Josef Koudelka

Synergy Seminar Gallery, April 1 – May 28, 2006

Born in Monrovia, Czechoslovakia in 1938, Josef Koudelka began photographing his family and surroundings as a teenager with a 6 x 6 Bakelite camera.

He was trained at the Technical University in Prague and worked as an aeronautical engineer in Prague and Bratislava from 1961-67. He had been able to obtain an old Rolleiflex and in 1961, while working as a theater photographer in Prague, started a detailed study of the gypsies of Slovakia, who were then undergoing further attempts to “assimilate” them within the Czech state. His work was the subject of an exhibition in Prague in 1967.

In 1968 Koudelka extended his project to gypsy communities in Rumania and that same year recorded the invasion of Prague by Warsaw Pact armies. Smuggled out of the country and published with the initials P.P. ( Prague photographer) to protect his family, the highly dramatic pictures showing Russian tanks rolling into Prague and the Czech resistance became international symbols and won him the prestigious Robert Capa Gold Medal. The images to be shown at Bates are from these two projects.

In 1970 Koudelka left Czechoslovakia and, officially stateless, was awarded asylum in England. Introduced to Magnum by Elliott Erwitt, he became an associate in 1971 and a member in 1974, but still refused most journalistic assignments: in constant movement, he preferred to wander around Europe in search of pictures of a world that he felt was rapidly disappearing, Koudelka has been the recipient of major grants and awards such as the Prix Nadar (1978), the Grant for Research Abroad, and an official invitation from the French Ministry to document urban and rural landscape in France (1986), as well as a Grand Prix National de la Photographie (1989) and a Grand Prix Cartier-Bresson (1991). The grants sustained him through long-term projects in black and white which led to many exhibitions and the publication of several books following Gypsies (1978) such as Exiles (1988) shot at the edges of Europe in Ireland, Spain, Portugal and Greece.

After becoming a French citizen in 1987, Koudelka was able to go back to Czechoslovakia for the first time in 1990 and produced Black Triangle, a study of his native country’s landscape wasted by industrialization and environmental catastrophies.

Biographical information from

Josef Koudelka is curated by Julia Knight ’06 and John Phelan ’06 as part of the Students in the Vault exhibition series.