Production of 'subUrbia' to be performed in Hungary
In a production that the student cast and crew will take to Hungary this April, the theater department presents six performances of Eric Bogosian’s gritty, darkly comic play subUrbia.Bogosian’s semi-autobiographical play, the tale of a gang of slackers set in a convenience store parking lot, will be performed in at 8 p.m. Fridays and Saturdays, March 7-8 and 14-15, and at 2 p.m. Sundays, March 9 and 16, in Gannett Theater, Pettigrew Hall, 305 College St. Tickets are $6 for the general public and $3 for Bates faculty, staff and senior citizens.
For reservations or information, please call 207-786-6161.
An actor and monologist as well as playwright, Bogosian’s other works include the play (and screenplay adaptation) Talk Radio (1988) and the solo piece Wake Up and Smell the Coffee (2001). He has appeared in a number of films and television programs, including The Larry Sanders Show and Law and Order.
subUrbia was first performed on stage in 1994 and was made into a film by Slackers director Richard Linklater in 1996. Tapping Bogosian’s own experiences slacking at a strip mall in Woburn, Mass., the piece depicts a group of friends going nowhere fast. Their frustration with life erupts when a former member of the group, now a rock star, pays a visit.
The play offers three colliding versions of the American dream, explains director Martin Andrucki, Charles A. Dana Professor of theater. The first version is the dead-end existence of the slackers, who numb their boredom and frustration with sex, drugs and daydreams. There is the glitzy show-biz dreamworld of Pony, the former gang member turned rock star, and the traditional course of hard work and self-reliance followed by Norm, the Asian immigrant proprietor of the convenience store.
“There’s a lot in it that invites reflection about the nature of success, the nature of ambition, what it’s like to be young and not to know where you’re going,” Andrucki explains. “There’s a lot about racial and ethnic conflict that’s rather brutally depicted. And a lot of humor and irony about some of the things that young people are often earnestly obsessed with.”
“It seems to capture something authentic about a slice of American life in the late 20th or early 21st century,” Andrucki adds. “And it’s funny and it’s serious at the same time, so it has an interesting emotional range as well.”
The nine cast members and about half of the crew are Bates students, the remainder being faculty and staff. Most of the company will travel to Budapest, Hungary, in April for a Short Term unit involving performances at the international Contemporary Drama Festival Budapest and the International Buda Stage. It is the third Budapest Short Term in theater organized by Andrucki and his theater department colleague Katalin Vecsey, a native of Hungary.


![Sukanya Shukla Ô20 as Eurydice, Ethan Winglass Ô19 as Orpheus, Tim Dugan as Father, Cael Schwartz Ô19 as Man; Lord of Underworld, Madison Shmalo Ô19 as Little Stone, Jack Willis Ô19 Loud Stone, Lucas Allen Ô22 as Big Stone, perform during a dress rehearsal of Eurydice at Schaeffer Theater on October 31, 2018.
Eurydice by Sarah Ruhl
Directed by Dana Professor Martin Andrucki
Orpheus is a musical genius, Eurydice is his beautiful bride-to-be; but on the day of their wedding she dies suddenly. Heartbroken, Orpheus follows his beloved to the underworld, where his music persuades the lords of Hades to allow her to return to lifeÑon one condition. Discover what that is in this modern retelling of a classical myth by Sarah Ruhl, twice-nominated for the Pulitzer Prize in drama. ÒRhapsodically beautiful. . . [An] inexpressibly moving theatrical fable about love, loss and the pain of memory.ÓÑThe New York Times.
Please note: Box Office/Lobby for Eurydice is in The Black Box Theater at the rear of Schaeffer.
Thu, Nov 1, 7:30pm
Fri, Nov 2, 7:30
Sat. Nov 3, 5pm
Sun, Nov 4, 2pm
Mon, Nov 5, 7:30pm
Black Box Theater
DIRECTORÕS NOTE
Orpheus, the greatest musician who ever lived, married the beautiful Eurydice. She died on their wedding day, and descended into the Underworld. The grieving Orpheus followed her there, and by the beauty of his music persuaded the Lord of Hades to allow his bride to rejoin the living. It would be easy: Eurydice would simply follow Orpheus on the path back to life. However, there was one condition: if Orpheus looked behind him to assure that Eurydice was following, she would die againÑforever. He did look back; she did die again, forever; and Orpheus spent the rest of his life in mourning.
The classical version of this story focuses on Orpheus and his grief. Our playwright, Sarah Ruhl, puts Eurydice at the center of her drama, examining the crisis of a young woman who must choose between a romantic lover who doesnÕt understand her, and a dead father who does.
Lethe is one of five rivers in the Underworld. The newly dead are dipped in its water to wash away all their memories of life. It encircles the scene of our play.
PRODUCTION STAFF
Stage Manager; Sound Designer...........................................Deon Custard Ô21
Vocal Director......................................................................Katalin Vecsey Technical Director................................................................ Justin Moriarty
Assistant Technical Director..................................................Aidan McDowell Assistant Scenic Designer................................................Kirstin Koepnick Ô21 Assistant Lighting Designer.................................................Amiee Oakes Ô20 Assistant Stage Manager.....................................Luis David Molina Rueda Ô21 Costume Shop Supervisor... .....................................................Carol Farrell
Costume Shop Crew........................................Jade Zhang '21, Julia Nash '21 ............................Brooke Jandreau '20 Sara Hollenberg Õ19, Talia Sperduto '21 ...............................Jamie Kelleher Õ19, Sukanya Shukla Õ19, Kate Loughlin '22 Wardrobe........................................Brooke Jandreau Õ20, Sara Hollenberg '19 Foley Art.........................................................Henry King Ô22, Noah Pott Ô22 Light Board Operator..........................................................Aimee Oakes Ô20
Sound Board Operator............................................................Henry King Ô22
Carpenters...........................Quinn Healy '19, Haley Crim Õ19, Olivia Gomez '22 ...............................Julia Gutterman '20, Madison Hallowell '20, Henry King '22 .............Michael Hartnett '20, Julie Jesurum '22, Erin Lyons '21, Patrick Reilly '21 ........................Luis David Molina Rueda '20, Yilun Wu '22, Carlo Cremonini '21 ........Kei K. Ching Õ19, Kirstin Koepnick Ô21, Giulia Andronico de Morais Salles '22 ............................Deon Custard '21, Xavier Hayden '19, Gabriele Gucagaite '21 Animation......................................................Mayele Alognon Ô20, Sophie Gerry Ô20 ................................Daisy Diamond Ô19, Maddy Hallowell Ô20, Kirstin Koepnick Ô21 Run Crew..........................................Kei K. Ching Ô19, Gabriele Gucagaite Ô21
Box Office.....................................Alexandra Gilbertson '22, Georgia Moses Õ21 Poster Design............................................................................Lily Kip Ô19 Social Media ..............................................David Garcia Ô20, Nicky Longo Ô21 Custodians......................................................Hussein Kulow, Ed Woodhead
Special Thanks to: John Blanche e; John Corrie](https://www.bates.edu/news/files/2018/11/181031_Eurydice_2870-200x133.jpg)


