{"id":8,"date":"2010-08-18T20:26:31","date_gmt":"2010-08-19T00:26:31","guid":{"rendered":"http:\/\/hub-dev.bates.edu\/rhetoric\/?page_id=5"},"modified":"2025-08-27T13:06:24","modified_gmt":"2025-08-27T17:06:24","slug":"academic-program","status":"publish","type":"page","link":"https:\/\/www.bates.edu\/rhetoric-film-screen-studies\/academics\/academic-program\/","title":{"rendered":"Academic Program"},"content":{"rendered":"<div class=\"catalog-block catalog-department-listing\"><h3 class=\"catalog-program-title\">Rhetoric, Film, and Screen Studies<\/h3><p><em>Professors Cavallero, Kelley-Romano (chair), and Nero; Assistant Professor Buisker<\/em><\/p>\n<p>The Rhetoric, Film, and Screen Studies department offers an interdisciplinary approach to the study of human communication that focuses on the intersectional nature of meaning and knowledge.<\/p>\n<p><span id=\"docs-internal-guid-0e30f011-7fff-3e21-f902-3e58c80023a0\">Rhetoric is a vital aspect of modern democracy. Courses offered by the Department of Rhetoric, Film, and Screen Studies teach students to understand how citizens use the symbolic in processes of negotiation within democratic states. Historically, this understanding has come through the study of oratory, writing, and debate. But as the public sphere has expanded, so have the skills needed for successful agency: skills also now address visual media such as film, television, and virtual worlds.<\/span><\/p>\n<p><span id=\"docs-internal-guid-0e30f011-7fff-3e21-f902-3e58c80023a0\">Courses examine the production of meaning in texts and screen texts through the study of the systems that create texts; the form of those texts; and the historical, sociocultural, and economic milieus that mediate their circulation and interpretation. Courses are informed by theories that examine race, ethnicity, gender, sexuality, and class, among other categories. In addition to introductory courses, students are required to take courses in performance as well as courses that use intersectional approaches to focus on race\/ethnicity or class\/gender. Students take two seminar courses with two different professors to further expand their exploration into the breadth of rhetoric, film, and screen studies. All students complete a senior thesis.<\/span><\/p>\n<p><span id=\"docs-internal-guid-0e30f011-7fff-3e21-f902-3e58c80023a0\">Argumentation and debate are traditional aspects of the practice and study of rhetoric, and have long been considered essential elements to a functioning public sphere. Bates has a storied tradition of excellence in debate, and students may study argumentation in courses or participate in competitive debate, or both. The Brooks Quimby Debate Council (BQDC), teaches students basic elements of rhetorical practice and theory.<\/span><\/p>\n<p><span id=\"docs-internal-guid-0e30f011-7fff-3e21-f902-3e58c80023a0\">More information is available on the <\/span><a href=\"https:\/\/www.bates.edu\/rhetoric-film-screen-studies\/\">Rhetoric, Film, and Screen Studies department website<\/a>.<\/p><section class=\"catalog-section_curriculumtext\"><h5>Curriculum<\/h5><div class=\"sitemap\"><ul><li><a href=\"https:\/\/catalog.bates.edu\/departments-programs\/rhetoric-film-screen-studies\/rhetoric-film-screen-studies-major\/\">Rhetoric, Film, and Screen Studies Major<\/a><\/li><li><a href=\"https:\/\/catalog.bates.edu\/departments-programs\/rhetoric-film-screen-studies\/rhetoric-film-screen-studies-minor\/\">Rhetoric, Film, and Screen Studies Minor<\/a><\/li><\/ul><\/div><\/section><section class=\"catalog-section_planningtext\"><h5>Planning<\/h5><h2>Course Offering Plan<\/h2>\n<p><span id=\"docs-internal-guid-94f587d4-7fff-4c9e-95da-0ae4e02f9cbf\">The Rhetoric, Film, and Screen Studies department provides the following list of possible course offerings for student planning purposes. The course list gives students valuable information regarding the variety and number of courses that will be offered in the future and is useful for students wishing to plan out their course of study over multiple years. The courses listed are not guaranteed to be offered and are subject to change. <\/span><\/p>\n<h3><span>Fall 2027<\/span><\/h3>\n<ul style=\"margin-left: 40px;\">\n\t<li><span><span class=\"sc_courseinline\"><span class=\"code_bubble\" data-code-bubble=\"RFSS 162\">RFSS\u00a0162<\/span> White Redemption: Cinema and the Co-optation of African American History<\/span><\/span>\n<\/li>\n\n\t<li><span><span class=\"sc_courseinline\"><span class=\"code_bubble\" data-code-bubble=\"RFSS 185\">RFSS\u00a0185<\/span> Public Discourse<\/span><\/span>\n<\/li>\n\n\t<li><span><span class=\"sc_courseinline\"><span class=\"code_bubble\" data-code-bubble=\"RFSS 221\">RFSS\u00a0221<\/span> Baseball Movies<\/span><\/span>\n<\/li>\n\n\t<li><span><span class=\"sc_courseinline\"><span class=\"code_bubble\" data-code-bubble=\"RFSS 240\">RFSS\u00a0240<\/span> Film Theory<\/span><\/span>\n<\/li>\n\n\t<li><span><span class=\"sc_courseinline\"><span class=\"code_bubble\" data-code-bubble=\"RFSS 259\">RFSS\u00a0259<\/span> Conspiracy Rhetoric: Power, Politics, and Popular Culture<\/span><\/span>\n<\/li>\n\n\t<li><span><span class=\"sc_courseinline\"><span class=\"code_bubble\" data-code-bubble=\"RFSS 391A\">RFSS\u00a0391A<\/span> The Rhetoric of Alien Abduction<\/span><\/span>\n<\/li>\n\n\t<li><span class=\"sc_courseinline\"><span class=\"code_bubble\" data-code-bubble=\"RFSS 457\">RFSS\u00a0457<\/span> Senior Thesis<\/span><\/li>\n\n<\/ul>\n\n<h3>Winter 2028<\/h3>\n<ul style=\"margin-left: 40px;\">\n\t<li><span class=\"sc_courseinline\"><span class=\"code_bubble\" data-code-bubble=\"RFSS 100\">RFSS\u00a0100<\/span> What is Rhetoric?<\/span><\/li>\n\n\t<li><span class=\"sc_courseinline\"><span class=\"code_bubble\" data-code-bubble=\"RFSS 120\">RFSS\u00a0120<\/span> Introduction to Screen Studies<\/span><\/li>\n\n\t<li><span class=\"sc_courseinline\"><span class=\"code_bubble\" data-code-bubble=\"RFSS 186\">RFSS\u00a0186<\/span> Introduction to Argumentation<\/span><\/li>\n\n\t<li><span class=\"sc_courseinline\"><span class=\"code_bubble\" data-code-bubble=\"RFSS 205\">RFSS\u00a0205<\/span> Social Advocacy and Activism<\/span><\/li>\n\n\t<li><span class=\"sc_courseinline\"><span class=\"code_bubble\" data-code-bubble=\"RFSS 276\">RFSS\u00a0276<\/span> Television Criticism<\/span><\/li>\n\n\t<li><span class=\"sc_courseinline\"><span class=\"code_bubble\" data-code-bubble=\"RFSS 306\">RFSS\u00a0306<\/span> Reimagining Africana<\/span><\/li>\n\n\t<li><span class=\"sc_courseinline\"><span class=\"code_bubble\" data-code-bubble=\"RFSS 391J\">RFSS\u00a0391J<\/span> Film Festival Studies<\/span><\/li>\n\n\t<li><span class=\"sc_courseinline\"><span class=\"code_bubble\" data-code-bubble=\"RFSS 457\">RFSS\u00a0457<\/span> Senior Thesis<\/span><\/li>\n\n<\/ul>\n\n<h3>Fall 2028<\/h3>\n<ul style=\"margin-left: 40px;\">\n\t<li><span class=\"sc_courseinline\"><span class=\"code_bubble\" data-code-bubble=\"RFSS 162\">RFSS\u00a0162<\/span> White Redemption: Cinema and the Co-optation of African American History<\/span><\/li>\n\n\t<li><span class=\"sc_courseinline\"><span class=\"code_bubble\" data-code-bubble=\"RFSS 185\">RFSS\u00a0185<\/span> Public Discourse<\/span><\/li>\n\n\t<li><span class=\"sc_courseinline\"><span class=\"code_bubble\" data-code-bubble=\"RFSS 221\">RFSS\u00a0221<\/span> Baseball Movies<\/span><\/li>\n\n\t<li><span class=\"sc_courseinline\"><span class=\"code_bubble\" data-code-bubble=\"RFSS 240\">RFSS\u00a0240<\/span> Film Theory<\/span><\/li>\n\n\t<li><span class=\"sc_courseinline\"><span class=\"code_bubble\" data-code-bubble=\"RFSS 259\">RFSS\u00a0259<\/span> Conspiracy Rhetoric: Power, Politics, and Popular Culture<\/span><\/li>\n\n\t<li><span class=\"sc_courseinline\"><span class=\"code_bubble\" data-code-bubble=\"RFSS 391A\">RFSS\u00a0391A<\/span> The Rhetoric of Alien Abduction<\/span><\/li>\n\n\t<li><span class=\"sc_courseinline\"><span class=\"code_bubble\" data-code-bubble=\"RFSS 457\">RFSS\u00a0457<\/span> Senior Thesis<\/span><\/li>\n\n<\/ul>\n\n<h3>Winter 2029<\/h3>\n<ul style=\"margin-left: 40px;\">\n\t<li><span class=\"sc_courseinline\"><span class=\"code_bubble\" data-code-bubble=\"RFSS 100\">RFSS\u00a0100<\/span> What is Rhetoric?<\/span><\/li>\n\n\t<li><span class=\"sc_courseinline\"><span class=\"code_bubble\" data-code-bubble=\"RFSS 120\">RFSS\u00a0120<\/span> Introduction to Screen Studies<\/span><\/li>\n\n\t<li><span class=\"sc_courseinline\"><span class=\"code_bubble\" data-code-bubble=\"RFSS 186\">RFSS\u00a0186<\/span> Introduction to Argumentation<\/span><\/li>\n\n\t<li><span class=\"sc_courseinline\"><span class=\"code_bubble\" data-code-bubble=\"RFSS 205\">RFSS\u00a0205<\/span> Social Advocacy and Activism<\/span><\/li>\n\n\t<li><span class=\"sc_courseinline\"><span class=\"code_bubble\" data-code-bubble=\"RFSS 276\">RFSS\u00a0276<\/span> Television Criticism<\/span><\/li>\n\n\t<li><span class=\"sc_courseinline\"><span class=\"code_bubble\" data-code-bubble=\"RFSS 306\">RFSS\u00a0306<\/span> Reimagining Africana<\/span><\/li>\n\n\t<li><span class=\"sc_courseinline\"><span class=\"code_bubble\" data-code-bubble=\"RFSS 391F\">RFSS\u00a0391F<\/span> Bollywood<\/span><\/li>\n\n\t<li><span class=\"sc_courseinline\"><span class=\"code_bubble\" data-code-bubble=\"RFSS 457\">RFSS\u00a0457<\/span> Senior Thesis<\/span><\/li>\n\n<\/ul><\/section><section class=\"catalog-section_faculty\"><\/section><div class=\"catalog-department-overview-catalog-link\">\n\t\t <p>Our course catalog may include more information on Rhetoric, Film, and Screen Studies, its programs, courses, and requirements.<\/p>\n\t\t <a href=\"https:\/\/catalog.bates.edu\/departments-programs\/rhetoric-film-screen-studies\/\">Full Catalog Listing<\/a>\n\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":5,"featured_media":0,"parent":7,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_hide_ai_chatbot":false,"_ai_chatbot_style":"","associated_faculty":[],"_Page_Specific_Css":"","_bates_restrict_mod":false,"_batesModPostContentOverride_prepend":false,"_batesModPostContentOverride_append":false,"_batesModPostContentOverride_append_before_footer":false,"bates_author_byline_override":"","_hide_page_title":false,"_header_override":"","_template_width_override":"","_table_of_contents_display":false,"_table_of_contents_location":"","_table_of_contents_disableSticky":false,"_is_featured":false,"_sidebarChoice":"","footnotes":"","_bates_seo_meta_description":"","_bates_seo_block_robots":false,"_bates_seo_sharing_image_id":0,"_bates_seo_sharing_image_twitter_id":0,"_bates_seo_share_title":"","_bates_seo_canonical_overwrite":"","_bates_seo_twitter_template":""},"class_list":["post-8","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.bates.edu\/rhetoric-film-screen-studies\/wp-json\/wp\/v2\/pages\/8","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.bates.edu\/rhetoric-film-screen-studies\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bates.edu\/rhetoric-film-screen-studies\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bates.edu\/rhetoric-film-screen-studies\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bates.edu\/rhetoric-film-screen-studies\/wp-json\/wp\/v2\/comments?post=8"}],"version-history":[{"count":17,"href":"https:\/\/www.bates.edu\/rhetoric-film-screen-studies\/wp-json\/wp\/v2\/pages\/8\/revisions"}],"predecessor-version":[{"id":1775,"href":"https:\/\/www.bates.edu\/rhetoric-film-screen-studies\/wp-json\/wp\/v2\/pages\/8\/revisions\/1775"}],"up":[{"embeddable":true,"href":"https:\/\/www.bates.edu\/rhetoric-film-screen-studies\/wp-json\/wp\/v2\/pages\/7"}],"wp:attachment":[{"href":"https:\/\/www.bates.edu\/rhetoric-film-screen-studies\/wp-json\/wp\/v2\/media?parent=8"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}