American Studies at Bates

What does it mean to be “an American?” How does our understanding of American culture, and our relation to it, differ depending on historical context, social position, and the interpretive and ideological perspectives we bring to bear?

American studies pursues these questions using a variety of interdisciplinary approaches, texts, performances, and material culture as points of departure for a wide-ranging exploration of American culture. By analyzing race, gender, sexuality, social class, disability, and other identities — and reflecting on their own connections to these topics — students examine what it means to belong, hold privilege, or face exclusion.

Contact Us

Matt Von Vogt, Academic Administrative Assistant
4 Andrews Rd
Pettengill Hall
Phone: 207-786-8296 mvonvogt@bates.edu

What You Will Learn

garnet iconography with academic building, presentation slide, and clipboard with pen
To analyze the production, circulation, and critical reception of material culture and the American identity
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To consider the ways that performances in everyday life, such as cooking and dress, produce cultural meaning
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How to communicate effectively in writing and speech
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To consider intersectionality as a tool of critical analysis
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To examine the distributions of rights, privileges, and citizenship, and the allocation of economic resources
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How to foster ethical engagement in larger communities — local, national, and international

Life After Bates

The Program in American Studies prepares students for fulfilling careers in a variety of fields, including research and teaching; policy, advocacy, and community work; law; cultural organization and curating; and digitization and management. Graduates have attended law school and gone on to work in philanthropy or for major law firms; serve as administrators in both public community-based education and charter schools; and work in athletics, beauty, and the performing arts. 

90%

of 2020-2024 humanities graduates are employed and/or attending graduate school

  • Johns Hopkins Carey Business School
  • Boston College
  • Harvard University
  • University of Chicago
  • Bank Street College of Education
Afro-Cuban Hiphop artist Pablo D. Herrera Veitia led a workshop yesterday titled ìLet's Talk About Cultural Production, Franklyî with Bates students in Olin Arts Center 128.
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Herrera Veitia has managed urban musicians and music-related projects in Cuba for more than 20 years. He is considered Cuba's most influential beat-maker and a pioneer of the Cuban Hiphop sound, which is highly influenced by Afro-Cuban music and culture. He is a 2018-19 Nasir Jones Fellow Hutchins Center for African African American Research, Harvard University, and a doctoral candidate in social anthropology, University of St Andrews, Scotland.
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During the workshop, Herrera Veitia discussed how he has engaged in cultural production in and outside of Cuba and asked students to consider ìWhat motivates us to be cultural producers?î The participants broke into small groups to propose hypothetical cultural productions and the roles they might play in them. He then asked the each student to share their individual identities ó their passions ó as cultural producers. Cultural production, he pointed out, can be ó but is not exclusively ómusic or theater or film. îAs active citizens, weíre all doing culture in our own way,î he said.
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Herrera Veitia will offer the same workshop on Thursday, Feb 28 at 4:15pm in Olin 128. and Friday, March 1 at 4:15 in a TBD location. For more information, call 207-786-6135 or olinarts@bates.edu. His visit to Bates was sponsored by the Latin American Studies Program, the Department of Music, and an NEH Learning Associates Grant.

Luis Da Molina (preferred) but in directory, it's 
 Luis David Molina Rueda and Reilly Dwight.

Afro-Cuban Hiphop artist Pablo D. Herrera Veitia led a workshop yesterday titled ìLet’s Talk About Cultural Production, Franklyî with Bates students in Olin Arts Center 128. . Herrera Veitia has managed urban musicians and music-related projects in Cuba for more than 20 years. He is considered Cuba’s most influential beat-maker and a pioneer of the Cuban Hiphop sound, which is highly influenced by Afro-Cuban music and culture. He is a 2018-19 Nasir Jones Fellow Hutchins Center for African African American Research, Harvard University, and a doctoral candidate in social anthropology, University of St Andrews, Scotland. . During the workshop, Herrera Veitia discussed how he has engaged in cultural production in and outside of Cuba and asked students to consider ìWhat motivates us to be cultural producers?î The participants broke into small groups to propose hypothetical cultural productions and the roles they might play in them. He then asked the each student to share their individual identities ó their passions ó as cultural producers. Cultural production, he pointed out, can be ó but is not exclusively ómusic or theater or film. îAs active citizens, weíre all doing culture in our own way,î he said. . Herrera Veitia will offer the same workshop on Thursday, Feb 28 at 4:15pm in Olin 128. and Friday, March 1 at 4:15 in a TBD location. For more information, call 207-786-6135 or olinarts@bates.edu. His visit to Bates was sponsored by the Latin American Studies Program, the Department of Music, and an NEH Learning Associates Grant. Luis Da Molina (preferred) but in directory, it’s Luis David Molina Rueda and Reilly Dwight.

Students in Associate Professor of Hispanic Studies Stephanie Pridgeon’s “Screening Citizenship: Jewish Latin American Film” class prepare for two upcoming presentations they will make at the upcoming
Maine Jewish Film Festival, both in Portland and Bates. One film is called “Torah Tropical” (see below) and the other, made in Argentina and Austria, is called “The Klezmer Project).

Pridgeon says:

This coming Tuesday, March 4 at 7 PM in Olin, we will be screening the beautiful documentary “Torah Tropical” followed by a Q + A with producer Heidi Paster (parent of a current Bates student) led by students from my Jewish Latin American film seminar. The documentary follows the story of a family in Cali, Colombia, who converts to Judaism and attempts to immigrate to Israel. Please join us if you're interested and please also consider passing along the information to your students, colleagues, and friends if they might also be interested (entry is free for Bates staff, faculty, and students!)


This course considers films from throughout Latin America made by Jewish directors. Students learn the history of Latin American film production as well as terms and skills necessary for audiovisual analysis. The course examines the ways in which film is used as a vehicle to explore and represent issues of identity, belonging, immigration, and assimilation that have long characterized Jewish experiences in Latin America. Moreover, the course focuses on filmmakers’ engagement with key social and political issues within their respective countries as well as on a regional or global scale. Taught in Spanish. Recommended background: HISP 228. Prerequisite(s): HISP 210 or 211.

Students in Associate Professor of Hispanic Studies Stephanie Pridgeon’s “Screening Citizenship: Jewish Latin American Film” class prepare for two upcoming presentations they will make at the upcoming Maine Jewish Film Festival, both in Portland and Bates. One film is called “Torah Tropical” (see below) and the other, made in Argentina and Austria, is called “The Klezmer Project). Pridgeon says: This coming Tuesday, March 4 at 7 PM in Olin, we will be screening the beautiful documentary “Torah Tropical” followed by a Q + A with producer Heidi Paster (parent of a current Bates student) led by students from my Jewish Latin American film seminar. The documentary follows the story of a family in Cali, Colombia, who converts to Judaism and attempts to immigrate to Israel. Please join us if you’re interested and please also consider passing along the information to your students, colleagues, and friends if they might also be interested (entry is free for Bates staff, faculty, and students!) This course considers films from throughout Latin America made by Jewish directors. Students learn the history of Latin American film production as well as terms and skills necessary for audiovisual analysis. The course examines the ways in which film is used as a vehicle to explore and represent issues of identity, belonging, immigration, and assimilation that have long characterized Jewish experiences in Latin America. Moreover, the course focuses on filmmakers’ engagement with key social and political issues within their respective countries as well as on a regional or global scale. Taught in Spanish. Recommended background: HISP 228. Prerequisite(s): HISP 210 or 211.

Art and visual culture majors with a studio concentration work in their first-floor Olin Arts Concert Hall studios in preparation for the Annual Senior Exhibition that will open in April at the Bates College Museum of Art.

Emily Graumann ’22 (in gray sweater) of Salem, a double major in AVC and English, is producing a thesis in hand-drawn animation.

Ollie Penner  ’22 (purple shirt) of Pasadena, Calif,, is a double major in AVC and American Studies, whose thesis uses photography and Photoshop.

Kathy Boehm ’22 (black sweater) of Denver, Colo.,  is a double major in AVC and American studies, who’s designing town with  drawings and mixed media.

Mary Richardson ’22 (black tank top) of Blue Hill, Maine, is a double major in AVC and psychology and exploring themes of growing up and bodily image. She’s using mixed media and colored pen.

Art and visual culture majors with a studio concentration work in their first-floor Olin Arts Concert Hall studios in preparation for the Annual Senior Exhibition that will open in April at the Bates College Museum of Art. Emily Graumann ’22 (in gray sweater) of Salem, a double major in AVC and English, is producing a thesis in hand-drawn animation. Ollie Penner ’22 (purple shirt) of Pasadena, Calif,, is a double major in AVC and American Studies, whose thesis uses photography and Photoshop. Kathy Boehm ’22 (black sweater) of Denver, Colo., is a double major in AVC and American studies, who’s designing town with drawings and mixed media. Mary Richardson ’22 (black tank top) of Blue Hill, Maine, is a double major in AVC and psychology and exploring themes of growing up and bodily image. She’s using mixed media and colored pen.

Students in our program enjoy a wide range of hands-on experiences, from working with local organic farms and community gardeners to archaeological fieldwork in Alaska and on Maine’s Malaga Island. They also engage in curatorial work with local and regional galleries and museums, and work closely with well-known artists and musicians. In addition, students have the opportunity to collaborate with program faculty on research and experience a dynamic senior capstone grounded in a supportive faculty-student community.

Featured Courses

Photo of Myron M. Beasley

Myron M. Beasley

Associate Professor of American Studies

Photo of Dale E. Chapman

Dale E. Chapman

Professor of Music

Photo of Aleksandar M. Diamond-Stanic

Aleksandar M. Diamond-Stanic

Associate Professor of Physics

Photo of Yunkyoung Garrison

Yunkyoung Garrison

Assistant Professor of Psychology

Photo of Jamie A. Haverkamp

Jamie A. Haverkamp

Assistant Professor of Environmental Studies

Photo of Rebecca Herzig

Rebecca Herzig

Charles A Dana Professor of Gender and Sexuality Studies

Photo of Amy B. Huang

Amy B. Huang

Assistant Professor of Theater

Photo of Melinda A. Plastas

Melinda A. Plastas

Senior Lecturer in Gender and Sexuality Studies

Photo of Anelise H. Shrout

Anelise H. Shrout

Associate Professor of Digital and Computational Studies

News & Events

Bates announces Stoddard Fitness and Well-Being Center and athletics facilities upgrades
March 5, 2026

Bates announces Stoddard Fitness and Well-Being Center and at…

Bates is embarking on a $45 million project to update two key athletic facilities and construct a new fitness and well-being center. A gift of $10 million from Jon W. Brayshaw ’90, P’25 and Jocelyn Stoddard Brayshaw ’88, P’25 has brought the college a vital step closer to construction. The new facility will be named the Stoddard Fitness and Well-Being Center. 

Over the woodlands brown and bare, over the harvest-fields forsaken, silent, and soft, and slow descends the snow. — Longfellow Back on campus after the February freak storm, Bates feels suspended between motion and stillness; cars crunch in half-melted tracks, boots drip by radiators, flights and plans still catching up somewhere in the clouds. Some of us are here, some are delayed, and the quiet holds space for both. It’s a strange return; rushed arrivals, late-night drives, weather maps open on our phones, yet the air itself feels calm, like the world pressed pause just long enough for us to notice it. The paradox is real; chaos in the forecast, steadiness on the quad. Snow does that. It softens edges, lowers voices, makes even a campus full of movement feel like it’s breathing slowly.
March 5, 2026

February at Bates

February on campus saw sports successes, several large snowfalls, and our annual Winter Carnival — a week of events celebrating the joys of the chilly season.