{"id":129963,"date":"2020-01-09T16:01:33","date_gmt":"2020-01-09T21:01:33","guid":{"rendered":"https:\/\/www.bates.edu\/news\/?p=129963"},"modified":"2020-01-10T12:39:51","modified_gmt":"2020-01-10T17:39:51","slug":"bates-film-professor-jon-cavalleros-top-30-films-of-the-decade","status":"publish","type":"post","link":"https:\/\/www.bates.edu\/news\/2020\/01\/09\/bates-film-professor-jon-cavalleros-top-30-films-of-the-decade\/","title":{"rendered":"Bates film professor Jon Cavallero&#8217;s top 30 films of the decade"},"content":{"rendered":"<p>In sharing his list of the top 30 films of the 2010s, Associate Professor of Rhetoric, Film, and Screen Studies Jon Cavallero notes how such lists tend to &#8220;say at least as much about the critic as they do about the movies.&#8221;<\/p>\n<p>In that sense, the list reflects how, in recent years, the critic and his Bates students have been working to build a film community at Bates, including establishment of <a href=\"https:\/\/course-wp.bates.edu\/rhet391\/\">the annual Bates Film Festival<\/a>.<\/p>\n<p>The list also reflects the critic\u2019s expertise, including film theory and criticism; race, gender, and international film, including Bollywood; and film history.<\/p>\n<div id=\"attachment_117541\" style=\"width: 910px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/www.bates.edu\/news\/files\/2018\/08\/141117_Stacey_Kabat_cavallaro-0172.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-117541\" class=\"wp-image-117541 size-large\" src=\"https:\/\/www.bates.edu\/news\/files\/2018\/08\/141117_Stacey_Kabat_cavallaro-0172-900x600.jpg\" alt=\"Associate Professor of Rhetoric, Film, and Screen Studies Jon Cavallero is pictured during a 2014 class. (Phyllis Graber Jensen\/Bates College)\" width=\"900\" height=\"600\" srcset=\"https:\/\/www.bates.edu\/news\/files\/2018\/08\/141117_Stacey_Kabat_cavallaro-0172-900x600.jpg 900w, https:\/\/www.bates.edu\/news\/files\/2018\/08\/141117_Stacey_Kabat_cavallaro-0172-400x267.jpg 400w, https:\/\/www.bates.edu\/news\/files\/2018\/08\/141117_Stacey_Kabat_cavallaro-0172-200x133.jpg 200w, https:\/\/www.bates.edu\/news\/files\/2018\/08\/141117_Stacey_Kabat_cavallaro-0172.jpg 1919w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/a><p id=\"caption-attachment-117541\" class=\"wp-caption-text\">In 2014, Associate Professor of Rhetoric, Film, and Screen Studies Jon Cavallero welcomes Stacey Kabat &#8217;85, who in 1994 was part of the team that won an Academy Award for <em>Defending Our Lives<\/em>, a documentary film that exposed the severity of domestic violence in the U.S. (Phyllis Graber Jensen\/Bates College)<\/p><\/div>\n<p>A third-generation Italian American, the critic is the author of\u00a0<em>Hollywood\u2019s Italian American Filmmakers: Capra, Scorsese, Savoca, Coppola, and Tarantino<\/em> (University of Illinois Press, 2011). As a child, he recalls \u201coften looking to the movies and television for a sense of cultural definition.\u201d<\/p>\n<p>The list also reflects that the critic does have certain priorities above watching movies, which is why \u201cthere are few movies on the list from 2017. That was the year my wife, Kathryn, and I welcomed our son, Emmett, into the world!\u201d<\/p>\n<p>Here are Jon Cavallero&#8217;s top 30 films of the 2010s:<\/p>\n<hr \/>\n<h5><a href=\"https:\/\/www.justwatch.com\/us\/movie\/the-way-2010\">30. <em>The Way<\/em> (Emilio Estevez, 2010)<\/a><\/h5>\n<p>I love father-son stories, and I love road stories. So, a father-son story written and directed by a son, Emilio Estevez, and starring his father, Martin Sheen (who in my eyes can do no wrong), about a journey they take together pretty much has me from the get-go.<\/p>\n<p><iframe loading=\"lazy\" title=\"The Way (Official Trailer)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/3qngwikD43o?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<h5><a href=\"https:\/\/www.justwatch.com\/us\/movie\/50-50-2011\">29. <em>50\/50<\/em> (Jonathan Levine, 2011)<\/a><\/h5>\n<p><em>50\/50 <\/em>tells the story of Adam (played by Joseph Gordon-Levitt), a 20-something man who is diagnosed with cancer. As he battles the disease, his friends and acquaintances try to support him but don\u2019t really know how, and Adam ends up in a place where he endures cancer treatments while trying to make those around him feel better about his diagnosis. It\u2019s not that they are bad people. It\u2019s just that they are out of their depth.<\/p>\n<p>The film highlights the ways that those who suffer trauma are often saddled with the additional burden of having to educate the more fortunate. It also includes a noteworthy supporting performance by Portland, Maine, native Anna Kendrick (who, despite celebrity websites saying so, never attended Bates \u2014 although her mom tells me that she performed in Olin 104 as a teenager).<\/p>\n<p><iframe loading=\"lazy\" title=\"50\/50 - Trailer\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/oKD3qelGza8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<h5><a href=\"https:\/\/www.justwatch.com\/us\/movie\/the-irishman\">28. <em>The Irishman<\/em> (Martin Scorsese, 2019)<\/a><\/h5>\n<p>I\u2019ve been <a href=\"https:\/\/www.press.uillinois.edu\/books\/catalog\/45qdn7sw9780252036149.html\">writing about Martin Scorsese and his movies<\/a> for almost 20 years now, and if you know his work, <em>The Irishman <\/em>takes on special meaning. <em>Mean Streets <\/em>and <em>Goodfellas <\/em>looked at the reasons young men were drawn to mobsters. <em>The Irishman<\/em> looks at men who are looking back at a life spent working with or in the Mob.<\/p>\n<p>The characters weigh the decisions that led them to the life, and they consider the toll that life has taken on them and their families. It\u2019s a necessary evolution for the 77-year-old filmmaker, a man who has spent so much of his professional career investigating the Mafia and spent so much of his childhood observing mobsters. This is the perspective of a mature filmmaker considering his own mortality.<\/p>\n<p><iframe loading=\"lazy\" title=\"The Irishman | Official Trailer | Netflix\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/WHXxVmeGQUc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<h5><a href=\"https:\/\/www.justwatch.com\/us\/movie\/black-panther\">27. <em>Black Panther<\/em> (Ryan Coogler, 2018)<\/a><\/h5>\n<p><em>Black Panther <\/em>is one of the most important films of the last decade. Hollywood spent $200 million on a movie anchored by a largely Black cast and produced by a very diverse crew. That had never happened before, but thanks to the quality of <em>Black Panther<\/em> and its runaway commercial and critical success, it will happen again.<\/p>\n<p>Ryan Coogler and his team used the comic book genre to comment on pressing political issues, and we have all benefited as a result. The film is not without its issues (Bates student Luc Alper-Leroux \u201920, advised by my department colleague Charles Nero, has addressed those in his recent rhetoric, film, and screen studies thesis), but its overall effect on the industry is immense.<\/p>\n<p><iframe loading=\"lazy\" title=\"Marvel Studios&#039; Black Panther - Official Trailer\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/xjDjIWPwcPU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<h5><a href=\"https:\/\/www.justwatch.com\/us\/movie\/free-solo\">26. <em>Free Solo<\/em> (Jimmy Chin and Elizabeth Chai Vasarhelyi, 2018)<\/a><\/h5>\n<p>Climbing movies like <em>Free Solo <\/em>are always thrilling to watch, but they often descend into highlight reels that are enamored with the climbers themselves.<\/p>\n<p>Since they are usually shot by the subjects of the film, it all seems very narcissistic to me, with little regard for the way their pursuit of the next peak wreaks emotional, financial, and psychological damage on the people in their lives.<\/p>\n<p><em>Free Solo<\/em> certainly has thrilling visuals, but it also spends more time looking into the psychological makeup of Alex Honnold and what inspires him to climb without ropes. And it spends a fair amount of time with Sanni McCandless, Honnold\u2019s girlfriend, who suffers more than he does in this film. It\u2019s a great movie that pushes the genre in a productive direction.<\/p>\n<p><iframe loading=\"lazy\" title=\"Free Solo - Trailer | National Geographic\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/urRVZ4SW7WU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<h5><a href=\"https:\/\/www.justwatch.com\/us\/movie\/inception\">25. <em>Inception<\/em> (Christopher Nolan, 2010)<\/a><\/h5>\n<p>I saw <em>Inception <\/em>10 years ago, and I\u2019m still wondering if that spinning top keeps spinning or wobbles and comes to rest on the table. The real trick is that the answer to that question reveals more about the viewer than the film.<\/p>\n<p><em>Inception <\/em>was mesmerizing. Its special effects created unique action scenes. Its representation of time and dreams kept me intellectually engaged throughout, and there was a story that I found compelling enough to keep me interested in the narrative.<\/p>\n<p><iframe loading=\"lazy\" title=\"Inception | Digital Trailer | Warner Bros. Entertainment\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/Qwe6qXFTdgc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<h5><a href=\"https:\/\/www.justwatch.com\/us\/movie\/khan\">24. <em>My Name is Khan<\/em> (Karan Johar, 2010)<\/a><\/h5>\n<p>Bollywood icons Shah Rukh Khan and Kajol anchored the quintessential Bollywood blockbuster romance <em>Dilwale Dulhania Le Jayenge <\/em>(or <em>DDLJ<\/em>) in 1995. Their reunion in Karan Johar\u2019s <em>My Name is Khan<\/em>, some 15 years later, was well-worth the wait.<\/p>\n<p>The film tells the story of Rizvan Khan (played by SRK), an Indian immigrant to the U.S. with Asperger\u2019s. After the 9\/11 attacks, Khan and his Muslim faith are questioned and targeted by a slew of Americans as he sets out on the road to prove his love for Mandira (Kajol) and their family.<\/p>\n<p>In one famous scene, he is stopped by TSA agents and turned away from boarding a plane. When SRK, who is probably the biggest star in the world \u2014 bigger than any Hollywood celebrity \u2014 came to the U.S. to promote the film, the Muslim actor was pulled aside at the Newark airport and questioned for several hours. <a href=\"https:\/\/www.hollywoodreporter.com\/news\/shah-rukh-khan-detained-again-311705\">Then, it happened again when Khan flew to the U.S. to receive an award from Yale.<\/a><\/p>\n<p>My students love this film. They laugh. They cry. They talk about it for weeks \u2014 but it is not without its flaws. The film\u2019s representation of African American characters is highly offensive, recycling many of the stereotypes of past American films.<\/p>\n<p><iframe loading=\"lazy\" title=\"My Name Is Khan (2010) Official Trailer #1 - Drama Movie HD\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/XAtPpjEZwC8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<h5><a href=\"https:\/\/www.justwatch.com\/us\/movie\/twelve-years-a-slave\">23. <em>12 Years a Slave<\/em> (Steve McQueen, 2013)<\/a><\/h5>\n<p>Steve McQueen\u2019s brutal, devastating film demonstrates how powerful the medium can be. Here\u2019s a tale that has been with us for a long time \u2014 during the time of slavery, a free Black man is assaulted, kidnapped, and enslaved and then fights for 12 years to regain his freedom.<\/p>\n<p>Solomon Northup\u2019s memoir existed, but McQueen\u2019s film brought it more attention and countered many (though not all) of the tropes of Hollywood\u2019s typical representation of slavery. The film also marked the feature-length debut of Lupita Nyong\u2019o, one of the great revelations of the past decade.<\/p>\n<p><iframe loading=\"lazy\" title=\"12 YEARS A SLAVE - Official Trailer (HD)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/z02Ie8wKKRg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<h5><a href=\"https:\/\/www.justwatch.com\/us\/movie\/room-2015\">22. <em>Room<\/em> (Lenny Abrahamson, 2015)<\/a><\/h5>\n<p><em>Room<\/em> constantly surprised me and pulled on my heartstrings. The film shows how trauma persists even after the news story ends.<\/p>\n<p>With powerful performances from Brie Larson and Jacob Tremblay, and adept, sensitive directing by Lenny Abrahamson (whose longtime publicist, Bumble Ward P&#8217;17, is a <a href=\"http:\/\/course-wp.bates.edu\/rhet391\/bumble-ward\/\">Bates Film Festival advisory board member<\/a>), <em>Room<\/em> is not to be missed.<\/p>\n<p><iframe loading=\"lazy\" title=\"Room | Official Trailer HD | A24\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/E_Ci-pAL4eE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<h5><a href=\"https:\/\/www.justwatch.com\/us\/movie\/birdman\">21. <em>Birdman<\/em> (Alejandro Gonz\u00e1lez I\u00f1\u00e1rritu, 2014)<\/a><\/h5>\n<p>Combining virtuoso performances with technical inventiveness, Alejandro Gonz\u00e1lez I\u00f1\u00e1rritu\u2019s <em>Birdman <\/em>represents one of the best directorial efforts of the decade. I like to tell my students that I\u00f1\u00e1rritu accomplishes formal techniques that other directors can\u2019t even imagine.<\/p>\n<p>His willingness to constantly challenge himself is both courageous and inspiring, and <em>Birdman<\/em> is gripping and funny while advancing the art of cinema.<\/p>\n<p><iframe loading=\"lazy\" title=\"BIRDMAN - Official Worldwide Trailer\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/uJfLoE6hanc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<h5><a href=\"https:\/\/www.justwatch.com\/us\/movie\/first-reformed\">20. <em>First Reformed<\/em> (Paul Schrader, 2018)<\/a><\/h5>\n<p>One of the first scenes in <em>First Reformed<\/em> is a simple conversation between Ernst Toller, a minister (played by Ethan Hawke), and Michael, a soon-to-be father who is also a troubled environmental activist (played by Philip Ettinger).<\/p>\n<p>The movie is about so much more than this conversation, but master filmmaker Paul Schrader\u2019s ability to use a simple dialogue scene to draw viewers into the movie astounded me and demonstrates his skill as a writer.<\/p>\n<p>How many conversations have we heard about climate change? And yet in this simple, understated, small-budgeted indie film, Schrader advances the conversation in a new direction (at least for me) with two actors and a simple shot \/ reverse-shot editing pattern. Compelling. Remarkable. Seemingly simple. And just the tip of the iceberg (so to speak) in <em>First Reformed<\/em>.<\/p>\n<p><iframe loading=\"lazy\" title=\"First Reformed | Official Trailer HD | A24\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/hCF5Y8dQpR4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<h5><a href=\"https:\/\/www.justwatch.com\/us\/movie\/the-last-black-man-in-san-francisco\">19. <em>The Last Black Man in San Francisco<\/em> (Joe Talbot, 2019)<\/a><\/h5>\n<p>We were so proud to screen <em>The Last Black Man in San Francisco <\/em>as part of this year\u2019s Bates Film Festival, and it received a standing ovation.<\/p>\n<p>The film stands out for the way it confronts one of the major issues with the Hollywood form. Usually, Hollywood narratives are so anchored in an individual character trying to achieve goals and solve problems that it becomes difficult for the movie to confront more systemic issues.<\/p>\n<p><em>LBMSF <\/em>counters that pattern by offering a personalized tale of gentrification. The film\u2019s representation of racism targets a system that marginalizes and exploits characters like Jimmie (played by the film\u2019s co-writer Jimmie Fails) by showing that money is power, another tool that has been leveraged to further marginalize the already marginalized and further exploit the already exploited.<\/p>\n<p>Add to that some beautiful camerawork by Adam Newport-Berra and a star-making turn by Jonathan Majors as Montgomery Allen and you have one of the great films of the decade.<\/p>\n<p><iframe loading=\"lazy\" title=\"The Last Black Man in San Francisco | Official Trailer HD | A24\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/C0FnJDhY9-0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<h5><a href=\"https:\/\/www.justwatch.com\/us\/movie\/selma\">18. <em>Selma<\/em> (Ava DuVernay, 2014)<\/a><\/h5>\n<p>Throughout this decade, Ava DuVernay has consistently produced more groundbreaking media than anyone else. If she\u2019s not making documentaries like <em>13th<\/em>, she\u2019s making limited series like <em>When They See Us<\/em>. If she\u2019s not breaking down barriers with her film collective Array, she\u2019s offering fresh takes on icons like the Rev. Martin Luther King Jr.<\/p>\n<p>With <em>Selma<\/em>, DuVernay not only allows us to see history differently but also demonstrates that history remains sadly relevant. Along the way, she uses a unique formal style that breaks with conventional Hollywood editing practices to subtly question why those norms have been established and by whom.<\/p>\n<p><iframe loading=\"lazy\" title=\"Selma Official Trailer #1 (2015) - Oprah Winfrey, Cuba Gooding Jr. Movie HD\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/x6t7vVTxaic?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<h5><a href=\"https:\/\/www.justwatch.com\/us\/movie\/hell-or-high-water\">17. <em>Hell or High Water<\/em> (David Mackenzie, 2016)<\/a><\/h5>\n<p>In a year when &#8220;alternative facts\u201d entered our lexicon and we started talking about a \u201cpost-fact world,\u201d I valued honesty in movies. <em>Hell or High Water<\/em> doesn\u2019t shy away from the brutality of violence, the brutality of predatory banking institutions, and the myriad ways some enjoy doing harm to others.<\/p>\n<p>This movie is unflinching, featuring a brilliant script by Taylor Sheridan (who also wrote <em>Sicario<\/em> and and wrote and directed <em>Wind River<\/em>).<\/p>\n<p><iframe loading=\"lazy\" title=\"HELL OR HIGH WATER - Official Trailer HD\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/JQoqsKoJVDw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<h5><a href=\"https:\/\/www.justwatch.com\/us\/movie\/winters-bone\">16. <em>Winter\u2019s Bon<\/em>e (Debra Granik, 2010)<\/a><\/h5>\n<p>Between <em>Leave No Trace<\/em> and <em>Winter\u2019s Bone<\/em>, Debra Granik had quite a decade. <em>Winter\u2019s Bone<\/em> tells the story of Ree, whose drug-dealing father put up the family homestead as collateral for his bail. When he fails to show up for his court date, Ree must track him down or lose the homestead.<\/p>\n<p>The film made a star of Jennifer Lawrence, who played Ree, and features powerful performances by John Hawkes and Dale Dickey, among others.<\/p>\n<p><iframe loading=\"lazy\" title=\"WINTER&#039;S BONE - Official US Theatrical Trailer in HD\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/bE_X2pDRXyY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<h5><a href=\"https:\/\/www.justwatch.com\/us\/movie\/woman-at-war\">15. <em>Woman at War<\/em> (Benedikt Erlingsson, 2019)<\/a><\/h5>\n<p>During Short Term 2018, as a group of students and I planned for the 2019 Bates Film Festival, Ellen Alcorn, who oversees community-engaged learning programs at the college&#8217;s <a href=\"https:\/\/www.bates.edu\/harward\/\">Harward Center<\/a>, came by and asked if we had seen <em>Woman at War<\/em>. None of us had. All of us soon did. And when we screened it at the festival in November, the film received a perfect score from our audience.<\/p>\n<p><em>Woman at War<\/em> is an Icelandic film about Halla (played by Halld\u00f3ra Geirhar\u00f0sd\u00f3ttir), an unassuming music teacher who becomes an ecoactivist and wreaks havoc on the Icelandic aluminum industry.<\/p>\n<p>The film is timely, riveting \u2014 and funny. Director Benedikt Erlingsson pulls off a daunting balancing act effortlessly.<\/p>\n<p><iframe loading=\"lazy\" title=\"Woman At War - Official Trailer\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/U2v3_jHrvBQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<h5><a href=\"https:\/\/www.justwatch.com\/us\/movie\/eighth-grade\">14. <em>Eighth Grade<\/em> (Bo Burnham, 2018)<\/a><\/h5>\n<p>One of the cornerstones of my pedagogy is meeting students where they are, and as the age gap between us increases, that gets more and more challenging.<\/p>\n<p>As I get older and my students stay the same age, I\u2019m forced to speculate on what their lives have really been like. What has it been like to live your entire life in a post-9\/11 world? What has the ubiquity of social media meant to this generation\u2019s sense of self and their understanding of relationships? Bo Burnham\u2019s feature offers a sensitive and nuanced take on those issues.<\/p>\n<p><em>Eighth Grade <\/em>is painfully awkward, but so is eighth grade, for most of us. For Kayla (featuring an underappreciated performance by Elsie Fisher), social media is both stifling and freeing. It puts her entire life under scrutiny, while also giving her a voice. The digital world gives her access to information that no eighth grader needs to know and puts pressure on her to operate as an adult before she should have to.<\/p>\n<p>But it also allows her an outlet for self-expression, which becomes a powerful means of discovering herself even if the journey is painful. It\u2019s not a comfortable film to watch, but it brings us older people closer to understanding young people today.<\/p>\n<p><iframe loading=\"lazy\" title=\"Eighth Grade | Official Trailer HD | A24\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/y8lFgF_IjPw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<h5><a href=\"https:\/\/www.justwatch.com\/us\/movie\/manchester-by-the-sea\">13. <em>Manchester by the Sea<\/em> (Kenneth Lonergan, 2016)<\/a><\/h5>\n<p>Some people call Kenneth Lonergan\u2019s <em>Manchester by the Sea<\/em> \u201csad.\u201d Others say it\u2019s \u201cdepressing.\u201d I think it\u2019s honest. Sometimes things happen that people just can\u2019t get over, and they have to go on living just the same.<\/p>\n<p>It\u2019s rare to find that kind of perspective in a Hollywood movie, where so often individuals overcome whatever seemingly insurmountable obstacles block their way. This is a wonderful movie with remarkable performances, especially those of Lucas Hedges and Michelle Williams in their respective supporting roles.<\/p>\n<p><iframe loading=\"lazy\" title=\"Manchester by the Sea Official Trailer 1 (2016) - Casey Affleck Movie\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/gsVoD0pTge0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<h5><a href=\"https:\/\/www.justwatch.com\/us\/movie\/mud\"> 12. <em>Mud<\/em> (Jeff Nichols, 2012)<\/a><\/h5>\n<p>At the start of the decade, many were hailing the arrival of Jeff Nichols, an Arkansas native who had made <em>Shotgun Stories<\/em> in 2007 and <em>Take Shelter<\/em> in 2011. But it is <em>Mud<\/em> that continues to stand out to me as Nichols\u2019 best.<\/p>\n<p>On the surface, the film is about a man, Mud (played by Matthew McConaughey, <a href=\"https:\/\/news.utexas.edu\/2019\/08\/28\/matthew-mcconaughey-joins-moody-college-faculty\/\">who is a faculty member<\/a> at the University of Texas&#8217; Moody School of Communications last fall), who is assisted by two 14-year-old boys in his cat-and-mouse game with the law.<\/p>\n<p>But really the film is about a teenage boy\u2019s search to understand love in an environment where not many examples of it exist.<\/p>\n<p><iframe loading=\"lazy\" title=\"Mud - Trailer\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/OSLYyPK2vsc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<h5><a href=\"https:\/\/www.justwatch.com\/us\/movie\/searching-for-sugarman\">11. <em>Searching for Sugar Man<\/em> (Malik Bendjelloul, 2012)<\/a><\/h5>\n<p><em>Searching for Sugar Man<\/em> begins with the myths surrounding Rodriguez, an American folk musician who never found a U.S. audience but whose work had a formative influence on South African society. Thought to have died years ago, Rodriguez is in fact alive and well, and that is just the start of the tale.<\/p>\n<p>An Academy Award\u2013winner for Best Documentary Feature, <em>Searching for Sugar Man<\/em> is an uplifting and inspiring tale about the way art can transform lives and societies.<\/p>\n<p><iframe loading=\"lazy\" title=\"Searching For Sugar Man | Official Trailer HD (2012)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/tDw7OqVBT-w?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<h5><a href=\"https:\/\/www.justwatch.com\/us\/movie\/blackkklansman\">10. <em>BlacKkKlansman<\/em> (Spike Lee, 2018)<\/a><\/h5>\n<p><em>BlacKkKlansman<\/em> is co-written by filmmakers Spike Lee and Kevin Willmott, the latter of whom visited Bates in 2017.<\/p>\n<p>They are both also film professors, Lee at NYU and Willmott at the University of Kansas. Their knowledge of film history, particularly the representation of African Americans in American cinema, adds a necessary layer to <em>BlacKkKlansman<\/em>.<\/p>\n<p>The film features clips from <em>Birth of a Nation<\/em>, an extended discussion of Blaxploitation, and documentary footage from Charlottesville and the murder of Eric Garner. The implication is clear: The way movies have represented Black people has both influenced and been influenced by the way Black people have been imagined by whites.<\/p>\n<p>It\u2019s a lesson that needs to be heeded, especially since we all spent a lot of time talking about diversity in the movies in 2018, and then saw <em>Green Book<\/em> win Best Picture at the Oscars.<\/p>\n<p><iframe loading=\"lazy\" title=\"BLACKkKLANSMAN - Official Trailer [HD] - In Theaters August 10\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/pFc6I0rgmgY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<h5><a href=\"https:\/\/www.justwatch.com\/us\/movie\/brooklyn\">9. <em>Brooklyn<\/em> (John Crowley, 2015)<\/a><\/h5>\n<p>I\u2019m a big fan of immigration stories, but <em>Brooklyn <\/em>stands out in its ability to incorporate unique twists and turns that seem completely believable. It\u2019s one of the great films of the decade and features a career-defining performance by Saoirse Ronan.<\/p>\n<p><iframe loading=\"lazy\" title=\"BROOKLYN: Official HD Trailer\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/15syDwC000k?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<h5><a href=\"https:\/\/www.justwatch.com\/us\/movie\/on-her-shoulders\">8. <em>On Her Shoulders<\/em> (Alexandria Bombach, 2018)<\/a><\/h5>\n<p>Over a year before Nadia Mourad won a Nobel Peace Prize, Alexandria Bombach, who visited Bates in 2016 and has <a href=\"https:\/\/course-wp.bates.edu\/rhet391\/alexandria-bombach\/\">served on the Bates Film Festival advisory board<\/a>, decided to start making a film about her life. The Yazidi activist was traveling the world trying to bring attention to the fate of her people under ISIS, the genocide that was being carried out, and the way the world stood by and did nothing.<\/p>\n<p>Bombach\u2019s film chronicles Mourad\u2019s journey \u2014 one defined by bravery, exhaustion, and emotional trauma. A great film could be made about Mourad, but Bombach\u2019s film stands out because it doesn\u2019t stop there. This film admires Mourad, but it asks bigger questions about the norms that define our culture, the way the media covers stories, and the ways celebrity culture allows leaders and citizens alike to avoid larger political problems.<\/p>\n<p>At each stop, Mourad is asked to revisit her traumas. <em>On Her Shoulders<\/em> shows that rather than addressing the real issue, media and politicians alike perpetuate the trauma. This kind of treatment extends beyond the individual. With a population displaced and spread throughout the globe, Yazidi culture becomes further diluted, and that raises new concerns for Mourad that her efforts are in vain.<\/p>\n<p>Bombach has long been concerned with the personal toll that activism takes on an activist (see her remarkable documentary <em>Frame by Frame<\/em>, a film she brought to Bates in 2016). In Mourad, she has found a perfect subject. It allows her to forward Mourad\u2019s message while also asking all of us to think differently about the questions we ask and their effects.<\/p>\n<p><iframe loading=\"lazy\" title=\"On Her Shoulders - Official Trailer - Oscilloscope Laboratories HD\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/9RRE1DWK8cU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<h5>7. <em>Parasite<\/em> (Bong Joon Ho, 2019)<\/h5>\n<p>With <em>Parasite,<\/em> in theaters now, Bong Joon Ho, one of the great filmmakers working today, weaves a tense tale about class difference and class conflict that is sometimes serious, sometimes horrifying, and sometimes humorous.<\/p>\n<p>The film balances not just generic tropes but the literal and the metaphorical to create the most compelling viewing experience of 2019.<\/p>\n<p>It is true what Bong said when accepting his Best Foreign Language Golden Globe this past weekend: \u201cOnce you overcome the 1-inch-tall barrier of subtitles, you will be introduced to so many more amazing movies.\u201d<\/p>\n<p><iframe loading=\"lazy\" title=\"Parasite [Official Trailer] \u2013 In Theaters October 11, 2019\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/isOGD_7hNIY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<h5><a href=\"https:\/\/www.justwatch.com\/us\/movie\/inside-out-2015\">6. <em>Inside Out<\/em> (Pete Docter and Ronnie Del Carmen, 2015)<\/a><\/h5>\n<p><em>Inside Out <\/em>is an animated kids\u2019 movie about depression, and I walked out of the theater feeling like I understood the issue better. Pixar has made a lot of great films, but this one is near the top of my list, along with <em>Up<\/em> and <em>Wall-E<\/em>.<\/p>\n<p><iframe loading=\"lazy\" title=\"Inside Out - Official US Trailer\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/yRUAzGQ3nSY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<h5><a href=\"https:\/\/www.justwatch.com\/us\/movie\/sonita\">5.<em> Sonita<\/em> (Rokhsareh Ghaemmaghami, 2016)<\/a><\/h5>\n<p>A festival darling that played the <a href=\"https:\/\/course-wp.bates.edu\/rhet391\/past-festivals\/2018-festival\/\">2018 Bates Film Festival<\/a>, <em>Sonita<\/em> documents\u00a0a teenage refugee from Afghanistan who flees to Iran to escape the Taliban. She dreams of becoming a rapper in a culture that does not see that as a viable (or even legal) pursuit for a woman.<\/p>\n<p>Sonita\u2019s journey takes on added urgency when her mother plans to sell her into child marriage in order to finance the wedding of Sonita\u2019s brother. Filmmaker Rokhsareh Ghaemmaghami must choose between staying behind the camera and letting Sonita become a child bride or becoming involved in her story.<\/p>\n<p>The film tells a powerful story about ethnic difference, refugee status, immigration policies, child marriage, art, and gender politics, while also opening a space to talk about the ethics of documentary production.<\/p>\n<p>A regular screening in my film theory class, it is always the most popular film of the semester.<\/p>\n<p><iframe loading=\"lazy\" title=\"SONITA | Women Make Movies | Trailer\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/B47MbpPuz7A?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<h5><a href=\"https:\/\/www.justwatch.com\/us\/movie\/get-out\">4. <em>Get Out<\/em> (Jordan Peele, 2017)<\/a><\/h5>\n<p>It\u2019s become pretty predictable: Every semester, a student will recommend a horror film to me. &#8220;You have to see&#8230;&#8221; (Fill in the blank with <em>A Quiet Place<\/em>, <em>Birdbox<\/em>, <em>Us<\/em>, <em>Midsommar<\/em>, <em>The Walking Dead<\/em>, <em>Hereditary<\/em>, <em>The Cabin in the Woods \u2014 <\/em>the list goes on.) And I respond, \u201cI don\u2019t like horror films.\u201d<\/p>\n<p>Invariably, they then say, \u201cOh, well it\u2019s not <em>really<\/em> a horror film.\u201d That fools me sometimes, and I pick up the suggested title only to sit through it wondering, \u201cWhat do they think a horror film is?!\u201d<\/p>\n<p><em>Get Out<\/em> is unmistakably a horror film, and I am shocked that it is so high on my list because, as you may have heard, I don\u2019t like horror films. But this film blew me away. I loved the way it used horror to comment on racism, and I loved the way it used humor throughout to forward the message.<\/p>\n<p>With all due respect to <em>Psycho<\/em>,<em> Rosemary\u2019s Baby<\/em>, <em>The Exorcist<\/em>, <em>The Shining<\/em>, and others, <em>Get Out <\/em>may be the best horror film I have ever seen, and it left me wondering if I should be watching more.<\/p>\n<p><iframe loading=\"lazy\" title=\"Get Out - In Theaters This February - Official Trailer\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/sRfnevzM9kQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<h5><a href=\"https:\/\/www.justwatch.com\/us\/movie\/short-term-12\">3. <em>Short Term 12<\/em> (Destin Daniel Cretton, 2013)<\/a><\/h5>\n<p>When I saw <em>Short Term 12 <\/em>in 2013, the film featured a cast of unknowns. Today, it is known for its cast, which includes a long list of present-day stars \u2014 Brie Larson, Rami Malek, LaKeith Stanfield, Kaitlyn Dever, John Gallagher Jr., Stephanie Beatriz, and others.<\/p>\n<p>Don\u2019t let the star power distract from the film\u2019s emotional power. Writer-director Destin Daniel Cretton (who just wrote and directed the feature film <em>Just Mercy<\/em>, adapted from the book of the same title by <a href=\"https:\/\/www.bates.edu\/news\/2018\/05\/27\/get-proximate-to-people-who-are-suffering-bryan-stevenson-tells-bates-college-commencement-audience\/\">Bryan Stevenson, Bates&#8217; 2018 Commencement speaker<\/a>), based <em>Short Term 12<\/em> on his own experience working in a facility for at-risk teens.<\/p>\n<p>Throughout the narrative, Grace (Larson), the center\u2019s director, learns that she must confront her demons if she is to live a full life and better serve the Short Term 12 teens. It\u2019s a beautiful, powerful film.<\/p>\n<p><iframe loading=\"lazy\" title=\"SHORT TERM 12 - Official trailer\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/LfwabBAwzJU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<h5><a href=\"https:\/\/www.justwatch.com\/us\/movie\/burn-your-maps\">2. <em>Burn Your Maps<\/em> (Jordan Roberts, 2016)<\/a><\/h5>\n<p><em>Burn Your Maps<\/em> stood in for so many conversations that I have struggled to articulate, and it changed the way I thought about our daughter, Annabella Grace, and the brief time she spent with us.<\/p>\n<p>My wife, Kathryn, and I saw the premiere at the Toronto Film Festival, and it was the single most moving film-going experience I have ever had. We walked out of the theater, and it was several blocks before I could speak.<\/p>\n<p>I was honored when we were able to bring the film to campus back in 2017, along with Jordan Roberts, its Academy Award\u2013nominated writer and director and Bates Film Festival advisory board member. While my experience of <em>Burn Your Maps <\/em>was very personal, the film speaks to anyone who has ever experienced loss and searched for hope.<\/p>\n<p><iframe loading=\"lazy\" title=\"BURN YOUR MAPS Official Trailer (2019) Vera Farmiga, Jacob Tremblay Movie HD\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/85y2VPH_4og?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<h5><a href=\"https:\/\/www.justwatch.com\/us\/movie\/if-beale-street-could-talk\">1. <em>If Beale Street Could Talk<\/em> (Barry Jenkins, 2018)<\/a><\/h5>\n<p>Simply put, I loved everything about this movie, adapted from James Baldwin&#8217;s novel. I loved how it showed the effects of racism \u2014 the way it defines lives, fractures families and communities, and robs both racism\u2019s victims and its perpetrators of their humanity.<\/p>\n<p>I loved how in the era of #metoo and #timesup this movie showed how consent can be romantic and sexy while only adding to the passion of a love scene. I loved the direction, the writing, the sensitive performances from every member of the cast.<\/p>\n<p>Bonus: Bates Film Festival advisory board member <a href=\"http:\/\/course-wp.bates.edu\/rhet391\/mike-pavlic-96\/\">Michael Pavlic \u201996<\/a>\u00a0and his team at Annapurna handled the film&#8217;s marketing.<\/p>\n<p><iframe loading=\"lazy\" title=\"IF BEALE STREET COULD TALK | Official Trailer\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/N4m3t3G3Zqc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A range of films, from the James Baldwin adaptation <em>If Beale Street Could Talk<\/em> to Bollywood blockbuster <\/em>My Name is Khan<\/em> to indie favorite <em>First Reformed<\/em>, make Jon Cavallero&#8217;s list.  <\/p>\n","protected":false},"author":104,"featured_media":130016,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_hide_ai_chatbot":false,"_ai_chatbot_style":"","associated_faculty":[],"_Page_Specific_Css":"","_bates_restrict_mod":false,"_table_of_contents_display":false,"_table_of_contents_location":"","_table_of_contents_disableSticky":false,"_is_featured":false,"footnotes":"","_bates_seo_meta_description":"","_bates_seo_block_robots":false,"_bates_seo_sharing_image_id":0,"_bates_seo_sharing_image_twitter_id":0,"_bates_seo_share_title":"","_bates_seo_canonical_overwrite":"","_bates_seo_twitter_template":""},"categories":[14,11009],"tags":[10082,10083],"class_list":["post-129963","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-faculty-staff","category-the-college","tag-film-studies","tag-jonathan-cavallero"],"_links":{"self":[{"href":"https:\/\/www.bates.edu\/news\/wp-json\/wp\/v2\/posts\/129963","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.bates.edu\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.bates.edu\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.bates.edu\/news\/wp-json\/wp\/v2\/users\/104"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bates.edu\/news\/wp-json\/wp\/v2\/comments?post=129963"}],"version-history":[{"count":22,"href":"https:\/\/www.bates.edu\/news\/wp-json\/wp\/v2\/posts\/129963\/revisions"}],"predecessor-version":[{"id":130028,"href":"https:\/\/www.bates.edu\/news\/wp-json\/wp\/v2\/posts\/129963\/revisions\/130028"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.bates.edu\/news\/wp-json\/wp\/v2\/media\/130016"}],"wp:attachment":[{"href":"https:\/\/www.bates.edu\/news\/wp-json\/wp\/v2\/media?parent=129963"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.bates.edu\/news\/wp-json\/wp\/v2\/categories?post=129963"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bates.edu\/news\/wp-json\/wp\/v2\/tags?post=129963"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}