{"id":60671,"date":"2012-12-19T11:19:36","date_gmt":"2012-12-19T16:19:36","guid":{"rendered":"https:\/\/www.bates.edu\/news\/?p=60671"},"modified":"2017-01-26T14:18:00","modified_gmt":"2017-01-26T19:18:00","slug":"bcma-winter13","status":"publish","type":"post","link":"https:\/\/www.bates.edu\/news\/2012\/12\/19\/bcma-winter13\/","title":{"rendered":"Museum of Art organizes exhibitions of textile installations and works on paper"},"content":{"rendered":"<div id=\"attachment_60708\" style=\"width: 610px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.bates.edu\/news\/files\/2012\/12\/BCMA13-Killaars-24Hours.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-60708\" class=\"size-large wp-image-60708\" title=\"BCMA13-Killaars-24Hours\" src=\"https:\/\/www.bates.edu\/news\/files\/2012\/12\/BCMA13-Killaars-24Hours-600x450.jpg\" alt=\"\" width=\"600\" height=\"450\" srcset=\"https:\/\/www.bates.edu\/news\/files\/2012\/12\/BCMA13-Killaars-24Hours-600x450.jpg 600w, https:\/\/www.bates.edu\/news\/files\/2012\/12\/BCMA13-Killaars-24Hours-300x225.jpg 300w, https:\/\/www.bates.edu\/news\/files\/2012\/12\/BCMA13-Killaars-24Hours-144x107.jpg 144w, https:\/\/www.bates.edu\/news\/files\/2012\/12\/BCMA13-Killaars-24Hours-134x100.jpg 134w, https:\/\/www.bates.edu\/news\/files\/2012\/12\/BCMA13-Killaars-24Hours.jpg 1080w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/a><p id=\"caption-attachment-60708\" class=\"wp-caption-text\">&#8220;24 Hours, No. 2,&#8221; a 2005 installation by Fransje Killaars, will be shown at Museum L-A in Lewiston. Courtesy of Galerie Expeditie, Amsterdam, the Netherlands.<\/p><\/div>\n<p>A Maine artist examining humanity&#8217;s foibles, a German printmaker of the late 19th century and a contemporary Dutch textile installation artist known for her color sense are represented in winter 2013 exhibitions at the Bates College Museum of Art.<\/p>\n<p>Opening with a lecture and reception at 6 p.m. Friday, Jan. 18, is the exhibition <a href=\"https:\/\/www.bates.edu\/news\/bcma-winter13-neuman\/\"><em>Robert S. Neuman&#8217;s &#8220;Ship to Paradise<\/em><\/a>,&#8221; consisting of depictions by a Mount Desert Island artist of humankind&#8217;s vices and worldly conceits. Discussing Neuman&#8217;s work is Maine author and art critic Carl Little.<\/p>\n<div id=\"attachment_60880\" style=\"width: 310px\" class=\"wp-caption alignright\"><a href=\"https:\/\/www.bates.edu\/news\/files\/2013\/01\/BCMA13-ShiptoParadise-Wreck.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-60880\" class=\"size-medium wp-image-60880\" title=\"Ship to Paradise - The Wreck, 1985 - Mixed media on paper.jpg\" src=\"https:\/\/www.bates.edu\/news\/files\/2013\/01\/BCMA13-ShiptoParadise-Wreck-300x223.jpg\" alt=\"\" width=\"300\" height=\"223\" srcset=\"https:\/\/www.bates.edu\/news\/files\/2013\/01\/BCMA13-ShiptoParadise-Wreck-300x223.jpg 300w, https:\/\/www.bates.edu\/news\/files\/2013\/01\/BCMA13-ShiptoParadise-Wreck-600x446.jpg 600w, https:\/\/www.bates.edu\/news\/files\/2013\/01\/BCMA13-ShiptoParadise-Wreck-144x107.jpg 144w, https:\/\/www.bates.edu\/news\/files\/2013\/01\/BCMA13-ShiptoParadise-Wreck-134x100.jpg 134w, https:\/\/www.bates.edu\/news\/files\/2013\/01\/BCMA13-ShiptoParadise-Wreck.jpg 1080w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-60880\" class=\"wp-caption-text\">&#8220;Ship to Paradise &#8212; The Wreck&#8221; is a 1985 image in mixed media on paper from Robert Neuman&#8217;s &#8220;Ship to Paradise&#8221; series.<\/p><\/div>\n<p>Also opening that evening is the <a href=\"https:\/\/www.bates.edu\/news\/bcma-winter13-klinger\/\"><em>Intermezzi Portfolio<\/em><\/a>, Opus IV, a series of prints by Max Klinger, a German artist active in the late 19th and early 20th centuries.<\/p>\n<p>A reception at 5 p.m. Saturday, Jan. 26, opens <a href=\"https:\/\/www.bates.edu\/news\/bcma-winter13-killaars\/\"><em>Fransje Killaars: Color at the Center<\/em><\/a>. An artist who approaches textiles in provocative ways that are as much cultural as conceptual statements, Killaars will exhibit several installations at the Bates museum and several at Museum L-A, in the former textile mill on Canal Street in Lewiston where Bates-brand bedspreads were woven.<\/p>\n<p>The reception takes place in both locations, with a shuttle connecting them.<\/p>\n<p>Learn more about the winter 2013 exhibitions at the Bates College Museum of Art:<\/p>\n<ul>\n<li><a href=\"https:\/\/www.bates.edu\/news\/bcma-winter13-killaars\/\"><em>Fransje Killaars: Color at the Center<\/em><\/a><\/li>\n<li><a href=\"https:\/\/www.bates.edu\/news\/bcma-winter13-neuman\/\"><em>Robert S. Neuman&#8217;s &#8220;Ship to Paradise<\/em>&#8220;<\/a><\/li>\n<li><a href=\"https:\/\/www.bates.edu\/news\/bcma-winter13-klinger\/\"><em>Max Klinger, The Intermezzi Portfolio<\/em><\/a><\/li>\n<\/ul>\n<p>All three exhibitions run through March 22. The museum is located at 75 Russell St. and is open to the public at no cost from 10 a.m. to 5 p.m. Monday through Saturday, and till 7 p.m. Wednesdays during the academic year.<\/p>\n<p>For more information, please call 207-786-6158 or visit <a href=\"https:\/\/www.bates.edu\/museum\/\">bates.edu\/museum<\/a>.<\/p>\n<div id=\"attachment_60709\" style=\"width: 610px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.bates.edu\/news\/files\/2012\/12\/BCMA13-Klinger1.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-60709\" class=\"size-large wp-image-60709\" title=\"Max Klinger, &quot;Intermezzi&quot; Opus IV, 1881, Plate XII, &quot;Amor, God und Jenseits.&quot;\" src=\"https:\/\/www.bates.edu\/news\/files\/2012\/12\/BCMA13-Klinger1-600x276.jpg\" alt=\"\" width=\"600\" height=\"276\" srcset=\"https:\/\/www.bates.edu\/news\/files\/2012\/12\/BCMA13-Klinger1-600x276.jpg 600w, https:\/\/www.bates.edu\/news\/files\/2012\/12\/BCMA13-Klinger1-300x138.jpg 300w, https:\/\/www.bates.edu\/news\/files\/2012\/12\/BCMA13-Klinger1.jpg 1080w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/a><p id=\"caption-attachment-60709\" class=\"wp-caption-text\">&#8220;Intermezzi Portfolio,&#8221; Opus IV, 1881, by Max Klinger. Plate XII, &#8220;Amor, God und Jenseits.&#8221;<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>A Maine artist examining humanity&#8217;s foibles, a German printmaker of the early 20th century and a contemporary Dutch textile artist known for her color sense are represented in winter 2013 exhibitions at the Bates College Museum of Art.<\/p>\n","protected":false},"author":148,"featured_media":60708,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_hide_ai_chatbot":false,"_ai_chatbot_style":"","associated_faculty":[],"_Page_Specific_Css":"","_bates_restrict_mod":false,"_table_of_contents_display":false,"_table_of_contents_location":"","_table_of_contents_disableSticky":false,"_is_featured":false,"footnotes":"","_bates_seo_meta_description":"","_bates_seo_block_robots":false,"_bates_seo_sharing_image_id":0,"_bates_seo_sharing_image_twitter_id":0,"_bates_seo_share_title":"","_bates_seo_canonical_overwrite":"","_bates_seo_twitter_template":""},"categories":[4,11010,133],"tags":[2885,1363,9811,6889],"class_list":["post-60671","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-academic-life","category-arts","category-creativity","tag-art-and-visual-culture","tag-bates-college-museum-of-art","tag-fransje-killaars","tag-performing-and-visual-arts"],"_links":{"self":[{"href":"https:\/\/www.bates.edu\/news\/wp-json\/wp\/v2\/posts\/60671","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.bates.edu\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.bates.edu\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.bates.edu\/news\/wp-json\/wp\/v2\/users\/148"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bates.edu\/news\/wp-json\/wp\/v2\/comments?post=60671"}],"version-history":[{"count":15,"href":"https:\/\/www.bates.edu\/news\/wp-json\/wp\/v2\/posts\/60671\/revisions"}],"predecessor-version":[{"id":98511,"href":"https:\/\/www.bates.edu\/news\/wp-json\/wp\/v2\/posts\/60671\/revisions\/98511"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.bates.edu\/news\/wp-json\/wp\/v2\/media\/60708"}],"wp:attachment":[{"href":"https:\/\/www.bates.edu\/news\/wp-json\/wp\/v2\/media?parent=60671"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.bates.edu\/news\/wp-json\/wp\/v2\/categories?post=60671"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bates.edu\/news\/wp-json\/wp\/v2\/tags?post=60671"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}