{"id":65,"date":"2010-08-19T20:05:41","date_gmt":"2010-08-19T20:05:41","guid":{"rendered":"http:\/\/hub-dev.bates.edu\/theater\/?page_id=65"},"modified":"2017-10-23T10:36:33","modified_gmt":"2017-10-23T14:36:33","slug":"directing-academic-and-professional-theater","status":"publish","type":"page","link":"https:\/\/www.bates.edu\/theater\/andrucki-martin-e\/directing-academic-and-professional-theater\/","title":{"rendered":"Directing, Academic and Professional Theater"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p><strong>ACADEMIC THEATER<\/strong><\/p>\n<p>2015:\u00a0<em>Marie and the Nutcracker,<\/em>\u00a0Martin Andrucki<br \/>\n2014:\u00a0<em>Little Egypt,<\/em>\u00a0Lynn Siefert<br \/>\n2013:\u00a0<em>The Two Gentleman of Verona,<\/em>\u00a0William Shakespeare<br \/>\n2011: <em>Bus Stop<\/em>, Inge<br \/>\n2010: <em>The Learned Ladies<\/em>, Moliere<br \/>\n2009: <em>You Can&#8217;t Take it With You<\/em>, Kaufman and Hart<br \/>\n2009: <em>Alcestis<\/em>, Euripides<br \/>\n2008:\u00a0<em>Prah<\/em>,\u00a0\u00a0Spiro<br \/>\n2008:\u00a0<em>Measure for Measure,<\/em> Shakespeare<br \/>\n2006:<em>The Skin of Our Teeth<\/em>, Wilder<br \/>\n2006:\u00a0\u00a0<em>Popcorn<\/em>, Elton<br \/>\n2005:\u00a0<em>The Three Sisters,<\/em> Chekhov<br \/>\n2003<strong>:<\/strong> <em>Hamlet,<\/em> Shakespeare<br \/>\n2003:\u00a0<em>subUrbia<\/em>, Bogosian<br \/>\n1999:\u00a0<em>Twelfth Night<\/em>, Shakespeare<br \/>\n1999:\u00a0<em>The Red Faust<\/em>, Pozsgai<br \/>\n1997:\u00a0<em>Antigone,<\/em> Sophocles<br \/>\n1995:\u00a0<em>A Midsummer Night&#8217;s Dream<\/em>, Shakespeare<br \/>\n1995:\u00a0<em>Right You Are (If You Think You Are)<\/em>, Pirandello<br \/>\n1993:\u00a0<em>As You Like It<\/em>, Shakespeare<br \/>\n1992:\u00a0<em>Endgame<\/em>, Beckett<br \/>\n1990:\u00a0<em>The Misanthrope<\/em>, Moliere<br \/>\n1987:\u00a0<em>The Ghost Sonata<\/em>, Strindberg<br \/>\n1986:\u00a0<em>Eve of Retirement<\/em>, Bernhard. New England premiere<br \/>\n1986:\u00a0<em>Bad Habits,<\/em> McNally<br \/>\n1985:\u00a0<em>The Physicists<\/em>, Duerrenmatt<br \/>\n1983:\u00a0<em>Vina: Three Beach Plays<\/em>, Vodanovic<br \/>\n1982:\u00a0<em>Iphigeneia at Aulis<\/em>, Euripides<br \/>\n1982:\u00a0<em>The Caucasian Chalk Circle<\/em>, Brecht<br \/>\n1981:\u00a0<em>The Unseen Hand and Action<\/em>, Shepard<br \/>\n1980:\u00a0<em>The Merry Wives of Windsor<\/em>, Shakespeare<br \/>\n1979:\u00a0<em>Galileo,<\/em> Brecht<br \/>\n1978:\u00a0<em>The Marriage<\/em>, Gogol<br \/>\n1978:\u00a0<em>The Three Sisters<\/em>, Chekhov<br \/>\n1977:\u00a0<em>Private Lives<\/em>, Coward<br \/>\n1976:\u00a0<em>The Comedy of Errors<\/em>, Shakespeare<br \/>\n1975:\u00a0<em>Tango<\/em>, Mrozek<br \/>\n1975:\u00a0<em>The Threepenny Opera<\/em>, Brecht<br \/>\n1972:\u00a0<em>The Measures Taken,<\/em> Brecht<br \/>\n1972:\u00a0<em>The Channel Feeling<\/em>, Kinahan<br \/>\n1971:\u00a0<em>The Second Shepherds&#8217; Play,<\/em> Anon<br \/>\n1970:\u00a0<em>The Trials of Brecht<\/em>, Andrucki<\/p>\n<p><span class=\"Apple-style-span\" style=\"color: #666666; font-size: 14px; line-height: 21px;\">\u00a0<\/span><\/p>\n<p><strong>PROFESSIONAL THEATER<\/strong><\/p>\n<p>2003: <em>subUrbia, Bogosian,<\/em> International Drama Festival, Budapest.<br \/>\n2003: <em>subUrbia, Bogosian<\/em>, International Buda Stage, Budapest.<br \/>\n2001: <em>Isn\u2019t It Romantic<\/em>, Wasserstein, International Buda Stage, Budapest.<br \/>\n1999: <em>The Red Faust<\/em>, Pozsgai, International Buda Stage.<br \/>\n1991: <em>Greater Tuna<\/em>, Actors&#8217; Theater of Maine.<br \/>\n1988: <em>Private Lives<\/em>, Coward, Maine Acting Company.<br \/>\n1987: <em>Strange Snow<\/em>, Metcalfe, Maine Acting Company.<br \/>\n1985: <em>A Christmas Carol<\/em>, Dickens, Maine Acting Company.<br \/>\n1976: <em>Arms and the Man<\/em>, Shaw, Bates Summer Theater.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; ACADEMIC THEATER 2015:\u00a0Marie and the Nutcracker,\u00a0Martin Andrucki 2014:\u00a0Little Egypt,\u00a0Lynn Siefert 2013:\u00a0The&hellip;<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":33,"menu_order":2,"comment_status":"closed","ping_status":"open","template":"","meta":{"_hide_ai_chatbot":false,"_ai_chatbot_style":"","associated_faculty":[],"_Page_Specific_Css":"","_bates_restrict_mod":false,"_batesModPostContentOverride_prepend":false,"_batesModPostContentOverride_append":false,"_batesModPostContentOverride_append_before_footer":false,"bates_author_byline_override":"","_hide_page_title":false,"_header_override":"","_template_width_override":"","_table_of_contents_display":false,"_table_of_contents_location":"","_table_of_contents_disableSticky":false,"_is_featured":false,"_sidebarChoice":"","footnotes":"","_bates_seo_meta_description":"Academic and Professional Theater History for Bates Professor Martin E. 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