bates.edu\/music\/wp-json\/wp\/v2\/users\/1430"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bates.edu\/music\/wp-json\/wp\/v2\/comments?post=4855"}],"version-history":[{"count":2,"href":"https:\/\/www.bates.edu\/music\/wp-json\/wp\/v2\/posts\/4855\/revisions"}],"predecessor-version":[{"id":4861,"href":"https:\/\/www.bates.edu\/music\/wp-json\/wp\/v2\/posts\/4855\/revisions\/4861"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.bates.edu\/music\/wp-json\/wp\/v2\/media\/4799"}],"wp:attachment":[{"href":"https:\/\/www.bates.edu\/music\/wp-json\/wp\/v2\/media?parent=4855"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.bates.edu\/music\/wp-json\/wp\/v2\/categories?post=4855"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bates.edu\/music\/wp-json\/wp\/v2\/tags?post=4855"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}