Michael Morgan
In my work I explore traditional European and Ancient Islamic forms through a modern aesthetic. I design highly stylized vessels that blur the lines between utilitarian and sculptural work. I want the viewer to appreciate the beauty of the designs which are heavily inspired by classical pottery from centuries ago.
That emphasis on appreciation comes from my first experiences with ceramic works. Growing up in Jamaica, my family had a cabinet of prized English dinnerware sets in my living room. The dinnerware was never widely used in the house, but added some class and sophistication to the space just with its presence. My mother would spend hours polishing the dinner sets and making sure the glass door of the cabinet
was spotless, so that visitors could easily see the variety of crockery that belonged to the home. As an artist, my ceramic pieces are meant to do the same as elegant timepieces that elevate a space.
In the initial stage of my process, I do extensive research into the classical forms and motifs from earlier European and Islamic work. Then, there is a free-flowing stage of sketching designs into my sketchbook. This is where I try to reinvent those classical forms and bring them into the contemporary period. I experiment with shape, color schemes and surface designs to create a new representation of those original forms. It is important for me to be disruptive in my thinking as I am creating these new designs; thinking about what aesthetic looks interesting, new and playful. That creative experimentation process in my sketchbook is very important as it helps to give me clarity and confidence before I go behind the potter’s wheel. The pieces are then created using stoneware clay and cone 10 glazes finished in reduction firing.
Ultimately, my body of work is aimed at inviting the viewer to pause and appreciate the beauty that comes from intentional design. My work is meant as an expression of the finer side of ceramic artmaking that emphasizes patience, diligence and the careful execution of planned work. The work allows the viewer to have an engaging visual experience through intricate patterns and striking colors that harmonize with the shape of the form. All of these elements come together to create a type of contemporary classicism. I want the pieces to look familiar, but inventive at the same time.