Faculty

drawing, painting, printmaking, Social Practice

16th- and 17th- century English drama, 16th- and 17th- century English poetry, affect theory, critical making, digital humanities and digital archives, early modern broadside ballads, early modern literature and culture, gender and sexuality studies, historical phenomenology, history of the senses, phenomenology, print culture and history, printmaking, Renaissance politics, Shakespeare, sonnet cultures, theories of embodied voice, tragedy