{"id":33225,"date":"2005-09-24T13:51:26","date_gmt":"2005-09-24T17:51:26","guid":{"rendered":"http:\/\/home.bates.edu\/?p=33225"},"modified":"2017-01-26T14:49:50","modified_gmt":"2017-01-26T19:49:50","slug":"performance-closes","status":"publish","type":"post","link":"https:\/\/www.bates.edu\/news\/2005\/09\/24\/performance-closes\/","title":{"rendered":"Performance closes Bates exhibition by major Chinese artist"},"content":{"rendered":"<p>The Bates College Museum of Art installation<em> From Middle Kingdom to  Biological Millennium, <\/em>by Chinese artist Wenda Gu, closes with a  reception and a performance piece by Gu at 7:30 p.m. Saturday, Oct. 9,  in the Olin Arts Center, 75 Russell St. <!--more--><\/p>\n<p>Gu, one of the most important artists to emerge from China in recent  decades, will perform <em>Wenda Gu&#8217;s Wedding Life #6.<\/em> The piece, says  museum Director Mark Bessire, is an important new chapter in a series of  performances, the most recent of which was held at the opening of the  Guangzhou Triennial last year at the Guangdong Museum of Art, in China.<\/p>\n<p>In a collaboration unusual for Maine&#8217;s academic museums, the Bates  museum and the Institute of Contemporary Art at Maine College of Art,  Portland, jointly presented Gu&#8217;s <em>From Middle Kingdom<\/em> this year. The  museum installations and the performance piece reflect the artist&#8217;s  belief that eventually the &#8220;biological millennium&#8221; will bring all races  together into one mixed group, thus ending cultural conflict.<\/p>\n<p>In Gu&#8217;s performances he symbolically weds a partner from another  culture or ethnicity. Gu and his &#8220;bride,&#8221; performed by Sagaree Sengupta,  of Lewiston, will arrive at the museum in a white limousine, welcomed  by young people dressed in red. The couple will exchange wedding vows  under the guidance of a justice of the peace, performed by Bessire.<\/p>\n<p>Each participant will consider the creation of vows and then write  the program together. Using huge ink brushes and sheets of paper spread  on the floor, the bride and groom will write or draw important aspects  of their life leading up to the marriage. After the vows are exchanged,  they will draw together their aspirations for the future.<\/p>\n<p>The performance will be presented around and under the Upper Gallery  installation &#8220;united nations &#8212; 7561 kilometers.&#8221; The installation, 21st  in a worldwide series, is a collection of hair from around the world  brought together into a monument that symbolizes the unification of  cultures, to be further intertwined through science and the &#8220;biological  millennium.&#8221;<\/p>\n<p>Meanwhile, showing in the Lower Gallery are<em> New Acquisitions: Local  and Global Contemporary Photography,<\/em> which closes next May; and <em>Marsden Hartley: Image and Identity<\/em>, which closes Dec. 18 and is the  focus of a museum symposium Nov. 5-6.<\/p>\n<p>Gu was active in the Chinese avant-garde before emigrating to the  United States in 1987. He mines tradition and pursues innovation in  works that explore globalism, diasporic art and transculturalism to  present an idealized unification of humanity.<\/p>\n<p>&#8220;Wenda Gu&#8217;s work  is timely in its ambitious attempt to address in artistic terms the  issue of globalism that dominates discussions of contemporary economics,  society and culture. The enormous scope of his vision &#8212; conceiving of  his artwork as existing over time and space and not constrained by  convention, language or national boundaries &#8212; is remarkable,&#8221; Bessire  writes in the exhibition publication, the first major scholarly  publication on Gu (MIT Press).<\/p>\n<p>Bessire edited the publication  and, with counterparts at museums in Kansas and Texas, co-curated the  exhibition. The project was supported by The Andy Warhol Foundation for  the Visual Arts and the National Endowment for the Arts.<\/p>\n<p>Museum  admission is open to the public at no cost. It is open 10 a.m.-5 p.m.  Tuesday-Saturday and is closed Sundays and major holidays. For more  information, call 207-786-6158.<\/p>\n<p>A high-resolution image for publication of a 2000 performance of  &#8220;Wendu Gu&#8217;s Wedding Life,&#8221; taken at the Utsunomiya Museum of Art, Japan,  may be downloaded at this URL:<br \/>\n<a href=\"https:\/\/www.bates.edu\/pix\/Gu_Wedding.jpg\">https:\/\/www.bates.edu\/pix\/Gu_Wedding.jpg<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Bates College Museum of Art installation &#8220;From Middle Kingdom to Biological Millennium&#8221;, by Chinese artist Wenda Gu, closes with a reception and a performance piece by Gu at 7:30 p.m. Saturday, Oct. 9, in the Olin Arts Center, 75 Russell St.<\/p>\n","protected":false},"author":148,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_hide_ai_chatbot":false,"_ai_chatbot_style":"","associated_faculty":[],"_Page_Specific_Css":"","_bates_restrict_mod":false,"_table_of_contents_display":false,"_table_of_contents_location":"","_table_of_contents_disableSticky":false,"_is_featured":false,"footnotes":"","_bates_seo_meta_description":"","_bates_seo_block_robots":false,"_bates_seo_sharing_image_id":0,"_bates_seo_sharing_image_twitter_id":0,"_bates_seo_share_title":"","_bates_seo_canonical_overwrite":"","_bates_seo_twitter_template":""},"categories":[11010],"tags":[2173,6135,6889,9087,9177],"class_list":["post-33225","post","type-post","status-publish","format-standard","hentry","category-arts","tag-chinese-art","tag-music-tag","tag-performing-and-visual-arts","tag-visual-arts","tag-wenda-gu"],"_links":{"self":[{"href":"https:\/\/www.bates.edu\/news\/wp-json\/wp\/v2\/posts\/33225","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.bates.edu\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.bates.edu\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.bates.edu\/news\/wp-json\/wp\/v2\/users\/148"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bates.edu\/news\/wp-json\/wp\/v2\/comments?post=33225"}],"version-history":[{"count":1,"href":"https:\/\/www.bates.edu\/news\/wp-json\/wp\/v2\/posts\/33225\/revisions"}],"predecessor-version":[{"id":93029,"href":"https:\/\/www.bates.edu\/news\/wp-json\/wp\/v2\/posts\/33225\/revisions\/93029"}],"wp:attachment":[{"href":"https:\/\/www.bates.edu\/news\/wp-json\/wp\/v2\/media?parent=33225"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.bates.edu\/news\/wp-json\/wp\/v2\/categories?post=33225"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bates.edu\/news\/wp-json\/wp\/v2\/tags?post=33225"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}