Theater Production Workshop presents bittersweet ‘Little Egypt’

Colette Girardin ’17, Singha Hon ’14 and Allie Freed ’17 are the Waltzes in the Bates production of “Little Egypt.” (Doug Hubley/Bates College)
A Bates College cast and crew present Lynn Siefert’s 1987 play Little Egypt, a bittersweet comedy about romance’s roller-coaster rides in a small Midwestern town, in performances at 7:30 p.m. Thursday and Friday, May 15-16; 5 p.m. Saturday, May 17; and 2 p.m. Sunday, May 18.
Performances take place in Bates’ Gannett Theater, 305 College St. Tickets cost $6 and $3 for students and seniors 65-plus, and are available at batestickets.com. For more information, please call 207-786-6161.
Dana Professor of Theater Martin Andrucki directs Little Egypt as part of a course taking place during Short Term, the college’s intensive five-week spring semester.
Commissioned by Chicago’s Steppenwolf Theatre Company, Little Egypt is set in the town of Cairo, Ill., and takes its name from the nickname of the state’s southern third. It debuted in 1987 and was later adapted as a musical by New York City’s Playwrights Horizons.
Mother Faye and her adult daughters, the hot ticket Bernadette and the nerdish lost soul Celeste, work together as waitresses while negotiating volatile love affairs with, respectively, the mayor of Cairo; an aggressive jerk called Watson; and Watson’s roommate Victor, a shy, goofy security guard suffering the effects of military service in Vietnam.
Audiences “will really be able to relate to these characters,” says Andrucki. “These are hardworking ordinary folks, the kind of people you meet in everyday life.”
For his student actors, Andrucki adds, “I thought this play would be something that students could understand, emphasize with — it’s a way of simultaneously expanding their experience as actors and as human beings.
“And of course, it’s a funny play and it’s also a sad play. So it touches a wide range of emotions in a way that is challenging to our students as actors.”
The production is the result of the Theater Production Workshop, a course aimed at the college’s most experienced theater students. The workshop uses Short Term, in which each student concentrates on a single course, to create a professional-style work environment.
“It’s a great opportunity for the students to experience a real living laboratory in acting, in particular, and in design and directing,” says Andrucki. “They concentrate full-time on what they are doing, the way the grown-ups do it.”
Accounts vary as to how Illinois’ Little Egypt got its nickname. One explanation is that the region, bordered on three sides by major rivers, resembles Egypt’s Nile Valley. The Mississippi and Ohio rivers meet at Cairo, and Andrucki — without revealing how it will be depicted on stage — notes that the river runs right through the play’s plot, so to speak.
Celeste, who returns to Cairo after 12 years in college, originally fled “shortly after her father committed suicide in the river,” Andrucki says. “The river has a kind of spiritual aura throughout the play. A number of important scenes are set at the river’s edge, including the last scene, which is the emotional resolution for one of the two sisters.”
Playing the role of Faye is sophomore Allie Freed from Magnolia, Mass. Daughter Bernadette is a New York City native, senior Singha Hon, and daughter Celeste is another New Yorker, Colette Girardin, a sophomore from East Moriches, N.Y.
Sam James, a first-year student from Raleigh, N.C., portrays Watson, while Ciaran Walsh, a junior hailing from Washington, D.C., plays Victor. Rounding out the cast of characters is junior Jon Schwolsky of North Caldwell, N.J., as Hugh.
Behind the scenes, Little Egypt’s stage manager is Benjamin Cuba, a sophomore from Worcester, Mass., and assistant stage manager is first-year student Jacqueline Cooper from Hazel Crest, Ill. Chris Makrides, a senior from Cape Elizabeth, Maine, is props master.
In addition to Andrucki, faculty members involved in the production are sound, lighting and set designers Michael Reidy and Justin Moriarty; and Carol Farrell, costume designer.

![Sukanya Shukla Ô20 as Eurydice, Ethan Winglass Ô19 as Orpheus, Tim Dugan as Father, Cael Schwartz Ô19 as Man; Lord of Underworld, Madison Shmalo Ô19 as Little Stone, Jack Willis Ô19 Loud Stone, Lucas Allen Ô22 as Big Stone, perform during a dress rehearsal of Eurydice at Schaeffer Theater on October 31, 2018.
Eurydice by Sarah Ruhl
Directed by Dana Professor Martin Andrucki
Orpheus is a musical genius, Eurydice is his beautiful bride-to-be; but on the day of their wedding she dies suddenly. Heartbroken, Orpheus follows his beloved to the underworld, where his music persuades the lords of Hades to allow her to return to lifeÑon one condition. Discover what that is in this modern retelling of a classical myth by Sarah Ruhl, twice-nominated for the Pulitzer Prize in drama. ÒRhapsodically beautiful. . . [An] inexpressibly moving theatrical fable about love, loss and the pain of memory.ÓÑThe New York Times.
Please note: Box Office/Lobby for Eurydice is in The Black Box Theater at the rear of Schaeffer.
Thu, Nov 1, 7:30pm
Fri, Nov 2, 7:30
Sat. Nov 3, 5pm
Sun, Nov 4, 2pm
Mon, Nov 5, 7:30pm
Black Box Theater
DIRECTORÕS NOTE
Orpheus, the greatest musician who ever lived, married the beautiful Eurydice. She died on their wedding day, and descended into the Underworld. The grieving Orpheus followed her there, and by the beauty of his music persuaded the Lord of Hades to allow his bride to rejoin the living. It would be easy: Eurydice would simply follow Orpheus on the path back to life. However, there was one condition: if Orpheus looked behind him to assure that Eurydice was following, she would die againÑforever. He did look back; she did die again, forever; and Orpheus spent the rest of his life in mourning.
The classical version of this story focuses on Orpheus and his grief. Our playwright, Sarah Ruhl, puts Eurydice at the center of her drama, examining the crisis of a young woman who must choose between a romantic lover who doesnÕt understand her, and a dead father who does.
Lethe is one of five rivers in the Underworld. The newly dead are dipped in its water to wash away all their memories of life. It encircles the scene of our play.
PRODUCTION STAFF
Stage Manager; Sound Designer...........................................Deon Custard Ô21
Vocal Director......................................................................Katalin Vecsey Technical Director................................................................ Justin Moriarty
Assistant Technical Director..................................................Aidan McDowell Assistant Scenic Designer................................................Kirstin Koepnick Ô21 Assistant Lighting Designer.................................................Amiee Oakes Ô20 Assistant Stage Manager.....................................Luis David Molina Rueda Ô21 Costume Shop Supervisor... .....................................................Carol Farrell
Costume Shop Crew........................................Jade Zhang '21, Julia Nash '21 ............................Brooke Jandreau '20 Sara Hollenberg Õ19, Talia Sperduto '21 ...............................Jamie Kelleher Õ19, Sukanya Shukla Õ19, Kate Loughlin '22 Wardrobe........................................Brooke Jandreau Õ20, Sara Hollenberg '19 Foley Art.........................................................Henry King Ô22, Noah Pott Ô22 Light Board Operator..........................................................Aimee Oakes Ô20
Sound Board Operator............................................................Henry King Ô22
Carpenters...........................Quinn Healy '19, Haley Crim Õ19, Olivia Gomez '22 ...............................Julia Gutterman '20, Madison Hallowell '20, Henry King '22 .............Michael Hartnett '20, Julie Jesurum '22, Erin Lyons '21, Patrick Reilly '21 ........................Luis David Molina Rueda '20, Yilun Wu '22, Carlo Cremonini '21 ........Kei K. Ching Õ19, Kirstin Koepnick Ô21, Giulia Andronico de Morais Salles '22 ............................Deon Custard '21, Xavier Hayden '19, Gabriele Gucagaite '21 Animation......................................................Mayele Alognon Ô20, Sophie Gerry Ô20 ................................Daisy Diamond Ô19, Maddy Hallowell Ô20, Kirstin Koepnick Ô21 Run Crew..........................................Kei K. Ching Ô19, Gabriele Gucagaite Ô21
Box Office.....................................Alexandra Gilbertson '22, Georgia Moses Õ21 Poster Design............................................................................Lily Kip Ô19 Social Media ..............................................David Garcia Ô20, Nicky Longo Ô21 Custodians......................................................Hussein Kulow, Ed Woodhead
Special Thanks to: John Blanche e; John Corrie](https://www.bates.edu/news/files/2018/11/181031_Eurydice_2870-200x133.jpg)


