{"id":12635,"date":"2009-09-14T11:30:22","date_gmt":"2009-09-14T15:30:22","guid":{"rendered":"http:\/\/home.bates.edu\/?p=12635"},"modified":"2024-07-03T15:13:13","modified_gmt":"2024-07-03T19:13:13","slug":"glazer-beethoven1st","status":"publish","type":"post","link":"https:\/\/www.bates.edu\/news\/2009\/09\/14\/glazer-beethoven1st\/","title":{"rendered":"Frank Glazer, dean of Maine pianists, begins season of Beethoven sonatas"},"content":{"rendered":"<p><a href='https:\/\/www.bates.edu\/news\/files\/2011\/04\/glazer2156-use1.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"267\" src=\"https:\/\/www.bates.edu\/news\/files\/2011\/04\/glazer2156-use1-400x267.jpg\" class=\"attachment-medium alignright\" alt=\"Frank Glazer\" \/><\/a><\/p>\n<p>Frank Glazer, a pianist of international renown whose professional career began during the 1930s, begins his 2009-10 survey of the complete cycle of 32 Beethoven piano sonatas with a concert at 7:30 p.m. Friday, Sept. 18, in the Olin Arts Center Concert Hall, 75 Russell St.<\/p>\n<p>All performances in the series and a related Nov. 8 lecture are open to the public at no cost, but tickets are required. For more information contact 207-786-6135 or use this <a href=\"mailto:olinarts@bates.edu\">olinarts@bates.edu<\/a>.<\/p>\n<p>Glazer&#8217;s series coincides with a parallel effort by the Auryn Quartet, which resumes its performances of the Beethoven string quartet cycle at Bates in January, presented by the Bates Concert Committee.<!--more--><\/p>\n<p>Asked about the characteristics of Beethoven&#8217;s music that particularly strike him, Glazer points to the composer&#8217;s imagination &#8212; one so fertile that he scarcely needed to reuse an idea.<\/p>\n<p>It was this capacity that enabled the composer to, as Glazer puts it, &#8220;modulate to any key from anywhere.&#8221; More broadly, Beethoven had &#8220;the ability to extend a simple idea and have it continue and evolve. He also had such a sense of proportion that, at the point when you are just about to become bored, he changes &#8212; he knows just where to change so that you\u2019re always alert to what he\u2019s doing.&#8221;<\/p>\n<p>&#8220;Frank Lloyd Wright once told me that Beethoven was his favorite composer,&#8221; says the 94-year-old Glazer, &#8220;because he was a great constructer.&#8221;<\/p>\n<p>Taking the Beethoven cycle chronologically, Glazer&#8217;s September concert comprises the three Op. 2 sonatas and the Op. 7 sonata. He performs the subsequent installments, all in the Olin Arts Center Concert Hall, at:<\/p>\n<p style=\"padding-left: 30px\"><strong>7:30 p.m. Friday, Oct. 9<\/strong>, in a program composed of the three Op. 10 sonatas and the Op. 13 (&#8220;Path\u00e9tique&#8221;);<\/p>\n<p style=\"padding-left: 30px\"><strong>7:30 p.m. Friday, Nov. 6<\/strong>, with the Op. 14, 22, 26 and 27 sonatas, the last set including the popular &#8220;Moonlight&#8221; sonata;<\/p>\n<p style=\"padding-left: 30px\"><strong>3 p.m. Sunday, Dec. 6<\/strong>, with the Op. 28 and the three Op. 31 sonatas;<\/p>\n<p style=\"padding-left: 30px\"><strong>3 p.m. Sunday, Jan. 17<\/strong>, with the Op. 49, 53, 54 and 57 (&#8220;Appassionata&#8221;) sonatas;<\/p>\n<p style=\"padding-left: 30px\"><strong>3 p.m. Sunday, Feb. 7<\/strong>, with the Op. 78, 79, 81A and 90 sonatas;<\/p>\n<p style=\"padding-left: 30px\"><strong>7:30 p.m. Friday, March 19<\/strong>, with Op. 101 and 106 (&#8220;Hammerklavier&#8221;);<\/p>\n<p style=\"padding-left: 30px\">and, finally, at <strong>7:30 p.m. Friday, April 9<\/strong>, with the Op. 109, 110 and 111 sonatas.<\/p>\n<p>In a related lecture, Glazer discusses his approach to and preparation for this musical feat at <strong>3 p.m. Sunday, Nov. 8<\/strong>, in the Olin auditorium. A reception follows. The event is sponsored by the Bates College Friends of Music.<\/p>\n<p>Glazer has taught at Bates since 1980, coming from a faculty position at the Eastman School. &#8220;This being my 30th year at Bates, I thought it would be a good idea for me to do all the sonatas,&#8221; he says. In a professional career spanning more than 70 years, &#8220;I have played all of them but four.&#8221;<\/p>\n<p>In a era whose pianists often strive for the gloss of mechanical precision and a big sound, Glazer instead makes all else secondary to the music&#8217;s own message. &#8220;He has thought everything through and tried to get at the core of what the music is about. Everything he does is about that,&#8221; says colleague James Parakilas, a pianist himself and the James L. Moody Jr. Family Professor of Performing Arts at Bates.<\/p>\n<p>Glazer, of Topsham, has had a distinguished career that includes numerous recordings, solo recitals and performances with orchestras and chamber ensembles, including the New England Piano Quartette, of which he was a founder. With his wife, the late Ruth Glazer, he founded the Saco River Music Festival, held for many years in Cornish, Maine.<\/p>\n<p>In October 2006, Glazer celebrated the 70th anniversary of his <a href=\"https:\/\/www.bates.edu\/x151122.xml\">1936<\/a> New York City debut by performing that debut program at Bates. Last March, he reprised the program that he played in his <a href=\"https:\/\/www.bates.edu\/x200469.xml\">Carnegie<\/a> Hall debut, 60 years ago to the day.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Frank Glazer, a pianist of international renown whose professional career began during the 1930s, begins his 2009-10 survey of the complete cycle of 32 Beethoven piano sonatas with a concert at 7:30 p.m. Friday, Sept. 18, in the Olin Arts Center Concert Hall, 75 Russell St.<\/p>\n","protected":false},"author":148,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_hide_ai_chatbot":false,"_ai_chatbot_style":"","associated_faculty":[],"_Page_Specific_Css":"","_bates_restrict_mod":false,"_table_of_contents_display":false,"_table_of_contents_location":"","_table_of_contents_disableSticky":false,"_is_featured":false,"footnotes":"","_bates_seo_meta_description":"","_bates_seo_block_robots":false,"_bates_seo_sharing_image_id":0,"_bates_seo_sharing_image_twitter_id":0,"_bates_seo_share_title":"","_bates_seo_canonical_overwrite":"","_bates_seo_twitter_template":""},"categories":[11010,39,14],"tags":[1568,3666,6135,6622,6889,8034,9087],"class_list":["post-12635","post","type-post","status-publish","format-standard","hentry","category-arts","category-event-highlights","category-faculty-staff","tag-beethoven-piano-sonatas","tag-frank-glazer","tag-music-tag","tag-olin-concert-hall","tag-performing-and-visual-arts","tag-sonata-cycle","tag-visual-arts"],"_links":{"self":[{"href":"https:\/\/www.bates.edu\/news\/wp-json\/wp\/v2\/posts\/12635","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.bates.edu\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.bates.edu\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.bates.edu\/news\/wp-json\/wp\/v2\/users\/148"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bates.edu\/news\/wp-json\/wp\/v2\/comments?post=12635"}],"version-history":[{"count":2,"href":"https:\/\/www.bates.edu\/news\/wp-json\/wp\/v2\/posts\/12635\/revisions"}],"predecessor-version":[{"id":88436,"href":"https:\/\/www.bates.edu\/news\/wp-json\/wp\/v2\/posts\/12635\/revisions\/88436"}],"wp:attachment":[{"href":"https:\/\/www.bates.edu\/news\/wp-json\/wp\/v2\/media?parent=12635"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.bates.edu\/news\/wp-json\/wp\/v2\/categories?post=12635"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bates.edu\/news\/wp-json\/wp\/v2\/tags?post=12635"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}