{"id":62,"date":"2015-10-22T17:58:35","date_gmt":"2015-10-22T17:58:35","guid":{"rendered":"https:\/\/www.bates.edu\/thousand-words-project\/?page_id=62"},"modified":"2023-04-26T14:12:10","modified_gmt":"2023-04-26T18:12:10","slug":"gallery","status":"publish","type":"page","link":"https:\/\/www.bates.edu\/thousand-words-project\/gallery\/","title":{"rendered":"Gallery"},"content":{"rendered":"\n
\n
\"OLYMPUS<\/a>
Crystal Nicholas, Last Asparagus<\/em>, 1997, Pencil, colored pencil, gouache, and watercolor, 19 7\/8 x 10 in, Bates College Museum of Art purchase, 1998.5.1<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Marsden Hartley, [Seacoast with Trees, Rocks, and Driftwood], ca. 1936-43, Lithographic crayon on white paper, 8 1\/2 x 11 1\/4 in, Bates College Museum of Art, Marsden Hartley Memorial Collection, Gift of Norma Berger, 1955.1.27<\/figcaption><\/figure>\n\n\n\n
\"OLYMPUS<\/a>
Ruth B. Fuller Irving, Chicago Backyard<\/em>, n.d., watercolor on paper, 15 x 13 in, Bates College Museum of Art, gift of the artist, 1991.21.1.a<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Yashima Gakutei, Oiran with Pipe<\/em>, n.d., woodblock print, Gift of Douglas J. Macko, 2006.2.14<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Joel Babb, Androscoggin Aerial: Powers on the River<\/em>, 1995, oil on linen, 54 x 42 in, Bates Museum of Art purchase with support from the Berkshire Taconic Foundation and Friends of the Art Museum, 2005.16.1<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
David Driskell, Dance of the Masks<\/em>, 2008, serigraph, 24 x 18 in, Bates College Museum of Art purchase with the Jean LeMire ’53 Fund, partial gift of the artist and Greenhut Galleries, 2008.3.1<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
DeWitt Hardy, Forest and Pool<\/em>, 2002, watercolor on paper, 28 3\/8 x 33 1\/2 in, Bates College Museum of Art, gift of the Carl Straub Estate, 2020.1.20<\/figcaption><\/figure>\n\n\n\n
\"\"\/
Robert Gendler, M42, The Great Nebula in Orion<\/em>, 2005, archival inkjet print, 60 x 44 in, Gift of Robert Gendler, 2013.25.1<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Neil Welliver, Light in Brook<\/em>, 1985, oil on canvas, 24 x 24 in, Gift of Dorothy Stiles Blankfort, class of 1931, 1986.11.1<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Isabella Kirkland, Trade<\/em>, 2008, digital print, 32 3\/4 x 41 1\/4 in, Bates College Museum of Art purchase with the Robert A. and Minna F. Johnson ’36 Art Acquisition Fund, and the Abraham and Bella Margolis Art Fund, 2013.2.6<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Warren Keller, Seven Sisters<\/em>, 2011, Durst Lambda Laser Print on FujiFlex, 16 x 24, Gift of Warren Keller, 2013.7.1<\/figcaption><\/figure>\n\n\n\n
\"\"\/
Isabella Kirkland, Descendant<\/em>, 2008, digital print, 41 3\/8 x 32 3\/4 in, Bates College Museum of Art purchase with the Robert A. and Minna F. Johnson ’36 Art Acquisition Fund, and the Abraham and Bella Margolis Art Fund, 2013.2.4<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Lalla Essaydi, Grand Odalisque<\/em>, 2008, C-4 print mounted on aluminum, 33 3\/4 x 40 1\/4 in, Bates College Museum of Art purchase, with support from the Davis Family Foundation, 2011.20.1<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
William Manning, The Last Portrait<\/em>, 1972, oil on canvas, 58 x 58 in, Bates College Museum of Art, gift of Barbara and William Manning in Memory of William Manning Sr., 2009.16.1<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Max Klinger, Amor, Tod und Jenseits [Cupid, Death and Beyond]<\/em>, etching, 6 1\/4 x 16 1\/14 in,
Bates College Museum of Art purchase with funds from the Dorothy Stiles Balnkfort ’31, and Dr. Robert A. and Minna F. Johnson \u201936 Art Acquisition Fund, 2012.21.13<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Robert S. Neuman, Ship to Paradise<\/em>, 2012, etching with watercolor on paper, 23 1\/2 x 35 1\/2 in,
Bates College Museum of Art purchase with the Dr. Robert A. and Minna F. Johnson \u201936 Art Acquisition Fund, and the Abraham and Bella Margolis Art Fund, and the Olivia and Ellwood Straub Endowment, 2013.22.1<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Curlee Raven Holton, Festival of Piazza San Marco<\/em>, 2013, etching, 22 1\/2 x 15 in, Bates College Museum of Art purchase, with the Elizabeth A. Gregory MD \u201938 Fund, 2015.2.1.r<\/figcaption><\/figure>\n\n\n\n
\"\"\/<\/a>
Wally Reinhard, Juno Recycled Argus’ 100 Eyes<\/em>, 1997, watercolor on Arches paper, 18 x 11 1\/16 in, Gift of Wally Reinhardt, 2015.1.2<\/figcaption><\/figure>\n\n\n\n
\"\"\/<\/a>
Wally Reinhard, Medusa regards the Head She is About to Lose<\/em>, 1997, watercolor on Arches paper, 18 x 11 1\/8 in, Gift of Wally Reinhardt, 2015.1.1<\/figcaption><\/figure>\n\n\n\n
\"OLYMPUS<\/a>
Arthur Rothstein, Girl at Gee’s Bend, Alabama<\/em>, 1937, photograph, 10 3\/4 x 13 3\/4 in, Bates College Museum of Art, gift of Frederick M. Myers III, Class of 1986, 1986.12.2<\/figcaption><\/figure>\n\n\n\n
\"\"\/<\/a>
Nan Coulter, Dallas Texas: War Decor, Photographs of America<\/em>, 1991 photograph, 11 x 14 in, gift of the artist, 1994.6.3<\/figcaption><\/figure>\n\n\n\n
\"\"\/<\/a><\/figure>\n\n\n\n
\"\"<\/a>
Carol C. Bates, Conch Shell, 1947, watercolor, 15 3\/4 x 21 7\/8 in, Gift of the Gardiner Maine Library Association, 1959.1.2<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Jay H. Connaway, Dorset, Vermont, 1947, gouche painting, 7 5\/8 x 9 3\/8 in, gift of the Textile Arts Foundation, 1996.13.4<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Marsden Hartley, Pallid Spring, 1909, oil on panel, 5 5\/16 x 9 3\/8 in., Marsden Hartley Memorial Collection, Gift of Norma Berger, 1955.1.100<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Pablo Picasso, Untitled, n.d., pochior on paper, 11 3\/8 x 14 1\/2 in,
Bates College Museum of Art, gift of Caroline P. Ehrenfest, Class of ’39, 1989.9.3<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Hyman Bloom, Island Cave, n.d., white ink and wash on green paper, 11 1\/4 x 17 1\/2 in,
Bates College Museum of Art, gift of Dr. Elizabeth A. Gregory, Class of 1938, 1999.9.2<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Olivia Parker, Gravity<\/em>, 1982, photograph, 7 1\/2 x 9 1\/2, museum purchase, 1995.23.1<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Bernard Langlais, Untitled (Lion), n.d., alum print and watercolor, 8 1\/2 x 11 in,
Bates College Museum of Art, Gift of Mrs. Norman S. Reef, 1975.4.1<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Takako Yamaguchi, Connoisseur of Chaos<\/em>, 2000, oil and bronze leaf on paper, 52 1\/2 x 52 1\/2 in, Gift of anonymous donor, 2011.11.1<\/figcaption><\/figure>\n\n\n\n
\"\"\/<\/a><\/figure>\n\n\n\n
\"\"\/<\/a><\/figure>\n\n\n\n
\"\"<\/a>
Ashley Bryan, Untitled from Beautiful Blackbird, ca. 2003, paper collage, 11 1\/4 x 18 7\/8 in, Bates College Museum of Art, gift of Henry Isaacs and Donna Bartnoff Isaacs, 2019.2.3<\/figcaption><\/figure>\n\n\n\n
\"OLYMPUS<\/a>
Hans Bolz, Cubist Composition, 1913, ink with white gouche on paper, 8 1\/2 x 10 1\/2 in,
The Gertrude B. Emerson Collection, Gift of Robert and Susan Allison, 1993.25.68<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Charlie Hewitt, Untitled (Birdhouse), 1992, linocut on paper, 6 x 3 1\/2 in, Museum Purchase, 1992.28.21<\/figcaption><\/figure>\n\n\n\n
\"\"\/<\/a><\/figure>\n\n\n\n
\"\"\/<\/a><\/figure>\n\n\n\n
\"\"\/<\/a><\/figure>\n\n\n\n
\"\"\/<\/a>
Weng Fen, Staring at the Sea No. 6<\/em>, 2003, photograph, 42 1\/2 x 34 5\/8 in,
Bates College Museum of Art purchase, Marella Arte Contemporanea s.r.l., 2004.23.1<\/figcaption><\/figure>\n\n\n\n
\"Main<\/a><\/figure>\n\n\n\n
\"\"\/<\/a><\/figure>\n\n\n\n
\"\"\/<\/a><\/figure>\n\n\n\n
\"\"\/<\/a><\/figure>\n\n\n\n
\"\"<\/a>
Unknown Artist [after Albrect D\u00fcrer], Knight, Death and the Devil<\/em>, n.d., engraving, 9 5\/8 x 7 3\/8 in, Gift of Robert Flynn Johnson, 1992.14.11<\/figcaption><\/figure>\n\n\n\n
\"Dahlov<\/a>
Dahlov Ipcar, Sable Nyika, 1988, oil on canvas, 30 x 60 in, Bates College Museum of Art, Gift of the artist, 1991.8.1<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Charlie Hewitt, Portland Tumble, 1994, drypoint, 36 x 72 in, gift of Charlie Hewitt, 2005.22.30.g<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Joel Babb, Falls on Nesowadnehunk Stream (Baxter State Park)<\/em>, 1999, oil on paper, 20 x 32 1\/4 in, Bates College Museum of Art, gift of the Olivia and Ellwood Straub Endowment and the Berkshire Taconic Foundation, 2001.11.1<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Claire Van Vliet, Wheeler Mountain Bowl<\/em>, 1989, lithograph on handmade paper, 23 x 32 in,
Bates College Museum of Art, gift of the Olivia and Ellwood Straub Endowment, 1993.3.1.a-c<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Delbert dana Coombs, Mt. David 1860<\/em>, 1901, oil on canvas, 16 x 24 in,
Bates Museum of Art, gift of John and Evelyn White, 1996.33.1<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Weng Fen, On the Wall. Haikou 6, 2003, photograph, 22 3\/4 x 26 3\/4 in, Bates College Museum of Art purchase, Marella Arte Contemporanea s.r.l., 2004.23.2<\/figcaption><\/figure>\n<\/figure>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_hide_ai_chatbot":false,"_ai_chatbot_style":"","associated_faculty":[],"_Page_Specific_Css":"","_bates_restrict_mod":false,"_table_of_contents_display":false,"_table_of_contents_location":"","_table_of_contents_disableSticky":false,"_is_featured":false,"footnotes":"","_bates_seo_meta_description":"","_bates_seo_block_robots":false,"_bates_seo_sharing_image_id":0,"_bates_seo_sharing_image_twitter_id":0,"_bates_seo_share_title":"","_bates_seo_canonical_overwrite":"","_bates_seo_twitter_template":""},"class_list":["post-62","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.bates.edu\/thousand-words-project\/wp-json\/wp\/v2\/pages\/62","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.bates.edu\/thousand-words-project\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bates.edu\/thousand-words-project\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bates.edu\/thousand-words-project\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bates.edu\/thousand-words-project\/wp-json\/wp\/v2\/comments?post=62"}],"version-history":[{"count":10,"href":"https:\/\/www.bates.edu\/thousand-words-project\/wp-json\/wp\/v2\/pages\/62\/revisions"}],"predecessor-version":[{"id":414,"href":"https:\/\/www.bates.edu\/thousand-words-project\/wp-json\/wp\/v2\/pages\/62\/revisions\/414"}],"wp:attachment":[{"href":"https:\/\/www.bates.edu\/thousand-words-project\/wp-json\/wp\/v2\/media?parent=62"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}