Bates Arts Crawl 2013
As the Crawl got under way at 4:30 p.m. Jan. 25, a good place to ease into it was the Bobcat Den, renovated this year into a brighter space with open sightlines, beer on tap and seating at booth and hightop tables.
Here the Arts Crawl program was literary readings — funny, confessional, intense, exploring — presented by 10 student poets and prose writers and hosted by Rob Farnsworth, a member of the English faculty and himself an esteemed poet.
Just upstairs in the former Memorial Commons, now a public venue, a stage was set up for theater, music, comedy and dance. Perhaps the best-attended Arts Crawl venue, the joint was jumping. Just within one 45-minute span, for example, the performers were:
- hip hop dance experts Isaiah Rice ’15 and Leroy Barnes ’14
- Lena and Los Morose Bros., a student band doing lively Americana music
- and dancers, led by Zoe Fahy ’13, who undertook such exercises as using one part of the anatomy to trace the shape of another — for instance, using a foot to describe the whorls of the ear.
For one viewer, the unadorned nature of the Memorial Commons stage — lacking lights, sets or sound system — was key to the interactive nature of the experience. “It was a little out of everyone’s comfort zone — performers were not used to being so close and vulnerable in front of the audience, and the audience not used to examining the performers so close,” said Mariya Manahova ’14.
“The space felt very intimate, humans showing other humans what they love doing.”
Chase Hall was one of the two poles of the Arts Crawl axis, the other being Olin Arts Center, a campus away. In between came the New Commons fireplace lounge, with an assortment of quiet music, and Coram Library’s Imaging Center, home of the Giant Photo Booth.
“It’s OK to stay in one place,” explained dance professor Carol Dilley, who coordinated the event for the Bates Arts Collaborative, “but it’s really cool if you go to multiple spaces.”
The idea “is not to worry about missing something, because there’s always something else around the corner.”
The Olin Concert Hall featured diverse music, including a set by the Bates Jazz Combo, whose singers, Fiona Robins ’15 and Laura Franke ’15, brought a stylish and authentic feel to mid-20th century standards.
Senior art majors, meanwhile, opened their studios. Eleanor Anaclerio borrows the dorm rooms of friends to make intriguing “camera obscura” photographs. She blacks out the windows except for the aperture that admits the ghostly outdoors image to be captured with a digital camera.
The open studio is part of the learning process, said her studio mate, Isaac Thompson ’13, who makes geometrical sculptures from steel and see-through plastic. “You’re figuring out this stuff for yourself while talking about it, too,” he said.
Meanwhile, back at the Den, the readings came to a close with Katie Ailes ’14 (who won a University of Edinburgh poetry slam last fall, and will compete in the BBC Scottish National Poetry Slam in April) reading her poem about an absent father:
I will not ask what you do;
You are easier as wet clay,
I can mold you into an astronaut, a rock star, hell, you could be Brad Pitt,
so I do not want to hear if you are a dentist.