Gallery

Dragons
Isabella Kirkland Taxa Series
Collages

Dragons

  • “Belt,” Textile, 2017.1.159.
    “Belt,” Textile, 2017.1.159.
  • “Vest,” Fabric and Thread, 42 x 13 ½ in.,Rapoport, 2017.1.79.
    “Vest,” Fabric and Thread, 42 x 13 ½ in.,Rapoport, 2017.1.79.
  • “Vest,” detail, Fabric and Thread, 42 x 13 ½ in.,Rapoport, 2017.1.79.
    “Vest,” detail, Fabric and Thread, 42 x 13 ½ in.,Rapoport, 2017.1.79.
  • “Dragon Incense Burner,” Wood, 3 x 8 ¼ in., Rapoport, 2017.1.12.
    “Dragon Incense Burner,” Wood, 3 x 8 ¼ in., Rapoport, 2017.1.12.
  • Marsden Hartley, “Shadow Puppet,” Leather with pigment, 44 ½ x 31 in.,Gift of the Owen Dodson Estate, 1984.1.37.
    Marsden Hartley, “Shadow Puppet,” Leather with pigment, 44 ½ x 31 in.,Gift of the Owen Dodson Estate, 1984.1.37.
  • Carl Sprinchorn, “Somehow a Creature from My Swan Song series,” 1964, Pencil and Crayon, 7 x 4 ½ in., Anonymous gift, 2005.23.4.
    Carl Sprinchorn, “Somehow a Creature from My Swan Song series,” 1964, Pencil and Crayon, 7 x 4 ½ in., Anonymous gift, 2005.23.4.
  • Claire Van Vliet, “Kafka- The Green Dragon,” 1963, Lithograph on rives paper, 15 x 11 in., 2018.1.7.
    Claire Van Vliet, “Kafka- The Green Dragon,” 1963, Lithograph on rives paper, 15 x 11 in., 2018.1.7.
  • Kunichika, “Nihonbashi, from the Thirty-six restaurants series.,” 1865, Woodblock print, 13 ¼ x 9 ¼ in., Gift of Douglas J. Macko, 2006.2.18.
    Kunichika, “Nihonbashi, from the Thirty-six restaurants series.,” 1865, Woodblock print, 13 ¼ x 9 ¼ in., Gift of Douglas J. Macko, 2006.2.18.
  • Lucien Clergue, “Jean Cocteau and Sphinx,” 1955, Photograph on paper, 9 ½ x 14 in., Gift of Tim Grell & Family, 2011.5.6.
    Lucien Clergue, “Jean Cocteau and Sphinx,” 1955, Photograph on paper, 9 ½ x 14 in., Gift of Tim Grell & Family, 2011.5.6.
  • OLYMPUS DIGITAL CAMERA
    OLYMPUS DIGITAL CAMERA
  • Senufo, “Helmet Mask,” Wood with pigment, 15 x 27 ½ in., Museum Purchase, 2011.24.1.
    Senufo, “Helmet Mask,” Wood with pigment, 15 x 27 ½ in., Museum Purchase, 2011.24.1.
  • Senufo, “Helmet Mask,” Wood with pigment, 15 x 27 ½ in., Museum Purchase, 2011.24.1.
    Senufo, “Helmet Mask,” Wood with pigment, 15 x 27 ½ in., Museum Purchase, 2011.24.1.
  • Senufo, “Helmet Mask,” Wood with pigment, 15 x 27 ½ in., Museum Purchase, 2011.24.1.
    Senufo, “Helmet Mask,” Wood with pigment, 15 x 27 ½ in., Museum Purchase, 2011.24.1.
  • vLaurie Hogan, “Watering Hole (Social Species in the Late Anthropocene),” 2017, Oil on canvas, 26 ½ x 32 in.
    Laurie Hogan, “Watering Hole (Social Species in the Late Anthropocene),” 2017, Oil on canvas, 26 ½ x 32 in.
  • Susan Amons, “Piper with Sphinxes/Red + Black,” 1998, Intaglio, 19 ⅞ x 16 in., Museum Purchase, 2000.23.11.
    Susan Amons, “Piper with Sphinxes/Red + Black,” 1998, Intaglio, 19 ⅞ x 16 in., Museum Purchase, 2000.23.11.
  • Unknown (Vietnamese), “Celestial Messengers,” Pigment on paper, 17 ½ x 9 ¾ in., Bates College Museum of Art purchase, 2014.6.19.
    Unknown (Vietnamese), “Celestial Messengers,” Pigment on paper, 17 ½ x 9 ¾ in., Bates College Museum of Art purchase, 2014.6.19.
  • Unknown (Vietnamese), “Large Vietnamese Painting,” Pigment on paper, 45 x 18 ¾ in., Bates College Museum of Art purchase, 2014.6.7.
    Unknown (Vietnamese), “Large Vietnamese Painting,” Pigment on paper, 45 x 18 ¾ in., Bates College Museum of Art purchase, 2014.6.7.
  • Unknown (Vietnamese), “Large Vietnamese Painting,” Pigment on paper, 45 x 18 ¾ in., Bates College Museum of Art purchase, 2014.6.9.
    Unknown (Vietnamese), “Large Vietnamese Painting,” Pigment on paper, 45 x 18 ¾ in., Bates College Museum of Art purchase, 2014.6.9.
  • Utagawa Kuniyoshi, “Dragon Over Waves,” ca. 1830, Woodcut, 15 ¼ x 10 ¾ in., Gift of Weston and Mary Naef, 1994, 1994.24.34.a.
    Utagawa Kuniyoshi, “Dragon Over Waves,” ca. 1830, Woodcut, 15 ¼ x 10 ¾ in., Gift of Weston and Mary Naef, 1994, 1994.24.34.a.
  • OLYMPUS DIGITAL CAMERA
    OLYMPUS DIGITAL CAMERA
  • OLYMPUS DIGITAL CAMERA
    OLYMPUS DIGITAL CAMERA
  • Wally Reinhardt, Bacchants, 2004, Watercolor on Arches paper, 12 x 33 ½ in., Gift of Wally Reinhardt, 2017.36.3.
    Wally Reinhardt, Bacchants, 2004, Watercolor on Arches paper, 12 x 33 ½ in., Gift of Wally Reinhardt, 2017.36.3.
  • Wally Reinhardt, “Pegasus and Chrydoar,” 1996, Watercolor on Arches paper, 18 x 11 in., Gift of Wally Reinhardt, 2017.36.5.
    Wally Reinhardt, “Pegasus and Chrydoar,” 1996, Watercolor on Arches paper, 18 x 11 in., Gift of Wally Reinhardt, 2017.36.5.

Isabella Kirkland Taxa Series

  • Isabella Kirkland, “Back,” 2003, Digital Print, 41 ½ x 32 ¾ in., Bates College Museum of Art purchase with the Dr. Robert A. and Minna F. Johnson ’36 Art Acquisition Fund, and the Abraham and Bella Margolis Art Fund, 2013.2.1
    Isabella Kirkland, Back, 2003, Digital Print, 41 ½ x 32 ¾ in., Bates College Museum of Art purchase with the Dr. Robert A. and Minna F. Johnson ’36 Art Acquisition Fund, and the Abraham and Bella Margolis Art Fund, 2013.2.1
  • Isabella Kirkland, “Ascendant,” 2000, Digital Print, 41 ⅜ x 32 ⅞ in., Bates College Museum of Art purchase with the Dr. Robert A. and Minna F. Johnson ’36 Art Acquisition Fund, and the Abraham and Bella Margolis Art Fund, 2013.2.2
    Isabella Kirkland, Ascendant, 2000, Digital Print, 41 ⅜ x 32 ⅞ in., Bates College Museum of Art purchase with the Dr. Robert A. and Minna F. Johnson ’36 Art Acquisition Fund, and the Abraham and Bella Margolis Art Fund, 2013.2.2
  • Isabella Kirkland, “Gone,” 2004, Digital Print, 41 ¼ x 32 ¾ in., Bates College Museum of Art purchase with the Dr. Robert A. and Minna F. Johnson ’36 Art Acquisition Fund, and the Abraham and Bella Margolis Art Fund, 2013.2.3
    Isabella Kirkland, Gone, 2004, Digital Print, 41 ¼ x 32 ¾ in., Bates College Museum of Art purchase with the Dr. Robert A. and Minna F. Johnson ’36 Art Acquisition Fund, and the Abraham and Bella Margolis Art Fund, 2013.2.3
  • Isabella Kirkland, “Descendant,” 1999, Digital Print, 41 ⅜ x 32 ¾ in., Bates College Museum of Art purchase with the Dr. Robert A. and Minna F. Johnson ’36 Art Acquisition Fund, and the Abraham and Bella Margolis Art Fund, 2013.2.4
    Isabella Kirkland, Descendant, 1999, Digital Print, 41 ⅜ x 32 ¾ in., Bates College Museum of Art purchase with the Dr. Robert A. and Minna F. Johnson ’36 Art Acquisition Fund, and the Abraham and Bella Margolis Art Fund, 2013.2.4
  • Isabella Kirkland, “Collection,” 2002, Digital Print, 32 ⅞ x 41 ¼ in., Bates College Museum of Art purchase with the Dr. Robert A. and Minna F. Johnson ’36 Art Acquisition Fund, and the Abraham and Bella Margolis Art Fund, 2013.2.5
    Isabella Kirkland, Collection, 2002, Digital Print, 32 ⅞ x 41 ¼ in., Bates College Museum of Art purchase with the Dr. Robert A. and Minna F. Johnson ’36 Art Acquisition Fund, and the Abraham and Bella Margolis Art Fund, 2013.2.5
  • Isabella Kirkland, “Trade,” 2001, Digital Print, 32 ¾ x 41 ¼ in., Bates College Museum of Art purchase with the Dr. Robert A. and Minna F. Johnson ’36 Art Acquisition Fund, and the Abraham and Bella Margolis Art Fund, 2013.2.6
    Isabella Kirkland, Trade, 2001, Digital Print, 32 ¾ x 41 ¼ in., Bates College Museum of Art purchase with the Dr. Robert A. and Minna F. Johnson ’36 Art Acquisition Fund, and the Abraham and Bella Margolis Art Fund, 2013.2.6

Collages

  • John Ashbery, “Hendon, Virginia 20170,” 1972, Collage, 3 ½ x 5 ½ in., Courtesy TIbor de Nagy, New York, NY
    John Ashbery, Hendon, Virginia 20170, 1972, Collage, 3 ½ x 5 ½ in., Courtesy TIbor de Nagy, New York, NY
  • Bailey Radcliffe, “Untitled,” 2009, Blanket, 80 x 69 ½ in., Courtesy of the artist and Jack Shainman Gallery, New York, NY
    Bailey Radcliffe, Untitled, 2009, Blanket, 80 x 69 ½ in., Courtesy of the artist and Jack Shainman Gallery, New York, NY
  • Joe Brainard, “Untitled (Bicycle Ace),” 1975, Mixed media and gouache on paper, 6 x 4 in., Courtesy Tibor de Nagy, New York, NY
    Joe Brainard, Untitled (Bicycle Ace), 1975, Mixed media and gouache on paper, 6 x 4 in., Courtesy Tibor de Nagy, New York, NY
  • Tony Fitzpatrick, “Orange and Black Bird: Portal to the Mercy of Autumn,” 2012, Mixed media on paper, 10 ½ x 7 ½ in., Courtesy of the artist.
    Tony Fitzpatrick, Orange and Black Bird: Portal to the Mercy of Autumn, 2012, Mixed media on paper, 10 ½ x 7 ½ in., Courtesy of the artist.
  • Addie Herder, “Pari-March,” 1967, Mixed media collage construction, 14 x 11 ⅜ in., Private collection
    Addie Herder, Pari-March, 1967, Mixed media collage construction, 14 x 11 ⅜ in., Private collection
  • Aaron Wexler, “Out of Sequence Events,” 2010, Mixed media collage and painted paper on panel, 48 x 36 in., Collection International Collage Center, Gift of the artist
    Aaron Wexler, Out of Sequence Events, 2010, Mixed media collage and painted paper on panel, 48 x 36 in., Collection International Collage Center, Gift of the artist
  • John Stezaker, “Untitled (Film Still Collage) III,” 2007, Collage, 15 ¾ x 23 ⅔ in., Courtesy Friedrich Petzel Gallery, New York, NY
    John Stezaker, Untitled (Film Still Collage) III, 2007, Collage, 15 ¾ x 23 ⅔ in., Courtesy Friedrich Petzel Gallery, New York, NY
  • Robert Forman, “Anxiety,” 2004, Yarn glued on Masonite, 26 x 24 in., Collection International Collage Center, Gift of Mr. Robert and Frances Coulborn Kohler
    Robert Forman, Anxiety, 2004, Yarn glued on Masonite, 26 x 24 in., Collection International Collage Center, Gift of Mr. Robert and Frances Coulborn Kohler
  • Ashkan Honarvar, “Rodeo 25,” 2011, Collage, 10 ½ x 11 in.,Collection International Collage Center, Gift of the artist
    Ashkan Honarvar, Rodeo 25, 2011, Collage, 10 ½ x 11 in.,Collection International Collage Center, Gift of the artist
  • Thomas Lanigan-Schmidt, “The Infant of Prague as a Personification of Liberation Theology,” 1986, Mixed media on panel, 46 x 36 in., Collection International Collage Center, Gift of the artist
    Thomas Lanigan-Schmidt, The Infant of Prague as a Personification of Liberation Theology, 1986, Mixed media on panel, 46 x 36 in., Collection International Collage Center, Gift of the artist
  • Josh Dorman, “Tailspin,” 2009, Ink, acrylic and antique maps on panel, 32 x 36 in.,Collection International Collage Center, Gift of the artist and Mary Ryan Gallery, New York, NY
    Josh Dorman, Tailspin, 2009, Ink, acrylic and antique maps on panel, 32 x 36 in.,Collection International Collage Center, Gift of the artist and Mary Ryan Gallery, New York, NY
  • Ray Johnson, “Untitled (Andy Warhol Profile with NOT “F”OLD and Lewis Letter),” YEAR?, Collage on illustration board, 13 ½ x 15 in., Ray Johnson Estate, Courtesy Richard L. Feigen & Co.
    Ray Johnson, Untitled (Andy Warhol Profile with NOT “F”OLD and Lewis Letter), Collage on illustration board, 13 ½ x 15 in., Ray Johnson Estate, Courtesy Richard L. Feigen & Co.
  • Miriam Schapiro, “Untitled,” 1982, Mixed media collage, 13 ⅛ x 9 ⅞ in., Collection International Collage Center, Gift, Private Collection
    Miriam Schapiro, Untitled, 1982, Mixed media collage, 13 ⅛ x 9 ⅞ in., Collection International Collage Center, Gift, Private Collection
  • Carlos Vega, “Star Nursery,” 2011, Oil paint and newsprint on lead, 36 x 36 in., Courtesy of the artist and Jack Shainman Gallery, New York, NY
    Carlos Vega, Star Nursery, 2011, Oil paint and newsprint on lead, 36 x 36 in., Courtesy of the artist and Jack Shainman Gallery, New York, NY