Actress Streep’s skill with voices is topic of Kroepsch Lecture
Katalin Vecsey, an expert in theatrical uses of voice and speech, offers a talk at Bates titled “The Different Voices of Meryl Streep” at 4:30 p.m. Thursday, April 12, in the Keck Classroom (G52), Pettengill Hall, 4 Andrews Road (Alumni Walk).
Sponsored by the Office of the Dean of the Faculty, the Kroepsch Lecture is open to the public at no cost. Refreshment service starts at 4:15. For more information, please call 207-786-6066.
Senior lecturer in theater at Bates, Vecsey received the 2012 Bates award for excellence in teaching, the Kroepsch Award. Bates students and recent graduates nominate faculty for the Kroepsch, and a committee of previous recipients selects the honoree.
Vecsey is expert in both the anatomy and the aesthetics of speech in performance. In addition to teaching courses exploring voice, speech and gender, she works with students in every Bates theatrical production and also directs plays.
Streep, who has won three Academy Awards and been nominated for many more, is one of the best actors of our time. Her use of voice, including her facility with diverse accents, is often cited.
“I am going to use her to explain what I do as a voice coach,” says Vecsey, “and how important voice is in establishing a character.”
For instance, in last year’s biopic “The Iron Lady,” for which Streep won her third Academy Award, the actress even captured the before-and-after speaking styles of British Prime Minister Margaret Thatcher, who took elocution lessons early in her career to learn to speak with more authority.
For her Oscar-winning performance in 1982’s “Sophia’s Choice,” in which Streep portrays a Polish immigrant, she “spent three months learning the Polish language,” says Vecsey.
“She then rehearsed her Polish accent in English in order to capture the natural rhythms of speech. She spoke all day in her new accent, so much that her own child did not recognize her voice. She also picked up some German.
“It’s a tremendous amount of work.”
But a convincing voice, of course, is only one part of constructing a character, Vecsey says. “Streep works very hard to find the character and it really shows. She is one of those actors who can do anything because she has the empathy to become the character, but doesn’t judge the character.
“That’s something I try to teach my students: It doesn’t matter who you play, you cannot judge the characters you are portraying. You have to accept them and find something that you love about them — otherwise people will not believe you on stage.”
A native of Budapest, Hungary, Vecsey was that nation’s first voice and speech teacher to be trained at the Hungarian Academy of Drama and Film (now the University of Drama and Film), completing her training in 1991. She came to Bates in 1996 and was promoted from lecturer to senior lecturer in 2011. Vecsey lives in Lewiston with her husband, John Painter, and their son, Kelen.


![Sukanya Shukla Ô20 as Eurydice, Ethan Winglass Ô19 as Orpheus, Tim Dugan as Father, Cael Schwartz Ô19 as Man; Lord of Underworld, Madison Shmalo Ô19 as Little Stone, Jack Willis Ô19 Loud Stone, Lucas Allen Ô22 as Big Stone, perform during a dress rehearsal of Eurydice at Schaeffer Theater on October 31, 2018.
Eurydice by Sarah Ruhl
Directed by Dana Professor Martin Andrucki
Orpheus is a musical genius, Eurydice is his beautiful bride-to-be; but on the day of their wedding she dies suddenly. Heartbroken, Orpheus follows his beloved to the underworld, where his music persuades the lords of Hades to allow her to return to lifeÑon one condition. Discover what that is in this modern retelling of a classical myth by Sarah Ruhl, twice-nominated for the Pulitzer Prize in drama. ÒRhapsodically beautiful. . . [An] inexpressibly moving theatrical fable about love, loss and the pain of memory.ÓÑThe New York Times.
Please note: Box Office/Lobby for Eurydice is in The Black Box Theater at the rear of Schaeffer.
Thu, Nov 1, 7:30pm
Fri, Nov 2, 7:30
Sat. Nov 3, 5pm
Sun, Nov 4, 2pm
Mon, Nov 5, 7:30pm
Black Box Theater
DIRECTORÕS NOTE
Orpheus, the greatest musician who ever lived, married the beautiful Eurydice. She died on their wedding day, and descended into the Underworld. The grieving Orpheus followed her there, and by the beauty of his music persuaded the Lord of Hades to allow his bride to rejoin the living. It would be easy: Eurydice would simply follow Orpheus on the path back to life. However, there was one condition: if Orpheus looked behind him to assure that Eurydice was following, she would die againÑforever. He did look back; she did die again, forever; and Orpheus spent the rest of his life in mourning.
The classical version of this story focuses on Orpheus and his grief. Our playwright, Sarah Ruhl, puts Eurydice at the center of her drama, examining the crisis of a young woman who must choose between a romantic lover who doesnÕt understand her, and a dead father who does.
Lethe is one of five rivers in the Underworld. The newly dead are dipped in its water to wash away all their memories of life. It encircles the scene of our play.
PRODUCTION STAFF
Stage Manager; Sound Designer...........................................Deon Custard Ô21
Vocal Director......................................................................Katalin Vecsey Technical Director................................................................ Justin Moriarty
Assistant Technical Director..................................................Aidan McDowell Assistant Scenic Designer................................................Kirstin Koepnick Ô21 Assistant Lighting Designer.................................................Amiee Oakes Ô20 Assistant Stage Manager.....................................Luis David Molina Rueda Ô21 Costume Shop Supervisor... .....................................................Carol Farrell
Costume Shop Crew........................................Jade Zhang '21, Julia Nash '21 ............................Brooke Jandreau '20 Sara Hollenberg Õ19, Talia Sperduto '21 ...............................Jamie Kelleher Õ19, Sukanya Shukla Õ19, Kate Loughlin '22 Wardrobe........................................Brooke Jandreau Õ20, Sara Hollenberg '19 Foley Art.........................................................Henry King Ô22, Noah Pott Ô22 Light Board Operator..........................................................Aimee Oakes Ô20
Sound Board Operator............................................................Henry King Ô22
Carpenters...........................Quinn Healy '19, Haley Crim Õ19, Olivia Gomez '22 ...............................Julia Gutterman '20, Madison Hallowell '20, Henry King '22 .............Michael Hartnett '20, Julie Jesurum '22, Erin Lyons '21, Patrick Reilly '21 ........................Luis David Molina Rueda '20, Yilun Wu '22, Carlo Cremonini '21 ........Kei K. Ching Õ19, Kirstin Koepnick Ô21, Giulia Andronico de Morais Salles '22 ............................Deon Custard '21, Xavier Hayden '19, Gabriele Gucagaite '21 Animation......................................................Mayele Alognon Ô20, Sophie Gerry Ô20 ................................Daisy Diamond Ô19, Maddy Hallowell Ô20, Kirstin Koepnick Ô21 Run Crew..........................................Kei K. Ching Ô19, Gabriele Gucagaite Ô21
Box Office.....................................Alexandra Gilbertson '22, Georgia Moses Õ21 Poster Design............................................................................Lily Kip Ô19 Social Media ..............................................David Garcia Ô20, Nicky Longo Ô21 Custodians......................................................Hussein Kulow, Ed Woodhead
Special Thanks to: John Blanche e; John Corrie](https://www.bates.edu/news/files/2018/11/181031_Eurydice_2870-200x133.jpg)


